Curators Directory

Our searchable directory features curators, artists, writers, and more to come as we expand our networks and communities.

    Ingrid Jones

    Indu Vashist

    The Collaboratory for Black Poiēsis

    SA Smythe

    Lara Arabian

    Amy Wong

    Andreann Asibey

    Warren Harper

    Elida Schogt

    Embassy Cultural House

    Yanaminah Thullah

    Victoria Carrasco

    Wang Zi

    Dee Dee Decay

    Anika Iyer

    Hala Alsalman

    Xinyi Tian

    Jasmine Liaw

    Book WorksLondon UK

    Silver PressLondon UK

    David Zwirner BooksNew York

    Set MarginsEindhoven

    Vera List Center for Art and PoliticsNew York

    PS GuelphGuelph

    Or GalleryVancouver

    PAVED ArtsSaskatoon

    AKA Artist-RunSaskatoon

    Toxoplasma PressStockholm

    Remai ModernSaskatoon

    dis assemblyToronto

    Dunlop Art GalleryRegina

    TURBA: The Journal for Global Practices in Live Arts CurationMontreal

    BlackFlash MagazineSaskatoon

    Inuit Art QuarterlyToronto

    MacKenzie Art GalleryRegina

    Ottawa Art Gallery

    Esse arts + opinions

    The Joan and Martin Goldfarb Gallery of York University

    Dena Davida
    An artwork features a large assemblage of colourful abstract paintings

    John Climenhage

    Kathleen Foran-Spragge

    Jenelle Smith
    Installation view of a panel titled "The Love that Remains" in the middle, featuring curatorial statements with colorful embroidery. To each side are a knitted fabric piece and a blue illuminated artwork.

    Samantha Lance

    Bonny Poon / Conditions

    Yaoxi Zhu
    A man in a light blue collared shirt sits beside a table displaying multiple editions of C Magazine.

    Jonathan Middleton

    Tangled Art + Disability

    Carleton University Art Gallery

    agustine zegers
    A sign reading "Chez Moi Books" hangs off a table stacked full of various vintage books.

    Chez Moi Books
    A sign reading "Artexte" hangs from a black table-clothed table with various art books on display.

    Artexte
    A light skinned hand holds a flyer reading "TWO PUBLISHERS / FOUR PRESSES" from Half Letter Press.

    Half Letter Press
    A black table-clothed table is stacked with multiple exhibition publications.

    The Robert McLaughlin Gallery
    A black table-clothed table displays multiple issues of C Magazine.

    C Magazine
    Various colourful books from Floating Opera Press are displayed on a table with black table cloth.

    Floating Opera Press
    A dark skinned hand holds a book showing a two page spread depicting a sculpture of dolls marked with black insect silhouettes.

    Onsite Gallery
    Various colourful, risograph printed zines and prints are displayed on a table with a black table cloth.

    Colour Code
    An open copy of PATINAPATINA Magazine's first issue is on display, showing a two page spread that reads "Residual Activation" on a table with a kuffiyeh.

    PATINAPATINA Magazine
    A blue and white, risograph printed, illustrated zine is shown folded and opened, titled RUN AWAY HAT.

    Grace Vali
    A table stacked full with multiple books, including titles "My Conversations with Canadians", "Dry Your Tears to Perfect your Aim", and "Before I Was a Critic, I Was a Human Being".

    Book*Hug Press
    A black table-clothed table displays multicoloured illustrative prints by Angela Zhang on bamboo racks.

    Angela Zhang
    A light skinned person holds a book to the camera. Its cover depicts two white skinned children wearing green tee shirts that say "Brother For Sale $1" and "Sister For Sale $1". The book is titled "Clara Gutsche: Portraits d'enfants"

    Optica: Centre D'Art Contemporain
    A black table-clothed table filled with books features titles including "WORDLESS", "A Guest A Host A Ghost", and "Selected Writings on Black Canadian Art".

    Art Metropole
    A table with a black tablecloth displays multiple zines, including titled "Torn Cut", "We're All Fucked", and "Poutine Politics".

    Possible Worlds
    A table with a black tablecloth displays brightly coloured editions of FEELS zine. A mannequin hand holds green business cards.

    Feels Zine

    Sheer Spite Press

    Amin Alsaden
    A large bell in front of a two-channel video projection depicting a foundry

    Noor Alé

    Geneviève Wallen

    Swapnaa Tamhane
    Video still of a young person of colour wearing a bright blue shirt with a floral motif, while yelling in front of a blurred backdrop of vibrant greenery.

    Zoë Chan

    Kate Whiteway

    francesca ekwuyasi
    [A close-up of a hanging mixed media artwork with stitched sections of blue cyanotypes, black and white photo negatives, and raffia.

    Adama Delphine Fawundu
    A framed black and white photographic diptych depicting a black woman using a mortar and pestle, captioned “LEAVE TO DRY, CRUSH” in bold black text.

    Kosisochukwu Nnebe
    paperback book with yellow cover featuring list of essay titles in black type, leaned up against a stack of the same book

    Yaniya Lee

    Bushra Junaid
    In a contemporary art gallery, multi coloured candy machines are filled with found objects like watermelon candy, cotton, brown sugar, and basketball paraphernalia.

    Oluseye

    Shaya Ishaq
    A close-up image of a singer, a woman in her late 50s, with dark hair, wearing a large decorative headpiece made of layered fabric. She has pearl earrings, bold red lipstick, and is dressed in a high-collared, pleated garment with shimmering details. The lighting casts shadows on her face, creating a dramatic and intense expression as she gazes toward her audience beyond the frame of the image. The dark background further emphasizes her face and attire.

    Jacqueline Hoàng Nguyễn

    Kay Rangel

    Ernesto Cabral de Luna

    Safia Siad

    Renee Gladman

    Rashid Zakat

    Adee Roberson

    Ahmed Naji

    El Rass

    Anahita Norouzi

    Katherine Melançon

    Lamis Haggag

    Joi T. Arcand

    Catherine Blackburn

    Celeste Pedri-Spade

    Ariel Smith

    Nadya Kwandibens

    Aislinn Thomas

    Dayna Danger

    Chandra Melting Tallow

    Andy Slater

    Stephanie Creaghan

    Tamyka Bullen

    Gillian Dykeman

    Morgan Melenka

    Megan Gnanasihamany

    Anne Macmillan

    Ashna Jacob

    Larissa Sansour

    Reza Nik

    Adrià Julià

    Dallas Fellini

    L. M. Ramsey

    Karina Iskandarsjah

    Kalina Nedelcheva

    Emma Steen

    AXIS Curatorial

    Farah Al Qasimi

    Kaya Joan

    Bea Parsons

    Yelaine Rodriguez

    Whyishnave Suthagar

    Brendan George Ko

    Žana Kozomora

    wave~form~projects

    Magdalyn Asimakis

    Fatma Hendawy Yehia

    Nona Inescu

    Lila de Magalhaes

    Jenine Marsh

    Laurie Kang

    Tanya Lukin Linklater

    Chris Andrews

    Lillian O'Brien Davis
    From above, a photo of two people touching a sprawling textile sculpture called Big Softie. They reach into the guts, which are soft and dimpled and made from stuffed knee socks and nylon stockings, and examine the Unidentified Remains that are scattered amongst them. At the centre lies Big Softie’s heart, a red patchwork soft sculpture with tendrils extending outward.

    Sean Lee

    Basil AlZeri

    Farrah Miranda

    Nelson Wu

    Karen Tam

    Morris Lum

    Valérie Frappier

    Tsēmā Igharas

    Ileana Hernandez Camacho

    Alana Bartol

    Emilie Croning

    Jorian Charlton

    Liz Ikiriko

    Camille Rojas

    Curtiss Randolph

    Alex Jacobs-Blum

    Kablusiak

    Zinnia Naqvi

    Eric Chengyang

    ma ma

    Marina Xenofontos

    Eleana Antonaki

    HollyJo

    naakita feldman-kiss

    Mara Eagle

    Rouzbeh Akhbari

    Felix Kalmenson

    Pansee Atta

    Eve Tagny
    Mirae Lee, Namesake, Co-facilitated/curated with Pruneah Kim and Abby Ho, 2018.

    Mirae Lee
    ...move or be moved by some 'thing' rather than oneself, curated by Florence-Agathe Dubé-Moreau and Maude Johnson, installation view with work by Guillaume Adjutor Provost, Nadège Grebmeier Forget, and Adam Basanta, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid.

    Maude Johnson
    Adam Basanta, Curtain (white), 2016, sound installation (detail), 2x2x.20 meters; Adrienne Crossman, Footnotes to a Queer Art Practice, 2018, mixed-media installation, in ...move or be moved by some 'thing' rather than oneself, curated by Florence-Agathe Dubé-Moreau and Maude Johnson, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid.

    Florence-Agathe Dubé-Moreau
    Nadège Grebmeier Forget, Rendering on View (Betty Rowland meets Angela Aames). Performed on May 27th 2017 as part of the installation Walls of Wind: The mirroring and rendering. Created in the context of the group exhibition I've Only Known My Own curated by Nicole Burisch and presented from April 21st to June 10th 2017 at OPTICA, Montréal. Photo: Paul Litherland.

    Nadège Grebmeier Forget
    Guillaume Adjutor Provost, The poetry, the text, was humans, 2017, steel, acrylic, book, polyester, feathers, synthetic fibers, 60 cm x 61 cm x 80 cm. Diagonale, Montreal, 28/04/2017 - 10/06/2017, installation documentation by Guy l'Heureux.

    Guillaume Adjutor Provost
    Adrienne Crossman, Queer Still Life, Part I (still), 2016, single channel video, 1min 28 sec loop.

    Adrienne Crossman

    Adam Basanta

    Cass Gardiner
    Reflection Series, Untitled Image 2, Colour photo, 35.5 x 35.5 cm, image courtesy of the artist.

    Lacie Burning

    Magali Duzant

    Midi Onodera

    Brandon Dalmer

    Nahed Mansour

    Andrea Luka Zimmerman
    Maha Maamoun, The Subduer, 2017, Inkjet print, 84 x 63 cm.

    Maha Maamoun

    Khaled Hourani
    Quratulain Butt, Ego, 2018, digital print on adhesive vinyl mounted to billboard, 8 x 8 feet. Winter 2018 Billboard on Shaw, curated by Nahed Mansour and Toleen Touq.

    Quratulain Butt

    Ed Panar
    Alex Sheriff, Droopy History (process photo), 2016, video installation 2:50 minutes.

    Alex Sheriff
    Smriti Mehra, Banquet (still), 2015, video 14:00min in We Look at Animals Because, 2017, Critical Distance Centre for Curators.

    Smriti Mehra
    The River Has Two Banks, 2012-present, ongoing project initiated by Shuruq Harb, Samah Hijawi and Toleen Touq.

    Toleen Touq
    Arabian Delight, 2008, Rexine suitcase, taxidermy camel, metal rods, cotton wool and fabric, 41.5" (H) x 57" x 61" (105 cm x 144cm x 155cm). Installation documentation by David C. Alesworth.

    Huma Mulji
    Sonya Filman, Conduit #1, etching, 22"x30", 2017.

    Sonya Filman
    Tessar Lo, a past-present version through rose-coloured lenses, 5x6’, 1.52x 1.83m, mixed media and collage on canvas, 2017.

    Tessar Lo
    Eric Oglander, cut strips of type from cardboard boxes, beeswax, gauze on watercolor paper, 10"x10"

    Eric Oglander
    Manar Moursi, Sidewalk Salon: 1001 Street Chairs of Cairo

    Manar Moursi
    Yael Brotman, Scaffolding, etching on Japanese Paper and foamcore

    Yael Brotman
    Melanie Chikofsky, Magnetic Repulsion (detail), metallic paint, magnets, ball bearings, found objects, metal stand

    Melanie Chikofsky

    Meghan Price
    Doug Guildford, Wasp, 2013 (ongoing), crocheted poly-twine, dimensions variable

    Doug Guildford
    Exhibition space with a framed print on white walls and a sculpture on a plinth, with a gallery office visible beside it, featuring a bookshelf filled with books, sculptures, and framed photos.

    Shani K Parsons

    Roula Partheniou
    Images from the Extinct Entities performances on October 12, 2013 at the Gray Center as part of the exhibition Unfurlings: Five Exploration in Art, Activism, and Archiving

    Anthony Stepter
    Wendy, 6 ½ x 9, 216 pages, b&w, trade paper November 2014, Published by Koyama Press

    Walter Scott
    "6 Tips on DIY Pickling & Other Cleaning Conundrums Solved", 2016/2017, oil on canvas, 16x12 inches

    Kayla Polan
    Angell Gallery, Toronto, 2 June - 8 July, 2017

    Erika DeFreitas
    Image from "Serpents and Doves, HD video, 30min, 2017.

    Nellie Kluz
    "Threshold", Asian Art Museum, San Francisco, 2015 Curated by: Marc Mayer.

    Sanaz Mazinani
    Sarah Nasby, Living Things (Eva Zeisel vessel, kombucha, lines pattern), 2017.

    Sarah Nasby
    Image from BASECAMP.EXE, 2013-2014.

    Carey Peppermint
    Microbial Selfies (prints), 20"x30", collage: Kim Chi, Blueberry Mead, Red Cabbage Kraut, 2015.

    Leila Nadir
    Marc Fischer, Public Collectors, 2017.

    Marc Fischer
    Sarah Comfort, Untitled from series Uncanny Valley, 2016, hand-dyed RC silver print, 8"x10".

    Sarah Comfort
    Chris Lee (cairolexicon), Model M Postcard, from Making Models, University of Toronto Art Centre, 2017.

    Yan Wu
    "Muscle Panic PRACTICE MAKES PRACTICE", installation w/performance (performance detail), 40mins, Trasi Jang, installed and performed at the Contemporary Art Gallery/CAG, Vancouver, BC, 2016.

    Hazel Meyer
    "The Queen's Punishment", performance, facilitated by FAG (Feminist Art Gallery), images credit: Aliya Pabini, Access Gallery, Vancouver, BC 2012.

    Sharlene Bamboat
    Sophia Nahz, Welcome, 2016, selections from a series of photographs, Critical Distance Centre for Curators.

    Amelia Merhar
    "No No No No No", installation shots from solo show, bb Gallery, Baltimore, MD, (Remotes 15” x 22” Archival digital print), 2016.

    Dina Kelberman
    Import Export (installation), 2016. Temnikova & Kasela.

    Jimmy Limit
    Image from series: "Not This Way Either", 2012.

    Sebastian Benitez
    "The Crux" (installation photo). Foreground: "what we need to keep us", 2016, steel, gauze, stone. Background: "plan for a resting place", 2016, inkjet on paper.

    Mickey Mackenna
    "77 Vision Cards", 2014.

    Maggie Groat
    "40 consecutive photographs of here", 2005, colour photographic prints on clear acrylic sheets, 7.5” x 5.5” x 5”.

    Karen Henderson

    Daniella Sanader
    detail of installation for A Sensitive Surface, 2016

    Shelby Fenlon
    Romantic & Impassive No.01, 2015, 24’’ X 30’’, Digital Ink Jet

    Katelyn Gallucci
    Boskovic, Petar, Entrance, 2016, Chomira Print

    Petar Boskovic
    For every one that flees, there are many more who chase, 2015, notebook. 8.5 x 11 in.

    Maxwell Hyett
    Juan Ortiz-Apuy, Organic Minimalism, handcut collage on foamboard, 2015.

    Juan Ortiz-Apuy
    Biliana Velkova, Landscape With a Horse on Bow River, 2011, digital print on dibond, 24"x40" from Precious Commodity, Critical Distance Centre for Curators, 2017. Installation documentation by Toni Hafkenscheid.

    Biliana Velkova
    Eunice Luk, Max Height no. 4, ceramic, 2016.

    Eunice Luk
    Ella Dawn McGeough, Ogden’s Tools, found objects and wax, 2015.

    Ella Dawn McGeough

    Alison Cooley
    Ruth Adler, Still Alive, 2016. Ultrachrome inkjet print. 22 x 17 inches.

    Ruth Adler

    Cynthia Mykytyshyn
    Lucy Gunning, Climbing Around My Room, 1993, a performance included by Miller in his 2013 curatorial project, Artists' Walks: The Persistence of Peripateticism

    Earl Miller

    Lilibeth Cuenca Rasmussen

    Jane Jin Kaisen

    Jens Haaning

    Jeannette Ehlers

    Patricia Kaersenhout

    Steven Beckly

    Matthew Kyba

    Mediolus corona

    Claudia Wieser

    Jessica Drenk

    Gabriel Lalonde

    Morehshin Allahyari

    Terence Nance

    Marianna Milhorat

    Astarte Rowe

    Emily Cook
    The Final Contraction (installation views), 2012. Self-adhesive vinyl on window. 23 x 135 feet. Site-specific installation at Smack Mellon, New York.

    Tamara Gayer
    Dressed Lumber (exhibition view), from Standardizing Nature: Trees, Wood, Lumber, 2014

    Susana Reisman
    Dog Luv (still), 2009. HD video transferred to Blu-ray. 30:56 min.

    Ciprian Mureșan
    Gili Mocanu, Each of Those Two Moments (exhibition view), 2010. Photo: George Vasilache.

    Oana Tanase

    Noa Bronstein
    HGSOT, 2013. Chromogenic dyes and acrylic on unprocessed Fujicolor Crystal Archive paper. 8 x 10 inches.

    Jérôme Nadeau
    C-09 (shallow cylinder), from the series Earth Plugs, 2014. White gypsum cement. 1.5x5x5 inches.

    Deborah Wang
    Remains of the Ephemeral I-IV, 2014. Cheesecloth, silk, cotton, sisal, unspun wool, horsehair, coyote fur, rubberlatex, black tea, dye, rusted steel. 24″ x 6″ (I), 30″ x 5″ (II), 22″ x 6″ (III), 32″ x 6″ (IV).

    Mary Grisey
    à jamais, 2011. Performance for a three-channel video installation. HD, silent, colour. 52 mins.

    Faye Mullen

    Maria Flawia Litwin

    Katherine Dennis

    Nicolas Fleming

    Christine Gedeon
    Site-specific installation

    Janine Miedzik
    Victoria Fu. Self-Portrait in Sweden (still), 2005, Super 8mm film transferred to video

    Victoria Fu

    Mary Hambleton

    Sara Maclean

    Heather Nicol

    Alejandro Garcia Contreras

    Josée Pedneault
    Cathryn Miller, Snowy Owl, 2009

    Cathryn Miller

    Andrea Cohen
    Alien/Recognition (Sam) series of paired photographs, 2011/2014. Archival digital print on Epson Premium Luster. Edition of 3.

    Marta Ryczko

    Manuel Saiz

    Wiska Radkiewicz

    Lyla Rye

    Leif Low-Beer