Andy Slater

Andy Slater  (he/him) is a Chicago-based media artist, writer, performer, and Disability advocate/loudmouth. He is a member of the Society of Visually Impaired Sound Artists and a teaching artist with the Atlantic Center for the Arts’ Young SoundSeekers program, Midwest Society For Acoustic Ecology, and 3Arts Disability Culture Leadership Initiative.  Andy is a 2022 United States Artists fellow, 2022-2023 Leonardo Crip Tech Incubator fellow and a 2018 3Arts/Bodies of Work fellow at the University of Illinois Chicago. In 2020 Andy was acknowledged for his art  by the New York Times in their article, “28 Ways To Learn About Disability Culture.” Andy’s current work focuses on advocacy  for accessible art and technology, Alt-Text for sound and image, the phonology of the blind body, spatial audio for extended reality, and sound design for film, dance, and video games. Www.thisisandyslater.net

EXHIBITION: The Equivalence of Alloyed Gold

October 6, 2022 - November 26, 2022

Featuring works by Stephanie E Creaghan, Andy Slater, Gillian Dykeman, Chandra Melting Tallow, Ashna Jacob, Aislinn Thomas, Anne Macmillan, Tamyka Bullen, and Dayna Danger
Curated by Megan Gnanasihamany and Morgan Melenka

On view: October 6 – November 26, 2022
Opening Reception: Thursday, October 6th, 7 to 9 pm

The making of art history is a process of translation. It flattens and unfolds through digital interfaces and methodologies of internet conservation, allowing exhibitions to spread through a temporal daisy chain of image, text, catalog, and critique. This chain of distillation — from material art object or experience to description and flat image—disseminates cultural themes, concepts, and conclusions across artistic landscapes, allowing for particular figures, galleries, and publications to become authoritative texts on contemporary work. Taking the 2018 Art Gallery of Ontario exhibition Anthropocene as its starting point, The Equivalence of Alloyed Gold is a year-long experimental commissioning and exhibition process hosted by Critical Distance Centre for Curators (CDCC) incorporating ideas of communication and sensory translation.

Find out more