EXHIBITION:OF THE SACRED

    PUBLIC ART: Billboard on Shaw by Brendan George Ko

    Info Session: Ways of Attuning

    Ways of Attuning: A Curatorial Study Group

    Art Book Fair: Critical Distance at Edition/Art Toronto

    Performance: A landscape’s spine

    EXHIBITION: You sit in a garden

    Performance: CORPS ROCA presents L’ESPÈCE MOLLE

    PUBLIC ART EXHIBITION: Place Settings

    PUBLIC ART: Billboard on Shaw by Tsēmā Igharas

    EXHIBITION: Groundwork

    Billboard on ShawJorian Charlton

    Case Study: El Alto

    Workshop: Galeries Ontario/ Ontario Galleries’ Professional Development Series

    Discussion: Archive Means and Mediums with Reel Asian

    PDA Workshop: Alt-Text Time

    PDA Case Study: A distinct aggregation / A dynamic equivalent / A generous ethic of invention

    PDA: Crip Culture and Digital Experiments

    PUBLIC ART: Billboard on Shaw by Kablusiak

    EVENT SERIES: Public Displays of Affection

    Billboard on Shaw: Zinnia NaqviThe Border Guards Were Friendly
    Provisions Live reading poster image, consisting of partner logos, images of objects and dates of reading series

    A Live Co-Reading of Provisions – Radical Care

    In Conversation: Charlotte Zhang & Friends of Chinatown Toronto

    Artist Talk: Nicole Kelly Westman

    Curating for the Future with AGYU Visiting Curator Tian Zhang

    Ocean Archive: CDCC in Exchange with TBA21-Academy (Vienna)
    figure stands in front of wooden door. She is wearing a suit and holding a live chicken. There is a cleaver knife on the ground next to her

    Pine Street: Charlotte Zhang

    PRESSING THE ISSUE Part 1: On Critical Arts Publishing in Canada

    WHO ARE WE WRITING FOR? A Workshop with Amy Fung for BIPOC Writers

    PRESSING THE ISSUE Part 2: Critical Arts Publishing in Canada Continued

    HAPPY HOUR WITH THE HIV HOWLER

    A Big Heritage with A Glorious Past

    The Wisdom of Ruins: Special Exhibition in conjunction with DesignTO

    The Culture of Crip Aesthetics

    Dream-Worlding with Dolleen Tisawii’ashii Manning

    How to Make Your Own Word Scavenger Hunt with Vanessa Dion Fletcher

    Indigeneity, Neurodiversity and the Arts

    Critical Distance at Edition Toronto 2019

    ACCESS IS LOVE and LOVE IS COMPLICATED

    FRUITMACHINE

    Billboard on Shaw: Pejvak | The Bell at the End of Time

    PUBLISHING AGAINST THE GRAIN at CRITICAL DISTANCE

    Room For Shifting Expressions: Critical Distance at NUIT ROSE 2019

    An Archive, But Not An Atlas

    Nicole Kelly Westman: a slight space amidst

    AMANDA BEECH: Constructing Time | Talk + Screening

    Billboard on Shaw: Ivanie Aubin-Malo | Oposiyik
    Performance documentation (still), Ivanie Aubin-Malo in response to work by naakita feldman-kiss at SAW Video (Ottawa), 2018.

    PUBLIC SYNTAX: SAW Video at CRITICAL DISTANCE
    Taboo Health, DIYing Free, installation with Design TO Festival at Critical Distance Centre for Curators, 2019.

    DIYing Free for DesignTO
    CDCC Edition/3 featured book covers

    Critical Distance at the 2018 Edition Art Book Fair

    THROUGH LINES
    Nadia Myre, Indian Act (Billboard), 2002, digital print on adhesive vinyl, 8 x 8 feet, from Through Lines curated by Noa Bronstein, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid.

    Billboard on Shaw: Nadia Myre | Indian Act

    EXPOSING LIMINALITIES

    Art Book Week at Critical Distance
    Nadège Grebmeier Forget, Rendering on View (Betty Rowland meets Angela Aames). Performed on May 27th 2017 as part of the installation Walls of Wind: The mirroring and rendering. Created in the context of the group exhibition I've Only Known My Own curated by Nicole Burisch and presented from April 21st to June 10th 2017 at OPTICA, Montréal. Photo: Paul Litherland.

    … move or be moved by some ‘thing’ rather than oneself.
    Nadège Grebmeier Forget, After Rendering on View (Betty Rowland meets Angela Aames), May 27, 2017, performance documentation and multi-platform intervention (billboard, 8x8 ft), in ...move or be moved by some 'thing' rather than oneself, curated by Florence-Agathe Dubé-Moreau and Maude Johnson, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid.

    Billboard on Shaw: Nadège Grebmeier Forget | After Rendering on View (Betty Rowland meets Angela Aames), May 27, 2017.

    FORWARD FACING
    Dayna Danger, Kandace (Billboard), 2018, digital print on adhesive vinyl, 8 x 8 feet, from Forward Facing curated by Cass Gardiner, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid.

    Billboard on Shaw: Dayna Danger | Kandace

    WE LOOK AT ANIMALS BECAUSE
    Winter 2018 Billboard on Shaw, "Ego" by Quratulain Butt, from We Look at Animals Because, curated by Nahed Mansour and Toleen Touq, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid.

    Billboard on Shaw: Quratulain Butt | Ego

    Critical Distance at the Edition Art Book Fair

    FERMENTING FEMINISM
    Fall 2017 Billboard on Shaw, "Living Things" (Eva Zeisel vessel, kombucha, lines pattern) by Sarah Nasby, from Fermenting Feminism, curated by Lauren Fournier, Critical Distance Centre for Curators, 2017. Installation documentation by Toni Hafkenscheid.

    Billboard on Shaw: Sarah Nasby | Living Things

    FUTURE LEGACY | Design for Canada’s Next 150 Years

    MOVING HOME: The Art and Embodiment of Transience Emerging from Canada’s Child Welfare System
    GENERATORS Presented by CDCC in partnership with the Toronto Art Book Fair, curated by Anthony Stepter, 2017

    GENERATORS | Presented by CDCC in partnership with the Toronto Art Book Fair

    Billboard on Shaw: Mountainburger | Aislinn Thomas

    SIGNALS & SENTIMENTS: A Featured Exhibition of the 2017 CONTACT Photography Festival

    Precious Commodity | Eunice Luk, Ella Dawn McGeough, Juan Ortiz-Apuy, Biliana Velkova

    In House 2017 | Benefit Art Show + Silent Auction for Paperhouse Studio

    The Path, The Divide | Brynn Higgins-Stirrup

    Billboard on Shaw: Lost in Shape | Ruth Adler

    Day With(out) Art 2016: COMPULSIVE PRACTICE

    Crossing the Line: Contemporary Art from Denmark

    Critical Distance at the Edition Art Book Fair

    Event: Manar Moursi | Sidewalk Salon: 1001 Street Chairs of Cairo
    Claudia Wieser, Fischreiher, 2009, Gold leaf on book page, 25.5 x 20 cm from The Amoebic Workshop, curated by Astarte Rowe, 2016, Critical Distance Centre for Curators. Installation documentation by Toni Hafkensheid.

    The Amoebic Workshop: A Submerged Exhibition

    Come to My Window | Steven Beckly, curated by Matthew Kyba

    Critical Distance presents SLIPSTREAMS in the Cinesphere

    DRAIN: A Journal of Contemporary Art and Culture
    Simon Benedict media still with figure in action painting

    painter project – version 4 | Simon M Benedict

    Working Title | TYPOLOGY at the Toronto Art Book Fair (TOABF)
    Susana Reisman, Respirator masks (Custom Prototypes), Toronto, 2015.

    On The Surface | Susana Reisman

    Script, Stage, Screen | Ciprian Mureșan

    CHINA NOW: Selections from Cinema on the Edge
    Deborah Wang, Earth Plugs, 2014, white gypsum cement, dimensions variable, from Loose Ends, Critical Distance Centre for Curators 2016. Installation documentation by Toni Hafkenscheid.

    Loose Ends | Mary Grisey, Faye Mullen, Jérôme Nadeau, Deborah Wang

    Moving right along | Nicolas Fleming

    Moving Images in Contemporary Culture
    Maria Flawia Litwin, Anima (detail), 2015

    The Lowest Relief | Maria Flawia Litwin
    Photograph from The New Gods series by Josée Pedneault and Alejandro Garcia Contreras

    THE NEW GODS | Alejandro Garcia Contreras + Josée Pedneault

    FLIGHTS & LANDINGS | Tamara Gayer, Christine Gedeon, Janine Miedzik

    A Riveder le Stelle | Mary Hambleton and Sara MacLean
    Installation view of "Language Barrier Too" from Elemental: Book Works by Cathryn Miller, 2014, TYPOLOGY Projects.

    Elemental | Book Works by Cathryn Miller
    Victoria Fu, Self-Portrait in Sweden, (still), 2005, video installation, in Of Other Faces, curated by Shani K Parsons, TYPOLOGY Projects, 2014.

    Of Other Faces
    The Order of Things or, The Second Conference of the International Network of Personal Relationships (INPR), curated by Shani K Parsons, installation view with work by Leif Low-Beer, TYPOLOGY Projects, 2014.

    The Order of Things | Leif Low-Beer

    Erratic Room | Lyla Rye