EXHIBITION:Living Data, Presumed Dead

    PUBLIC ART: Billboard on Shaw by Tanya Lukin Linklater

    PUBLIC ART: Billboard on Shaw by Karen Tam

    PUBLIC ART: Billboard on Shaw by Eleana Antonaki

    PUBLIC ART: Billboard on Shaw by Yelaine Rodriguez

    EXHIBITION:Of the Sacred

    PUBLIC ART: Billboard on Shaw by Brendan George Ko

    Info Session: Ways of Attuning

    CONTINUING STUDIES: Ways of Attuning: A Curatorial Study Group

    Art Book Fair: Critical Distance at Edition/Art Toronto

    Performance: A landscape’s spine

    EXHIBITION: You sit in a garden

    Performance: CORPS ROCA presents L’ESPÈCE MOLLE

    PUBLIC ART EXHIBITION: Place Settings

    PUBLIC ART: Billboard on Shaw by Tsēmā Igharas

    EXHIBITION: Groundwork

    PUBLIC ART: Billboard on Shaw by Jorian Charlton

    Case Study: El Alto

    Workshop: Galeries Ontario/ Ontario Galleries’ Professional Development Series

    Discussion: Archive Means and Mediums with Reel Asian

    PDA Workshop: Alt-Text Time

    PDA Case Study: A distinct aggregation / A dynamic equivalent / A generous ethic of invention

    PDA: Crip Culture and Digital Experiments

    PUBLIC ART: Billboard on Shaw by Kablusiak

    EVENT SERIES: Public Displays of Affection

    PUBLIC ART: Billboard on Shaw by Zinnia Naqvi
    Provisions Live reading poster image, consisting of partner logos, images of objects and dates of reading series

    A Live Co-Reading of Provisions – Radical Care

    In Conversation: Charlotte Zhang & Friends of Chinatown Toronto

    Artist Talk: Nicole Kelly Westman

    Curating for the Future with AGYU Visiting Curator Tian Zhang

    Ocean Archive: CDCC in Exchange with TBA21-Academy (Vienna)
    figure stands in front of wooden door. She is wearing a suit and holding a live chicken. There is a cleaver knife on the ground next to her

    Pine Street: Charlotte Zhang

    PRESSING THE ISSUE Part 1: On Critical Arts Publishing in Canada

    WHO ARE WE WRITING FOR? A Workshop with Amy Fung for BIPOC Writers

    PRESSING THE ISSUE Part 2: Critical Arts Publishing in Canada Continued

    HAPPY HOUR WITH THE HIV HOWLER

    EXHIBITION: A Big Heritage with A Glorious Past

    EXHIBITION: The Wisdom of Ruins

    The Culture of Crip Aesthetics

    Dream-Worlding with Dolleen Tisawii’ashii Manning

    How to Make Your Own Word Scavenger Hunt with Vanessa Dion Fletcher

    Indigeneity, Neurodiversity and the Arts

    Critical Distance at Edition Toronto 2019

    EXHIBITION: Access is Love and Love is Complicated

    EXHIBITION: Fruitmachine | Aidan Cowling

    PUBLIC ART: Billboard on Shaw by Pejvak

    EXHIBITION: Publishing Against the Grain

    Room For Shifting Expressions: Critical Distance at NUIT ROSE 2019

    EXHIBITION: An Archive, But Not An Atlas

    Nicole Kelly Westman: a slight space amidst

    AMANDA BEECH: Constructing Time | Talk + Screening

    PUBLIC ART: Billboard on Shaw by Ivanie Aubin-Malo
    Performance documentation (still), Ivanie Aubin-Malo in response to work by naakita feldman-kiss at SAW Video (Ottawa), 2018.

    EXHIBITION: Public Syntax
    Taboo Health, DIYing Free, installation with Design TO Festival at Critical Distance Centre for Curators, 2019.

    EXHIBITION: DIYing Free for DesignTO
    CDCC Edition/3 featured book covers

    Critical Distance at the 2018 Edition Art Book Fair

    EXHIBITION: Through lines
    Nadia Myre, Indian Act (Billboard), 2002, digital print on adhesive vinyl, 8 x 8 feet, from Through Lines curated by Noa Bronstein, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid.

    PUBLIC ART: Billboard on Shaw by Nadia Myre

    EXHIBITION: Exposing Liminalities

    Art Book Week at Critical Distance
    Nadège Grebmeier Forget, Rendering on View (Betty Rowland meets Angela Aames). Performed on May 27th 2017 as part of the installation Walls of Wind: The mirroring and rendering. Created in the context of the group exhibition I've Only Known My Own curated by Nicole Burisch and presented from April 21st to June 10th 2017 at OPTICA, Montréal. Photo: Paul Litherland.

    EXHIBITION: … move or be moved by some ‘thing’ rather than oneself.
    Nadège Grebmeier Forget, After Rendering on View (Betty Rowland meets Angela Aames), May 27, 2017, performance documentation and multi-platform intervention (billboard, 8x8 ft), in ...move or be moved by some 'thing' rather than oneself, curated by Florence-Agathe Dubé-Moreau and Maude Johnson, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid.

    PUBLIC ART: Billboard on Shaw by Nadège Grebmeier Forget

    EXHIBITION: Forward Facing
    Dayna Danger, Kandace (Billboard), 2018, digital print on adhesive vinyl, 8 x 8 feet, from Forward Facing curated by Cass Gardiner, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid.

    PUBLIC ART: Billboard on Shaw by Dayna Danger

    EXHIBITION: We Look at Animals Because
    Winter 2018 Billboard on Shaw, "Ego" by Quratulain Butt, from We Look at Animals Because, curated by Nahed Mansour and Toleen Touq, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid.

    EXHIBITION: Billboard on Shaw by Quratulain Butt

    Critical Distance at the Edition Art Book Fair

    EXHIBITION: Fermenting Feminism
    Fall 2017 Billboard on Shaw, "Living Things" (Eva Zeisel vessel, kombucha, lines pattern) by Sarah Nasby, from Fermenting Feminism, curated by Lauren Fournier, Critical Distance Centre for Curators, 2017. Installation documentation by Toni Hafkenscheid.

    PUBLIC ART: Billboard on Shaw by Sarah Nasby

    Future Legacy | Design for Canada’s Next 150 Years

    EXHIBITION: Moving Home | The Art and Embodiment of Transience Emerging from Canada’s Child Welfare System
    GENERATORS Presented by CDCC in partnership with the Toronto Art Book Fair, curated by Anthony Stepter, 2017

    GENERATORS | Presented by CDCC in partnership with the Toronto Art Book Fair

    PUBLIC ART: Billboard on Shaw by Aislinn Thomas

    EXHIBITION: Signals & Sentiments

    EXHIBITION: Precious Commodity

    EXHIBITION: In House 2017 | Benefit Art Show + Silent Auction for Paperhouse Studio

    EXHIBITION: The Path, The Divide

    PUBLIC ART: Billboard on Shaw by Ruth Adler

    SCREENING: Day With(out) Art 2016 | Compulsive Practice

    EXHIBITION: Crossing the Line | Contemporary Art from Denmark

    Critical Distance at the Edition Art Book Fair

    Event: Manar Moursi | Sidewalk Salon: 1001 Street Chairs of Cairo
    Claudia Wieser, Fischreiher, 2009, Gold leaf on book page, 25.5 x 20 cm from The Amoebic Workshop, curated by Astarte Rowe, 2016, Critical Distance Centre for Curators. Installation documentation by Toni Hafkensheid.

    EXHIBITION: The Amoebic Workshop

    PUBLIC ART: Billboard on Shaw by Steven Beckly

    Critical Distance presents SLIPSTREAMS in the Cinesphere

    LAUNCH: Drain | A Journal of Contemporary Art and Culture
    Simon Benedict media still with figure in action painting

    EXHIBITION: painter project – version 4 | Simon M Benedict

    Working Title | TYPOLOGY at the Toronto Art Book Fair (TOABF)
    Susana Reisman, Respirator masks (Custom Prototypes), Toronto, 2015.

    EXHIBITION: On The Surface

    EXHIBITION: Script, Stage, Screen | Ciprian Mureșan

    SCREENING: China Now | Selections from Cinema on the Edge
    Deborah Wang, Earth Plugs, 2014, white gypsum cement, dimensions variable, from Loose Ends, Critical Distance Centre for Curators 2016. Installation documentation by Toni Hafkenscheid.

    EXHIBITION: Loose Ends

    EXHIBITION: Moving right along

    Moving Images in Contemporary Culture
    Maria Flawia Litwin, Anima (detail), 2015

    EXHIBITION: The Lowest Relief
    Photograph from The New Gods series by Josée Pedneault and Alejandro Garcia Contreras

    EXHIBITION: THE NEW GODS

    EXHIBITION: Flights & Landings

    EXHIBITION: A Riveder le Stelle
    Installation view of "Language Barrier Too" from Elemental: Book Works by Cathryn Miller, 2014, TYPOLOGY Projects.

    EXHIBITION: Elemental

    EXHIBITION: Of Other Faces
    The Order of Things or, The Second Conference of the International Network of Personal Relationships (INPR), curated by Shani K Parsons, installation view with work by Leif Low-Beer, TYPOLOGY Projects, 2014.

    EXHIBITION: The Order of Things

    EXHIBITION: Erratic Room