EXHIBITION: Of the SacredApril 22, 2022 - June 4, 2022
Featuring Farah Al Qasimi, Kaya Joan, Bea Parsons, Yelaine Rodriguez, Whyishnave Suthagar
Curated by Noor Alé and Claudia Mattos (AXIS Curatorial)
Saturday, April 23, 2022
1 – 4PM EST
401 Richmond Building, Suite 122
OF THE SACRED testifies to the survival of personal beliefs, spiritual traditions, and religious practices in the face of colonialism and migrations. In their practices, artists Farah Al Qasimi, Kaya Joan, Bea Parsons, Yelaine Rodriguez, and Whyishnave Suthagar trace cultural inheritances of faith, lineages of intergenerational knowledge, and the syncretism of beliefs that emerge in times of turbulent change and upheaval.
Blending aspirations of the future with inherited beliefs, Jamaican-Vincentian-Kanien’kehá:ka artist Kaya Joan paints elaborate dreamscapes that feature swirling celestial forms and otherworldly entities. The artist’s work opens portals that trace spiritual lineages passed down from their ancestors—from across the Caribbean and Turtle Island—and combine Black and Indigenous futurisms with the artist’s vision of hope for a utopic future.
Yelaine Rodriguez is an Afro-Dominican artist who looks to the syncretism of Afro-Caribbean belief systems—including Voodoo and Santeria—originating in the Yoruban faith, a religion brought to the Caribbean from West Africa as a result of the transatlantic slave trade. The artist stages and photographs scenes in which individuals outfitted in lushly patterned and textured costumes—of the artist’s own design—are depicted in tableau-style settings as the deities from these various faiths. These scenes are printed onto textiles with ornate, decorative elements to create religious tapestries. These works pay reverence to these deities while challenging the often Eurocentric assumptions made of Afro-Caribbean religions.
Emirati artist Farah Al Qasimi’s Um Al Naar (2019), Arabic for “mother of fire,” is a tongue-in-cheek, feature-length film that follows the peculiar storytelling of the eponymously-named jinn, a genie from Arabic folklore. The jinn, outfitted in floral sheets, narrates the history of the changing face of Ras Al Kjairmah, the greater region of the United Arab Emirates, and local folklore through centuries of foreign occupation and religious imposition.
Bea Parsons is an artist of Cree, Scottish, and French ancestry whose surreal prints convey a symbolic visual language of natural imagery and abstracted self-portraiture, which give way to metaphors of inner states and convictions. Inspired by Cree traditions, the artist’s works approach the concept of spiritual oneness between what she sees as competing identities within herself.
Whyishnave Suthagar is a Tamil-Canadian artist whose meditative installations use black light and light-reactive threads to outline imagery drawn from ancient mythologies, dreams, and memories. As an homage to her dual cultural identity, mandalas often feature in her work—a practice passed down matrilineally across generations, which she learned from her mother while growing up in Canada.
OF THE SACRED follows the courageous resilience of people, their communities, and their beliefs as they thrive across generations of displacements prompted by settler-colonialism and forced migrations. Through their works, the artists reflect on personal histories and familial legacies of endurance against dominant cultures where their beliefs have been positioned in the periphery.
Image credit: Kaya Joan, seeping into dawn, 2022. Dimensions variable.
About the Curator(s)
AXIS is a socially-engaged curatorial collaborative composed of Noor Alé and Claudia Mattos. In their joint curatorial practice, Alé and Mattos are committed to producing exhibitions, projects, and screenings of contemporary art that respond to the pressing social, cultural, and political conditions of our time.Find out more
About the Artists
Farah Al Qasimi
Farah Al Qasimi (b.1991, Abu Dhabi, United Arab Emirates; lives and works in Brooklyn and Dubai) works in photography, video, and performance.Find out more
Kaya Joan is a multi-disciplinary Afro-Indigenous (Vincentian, Kanien’kehá:ka with relations from Kahnawá:ke, Irish, Jamaican) artist born, raised and living in T’karonto, Dish with One Spoon treaty territory. Kaya’s work focuses on healing, transcending linear notions of time, blood memory and relationship to place.Find out more
Bea Parsons is a printmaker, drawer, and painter, originally from Saskatoon, Saskatchewan, now living and working in Montreal. Her practice has primarily focused on black and white monoprints and, most recently, coloured pencil drawings on archival paper.Find out more
Born in 1990 in the Bronx, where she lives and works today, Yelaine Rodriguez is an Afro-Dominican United Statesian artist, educator, curator, and cultural organizer. Rodriguez conceptualizes wearable art, sculptures, and site-specific installations drawing connections between Black cultures in the Caribbean and the United States captured through photography and video documentation.Find out more
Whyishnave Suthagar is a new media artist & graphic designer from the GTA. Her practice focuses on creating site specific installations using projection, light design, thread based weavings and original soundscapes. Her works play with light, space and sound to create immersive meditative experiences.Find out more
Life Cycles: Live Performance by Whyishnave Suthagar
Life Cycles is a live performance that will depict a mother and daughter engaging in the passed tradition of kolam making. A kolam is an ancient form of drawing in the Hindu religion created using rice, sand, flour – something ephemeral – as these drawings are to be washed away after the occasion that they were created for has ended. Kolams often reference mandala imagery; which are spiritual symbols in Hinduism representing the expanding universe. Life Cycles is an interactive performance, where viewers will be able to collaborate with the artists as they engage in the ritual of kolam making. An artist talk will follow the performance.Find out more