Archive:A Riveder le Stelle | Mary Hambleton and Sara MacLeanJanuary 22 – February 22, 2015

A Riveder le Stelle | Mary Hambleton and Sara MacLean

January 22 – February 22, 2015

TYPOLOGY Projects is thrilled to announce the launch of our guest curating program with the two person exhibition, A Riveder le Stelle. Featuring a selection of rarely seen works on paper by the late New York painter Mary Hambleton, and a video installation by Toronto artist Sara MacLean, the exhibition is curated by interdisciplinary artist and independent curator Heather Nicol

Taking its name from the final line of Dante’s Inferno (1314), A Riveder le Stelle, “to gaze once more upon the stars,” is conceived as a virtual conversation between two artists, separated by time, place, and practice, whose work nevertheless manifests striking formal and conceptual correspondences. Among the many such convergences are a mutual interest in the body, the scientific gaze (particularly as it relates to diagnostic medicine), relationships between the infinitesimal and the celestial, and the sense of wonder such scrutiny engenders.

Public opening reception: Thursday, January 22nd from 6–8 pm

TYPOLOGY Projects
No. 302, Artscape Youngplace, 180 Shaw Street, Toronto, ON M6J 2W5
See Google map of location

Join us for an opening reception with guest curator Heather Nicol and artist Sara MacLean (same night as Koffler Gallery’s opening for Kristiina Lahde downstairs). Refreshments will be served and all are welcome!

About Curator

Toronto-based guest curator Heather Nicol received her BFA from the School of Visual Arts (NY), MA in art education from NYU, and interdisciplinary MFA from OCADU. Her curatorial projects often engage conditions specific to decommissioned and repurposed sites, and have fostered opportunities for large groups of artists working across a wide range of disciplines.

About the Artists

Mary Hambleton (1952–2009) was based in Brooklyn and exhibited her work in the US and abroad at venues including Leslie Heller Gallery, Littlejohn Contemporary, and Pamela Auchincloss Gallery (New York), and the Machida City Museum (Tokyo). Her many honours include the John Simon Guggenheim Memorial, Adolph Esther Gottlieb Foundation, and two Pollock-Krasner awards.

Toronto-based Sara MacLean (b. 1974) employs embodied camera techniques, darkroom experiments, sculpture, and set design to create subtly choreographed encounters with her time-based media projections. She has exhibited in North America, Europe, and Asia at festivals and venues including Anthology Film Archives (New York) and the Centre de Cultura Contemporània de Barcelona.

Critical Distance Centre for Curators (CDCC) was founded in 2013 under our former name, TYPOLOGY. Established as a not-for-profit space devoted to curatorial and artistic experimentation, we devoted our first three years to providing opportunities for curators and artists to mount fully realized exhibitions within a critical framework. In 2016, we relaunched under our new name (CDCC) with a new Board of Directors and a commitment to meet the need, voiced by local and national curators, for a truly vital curatorial community—one that both supports emerging and underrepresented curators, and advances curatorial practice and inquiry. A Riveder le Stelle took place in CDCC’s exhibition space in 2015 under our former name, TYPOLOGY, and was curated by Heather Nicol.

image, left: Mary Hambleton, Untitled (Mirus Series) (detail), 2005; right: Sara MacLean, CHROMO2(installation view), 2015

Links / Updates

News, press, publications and more information.

A Riveder le Stelle exhibition catalogue preview (PDF)

A Riveder le Stelle media release (PDF)

A Riveder le Stelle | Mary Hambleton and Sara MacLean is a Must-See Show
January 22, 2015 | Canadian Art

Images

Hover for info; click to enlarge image and view full captions.

A Riveder le Stelle curated by Shani K Parsons, installation view with work by Mary Hambleton, Critical Distance Centre for Curators, 2015. Mary Hambleton, untitled, 2008, collage with polymer, oil and alkyd on panel, 21.5x29.5x1.5 in, in A Riveder le Stelle curated by Shani K Parsons, Critical Distance Centre for Curators, 2015. Sara Maclean, CHROMO2, 2014, video installation, 6:30 loop, in A Riveder le Stelle, curated by Shani K Parsons, Critical Distance Centre for Curators, 2015. Sara Maclean, CHROMO2, 2014, video installation, 6:30 loop, in A Riveder le Stelle, curated by Shani K Parsons, Critical Distance Centre for Curators, 2015.
catalogue cover image pages from catalogue with sample image and text page from catalogue with still images from video installation pages from catalogue with sample image and text
Sara Maclean, CHROMO2, 2014, video installation (detail), 6:30 loop, in A Riveder le Stelle, curated by Shani K Parsons, Critical Distance Centre for Curators, 2015. pages from catalogue with sample image and text pages from catalogue with thumbnail images of artwork A Riveder le Stelle curated by Shani K Parsons, installation view with work by Mary Hambleton, Critical Distance Centre for Curators, 2015.
Mary Hambleton, Core, 2006, shellac, charcoal, oil and acrylic on paper, 11.25x7.5 inches, in A Riveder le Stelle curated by Shani K Parsons, Critical Distance Centre for Curators, 2015. Mary Hambleton, untitled (Ballinglen Series), 2008, ink, gouache and ploymer on paper, 7.5x5.5 inches, in A Riveder le Stelle curated by Shani K Parsons, Critical Distance Centre for Curators, 2015. Mary Hambleton, untitled (Mirus Series), 2005, shellac, charcoal, oil, and acrylic on paper, 12.25x9.25 inches, in A Riveder le Stelle curated by Shani K Parsons, Critical Distance Centre for Curators, 2015. Mary Hambleton, untitled (Ballinglen Series), 2008, ink, gouache and polymer on paper, 7.5x5.5 inches, in A Riveder le Stelle curated by Shani K Parsons, Critical Distance Centre for Curators, 2015.
Mary Hambleton, Genesis, 2000, shellac, charcoal, oil and acrylic on paper, 13x9.75 inches, in A Riveder le Stelle curated by Shani K Parsons, Critical Distance Centre for Curators, 2015. A Riveder le Stelle curated by Shani K Parsons, installation view with work by Sara Maclean and Mary Hambleton, Critical Distance Centre for Curators, 2015.