Archive:FORWARD FACINGApril 21–June 3, 2018

FORWARD FACING

April 21–June 3, 2018

Featuring Lacie Burning, Jade Nasogaluak Carpenter and Dayna Danger | Curated by Cass Gardiner and presented in partnership with Aboriginal Curatorial Collective

In partnership with Aboriginal Curatorial Collective–Collectif des commissaires autochtones, Critical Distance is pleased to present FORWARD FACING, a Featured Exhibition of the 2018 Scotiabank CONTACT Photography Festival. Curated by Cass Gardiner (Toronto/Brooklyn), Forward Facing is an exhibition that examines intersectionality within Indigenous identity through the photographic, video, craft, and installation practices of Dayna Danger (Montreal), Lacie Burning (Vancouver), and Jade Nasogaluak Carpenter (Calgary).

Indigenous people from across Turtle Island express and assert their identity in conversation with their cultural roots in a multitude of ways, and always in tandem with ever-looming colonialism. Utilizing the device of the mask, the artists in Forward Facing provoke and question how the face—or the absence of it—creates a powerful commentary on contemporary Indigenous culture. Carpenter utilizes a full body disguise of a bed sheet; Burning, a mask made of mirror and light; Danger recalls BDSM masks of leather and beads. Yet despite the vast difference of materiality and practice, Forward Facing illustrates how the masks function as a signifier of solidarity and safety for these artists and their respective communities.


Exhibition on view at Critical Distance:
180 Shaw Street, Suite 302 at Artscape Youngplace, M6J 2W5
Admission is always free; building and gallery are fully accessible.
Google Map

Gallery hours through June 3rd:
Thursday–Sunday from 12–5 pm


Events

FORWARD FACING Opening with Curator’s Talk
Saturday, April 21 from 2-4 pm
Critical Distance, Suite 302 at Artscape Youngplace

Join us for a very special reception with Toronto/Brooklyn-based curator Cass Gardiner, featuring a tour of the exhibition followed by beverages and bites courtesy of Pow Wow Cafe. Stay for artists’ performance at 5 pm.

Performance featuring Dayna Danger, Lacie Burning, and Kandace Price
Saturday, April 21 starting at 5 pm
Critical Distance, Suite 302 at Artscape Youngplace

A performance by three collaborators negotiating time, boundaries, and songs.

PWYC Workshop: Make Your Own Bike Tube Flogger with Dayna Danger
Sunday, April 22 from 2-4 pm
Location to be confirmed at Artscape Youngplace

Make your own mini flogger from rubber bike tubes in this PWYC hands-on workshop with Dayna Danger. Materials will be provided. Space is limited so please contact us at rsvp (at) criticaldistance (dot) ca to inquire/register.


About the Curator

Cass Gardiner is an emerging Anishinaabe Algonquin curator, artist, and filmmaker. She is the co-founder of Matters Unsettled, a curatorial collective that uses the gallery to challenge preconceived notions of culture, identity, and belonging focusing on marginalized people. Gardiner was a 2017 Emerging Curatorial Fellow at the Center for Craft, Creativity and Design (CCCD) in Asheville, North Carolina, USA. Her inaugural show with Matters Unsettled, Crafted Strangers, was at the CCCD’s Benchspace Gallery in Fall 2017. Her critically acclaimed film The Edible Indian has screened in classrooms and theatres internationally and was nominated for Best Documentary Short at the 2014 American Indian Film Festival. Gardiner holds an MFA from Ryerson University and a BA from NYU Gallatin School of Individualized Study.

About the Artists

Lacie Burning is a Kanien’kehá:ka (Mohawk) and Onondaga artist and curator raised on Six Nations of the Grand River located in Southern Ontario. They work in photography, video, installation, and sculpture and are currently studying at Emily Carr University of Art + Design. Having come from a culturally and politically grounded upbringing, their work focuses on politics of Indigeneity and identity from a Haudenosaunee perspective. Burning recently collaborated with Indigenous Editor-at-Large Lindsay Nixon on a feature article for Canadian Art Magazine’s 2018 winter issue, titled LAND/BODY/RECIPROCITY. They also co-curated Unsettling Colonial Gender Boundaries with June Scudeler for Queer Arts Festival in partnership with Vancouver Indigenous Media Arts Festival and sit on the board for VIMAF. They have just been nominated for the Philip B. Lind Emerging Artist Prize in conjunction with Vancouver’s 2018 Capture Photography Festival.

Jade Nasogaluak Carpenter is an Inuvialuk artist and curator based in Calgary/Banff, born in Yellowknife and raised in Edmonton. They currently hold the Indigenous Curatorial Research Practicum at Banff Centre for Arts and Creativity and received a diploma in Fine Art from Grant MacEwan University and a Bachelor in Fine Arts from the Alberta College of Art and Design in 2016. Carpenter uses art and humour as a coping mechanism to subtly address cultural displacement, and to openly address mental illness; the lighthearted nature of their practice extends gestures of empathy and solidarity. These interests invite a reconsideration of the perceptions of contemporary Indigeneity and counter the stigmatism surrounding mental health.

Dayna Danger is a 2Spirit, Metis-Anishinaabe (Saulteaux)-Polish visual artist raised in so-called Winnipeg, MB. Utilizing photography, sculpture, performance and video, Danger‘s practice questions the line between empowerment and objectification by claiming space with her larger than life scale work. Her current use of BDSM and beading leather fetish masks explores the complicated dynamics of sexuality, gender, and power in a consensual and feminist manner. Danger is currently based in Tio’tia:ke – Moniang. She holds an MFA in Photography from Concordia University and has exhibited her work in Santa Fe, Winnipeg, Montreal, Peterborough, North Bay, Vancouver, Edmonton and Banff. Danger currently serves as a board member for the Aboriginal Curatorial Collective.

Cass Gardiner is an emerging Anishinaabe Algonquin curator, artist, and filmmaker. She is the co-founder of Matters Unsettled, a curatorial collective that uses the gallery to challenge preconceived notions of culture, identity, and belonging focusing on marginalized people. Gardiner was a 2017 Emerging Curatorial Fellow at the Center for Craft, Creativity and Design (CCCD) in Asheville, North Carolina, USA. Her inaugural show with Matters Unsettled, Crafted Strangers, was at the CCCD’s Benchspace Gallery in Fall 2017. Her critically acclaimed film The Edible Indian has screened in classrooms and theatres internationally and was nominated for Best Documentary Short at the 2014 American Indian Film Festival. Gardiner holds an MFA from Ryerson University and a BA from NYU Gallatin School of Individualized Study.


About Aboriginal Curatorial Collective

The ACC/CCA is a national service organization that brings together the Canadian Aboriginal and Native American curatorial, critical and institutional communities. The aim is to establish an important centre of excellence for our communities through opportunities, collaborations, networks, publications, advocacy, conferences, exhibitions and standards of excellence for our communities.

Aboriginal Curatorial Collective / Collectif des commissaires autochtones (ACC/CCA)
401 Richmond Street West, Suite 414 | Toronto, Ontario | M5V 3A8 | Canada
Website / Facebook


FORWARD FACING is a Featured Exhibition of the 2018 Scotiabank CONTACT Photography Festival


Critical Distance and Aboriginal Curatorial Collective are grateful for the support of the Ontario Arts Council and the Toronto Arts Council in making this exhibition possible


Composite image above includes Lacie Burning, Untitled from Reflection Series, 2017 (left); Dayna Danger, Kandace, 2017 (centre); and Jade Nasogaluak Carpenter, If you can’t remember, then it must not be important. (still), 2016 (right). All images courtesy the artists.

Links / Updates

News, press, publications and more information.

FORWARD FACING media release (PDF)

Shows to See at the Contact Photography Festival
Canadian Art | April 26, 2018

20 Must-See Shows at Contact Photography Festival 2018
NOW Magazine | April 24, 2018

Forward Facing is a Must-See Show
Canadian Art | April 19–25, 2018

Foward Facing at Critical Distance Centre for Curators
Scotiabank Contact Photography Festival | April, 2018

Images

Hover for info; click to enlarge image and view full captions.

Forward Facing curated by Cass Gardiner, installation view with work by Dayna Danger, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid. Forward Facing curated by Cass Gardiner, installation view, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid. Dayna Danger, Bebeshwendaam Diptych, 2017, pair of digital prints, 44 x 65 inches each, from Forward Facing curated by Cass Gardiner, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid. Dayna Danger, Deer Rack and Harness, 2018 bone, hair, leather, dimensions variable; Beaded Flogger, 2017, leather, beads, thread, dimensions variable, from Forward Facing curated by Cass Gardiner, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid.
Dayna Danger, Deer Rack and Harness, 2018 bone, hair, leather, dimensions variable, from Forward Facing curated by Cass Gardiner, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid. Forward Facing curated by Cass Gardiner, installation view with work by Lacie Burning, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid. Forward Facing curated by Cass Gardiner, installation view, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid. Forward Facing curated by Cass Gardiner, installation view, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid.
if you can’t remember, then it must not be important, 2016, installation view, digital video, 8 minutes 24 seconds from Forward Facing curated by Cass Gardiner, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid. if you can’t remember, then it must not be important (still), 2016, digital video, 8 minutes 24 seconds, from Forward Facing curated by Cass Gardiner, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid. if you can’t remember, then it must not be important (still), 2016, digital video, 8 minutes 24 seconds, from Forward Facing curated by Cass Gardiner, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid. Forward Facing curated by Cass Gardiner, installation view with work by Lacie Burning and Dayna Danger, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid.
Lacie Burning, Reflection Series, Untitled Image 0, 2017, digital print, 14 x 14 inches (unframed); Reflection Series, Untitled Image 6, 2017, digital print, 14 x 14 inches (unframed); Reflection Series, Untitled Image 1, 2017, digital print, 14 x 14 inches (unframed), from Forward Facing curated by Cass Gardiner, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid. Lacie Burning, Reflection Piece, 2016, cloth, wood, mirror, dimensions variable, from Forward Facing curated by Cass Gardiner, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid. Dayna Danger, Kandace (Billboard), 2018, digital print on adhesive vinyl, 8 x 8 feet, from Forward Facing curated by Cass Gardiner, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid. Dayna Danger, performance with Kandace Price and Lacie Burning; Kandace (Billboard), 2018, digital print on adhesive vinyl, 8 x 8 feet, from Forward Facing curated by Cass Gardiner, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid.