Tamyka Bullen (she/her) is a Deaf artist and performer. As a social justice advocate, she has volunteered and worked with youth, deaf women, immigrant, and LGBTQ communities. In 2015, she performed her poetry for the first time at a Toronto subway station — an experience which gave her the confidence to perform in RARE Theatre’s latest production After the Blackout. Created by Judith Thompson — winner of the Governor General’s Award, Order of Canada and Amnesty International Freedom of Expression Award — the play brings together a cast of artists who are deaf, blind or living with brain injury or lost limbs.
The Equivalence of Alloyed GoldOctober 6, 2022 - November 26, 2022
Featuring works by Stephanie E Creaghan, Andy Slater, Gillian Dykeman, Chandra Melting Tallow, Ashna Jacob, Aislinn Thomas, Anne Macmillan, Tamyka Bullen, and Dayna Danger
Curated by Megan Gnanasihamany and Morgan Melenka
On view: October 6 – November 26, 2022
Opening Reception: Thursday, October 6th, 7 to 9 pm
The making of art history is a process of translation. It flattens and unfolds through digital interfaces and methodologies of internet conservation, allowing exhibitions to spread through a temporal daisy chain of image, text, catalog, and critique. This chain of distillation — from material art object or experience to description and flat image—disseminates cultural themes, concepts, and conclusions across artistic landscapes, allowing for particular figures, galleries, and publications to become authoritative texts on contemporary work. Taking the 2018 Art Gallery of Ontario exhibition Anthropocene as its starting point, The Equivalence of Alloyed Gold is a year-long experimental commissioning and exhibition process hosted by Critical Distance Centre for Curators (CDCC) incorporating ideas of communication and sensory translation.Find out more