Critical Distance Media book / publication-based practices

Amin Alsaden is a curator, scholar, and educator whose work focuses on transnational solidarities and exchanges across cultural boundaries. His curatorial practice is committed to advancing social justice through the arts, and to disseminating more inclusive narratives that decenter existing canons and challenge hegemonic epistemological and power structures. His exhibitions invariably raise questions concerning the interrelated domains of geography, colonialism, extraction, organized violence, and displacement.

Kay Rangel works with archives, navigating erased history to bring visibility to contemporary artistic practices – particularly those rooted in her homeland, Mexico. She’s also focused on working with theories of place, queerness, and feminism. Her practice, as an artist, relies heavily on words too, pushing the viewer to explore the written language within the visual realm.

Aislinn Thomas is an interdisciplinary artist whose practice includes video, performance, installation and text-based work. She culls material from everyday experiences and relationships, exploring themes of vulnerability, empathy, possibility and failure.

Stephanie E. Creaghan is an interdisciplinary artist who makes work about how violence presents itself in communication, combining different forms of language (visual/audio/spatial/temporal) to reveal latent forms of manipulation.

Dallas Fellini is a curator, writer, and artist living and working in Tkaronto/Toronto. Their practice is invested in the dissolution of boundaries between different art forms and arts communities, trans and queer histories and futures, community practice, and the intersections of art and popular culture. Dallas is a member of curatorial duo Crocus Collective and a cofounder of Silverfish, an arts publication devoted to interdisciplinary collaboration, skill-sharing, and cultivating ongoing dialogues between emerging artists and writers.