Critical Distance Profile Type Writer

Ahmed Naji is the author of three novels, Rogers (2007), Using Life (2014), And Tigers to my Room (2020), and another non-fiction book (Rotten Evidence: Reading and writing in prison) as well as numerous blogs and other articles. His work has been translated into different languages including English, Italian, Spanish, and others.

Noor Alé is an independent curator, art historian, and writer. She is the Associate Curator at The Power Plant, Toronto. Her curatorial practice examines the intersections of contemporary art with geopolitics, decolonization, and social justice in the Global South. Alé has contributed to curatorial research, exhibition management, and public programmes at the Visual Arts Centre of Clarington, Bowmanville; National Gallery of Canada, Ottawa; Solomon R. Guggenheim Museum, NY; and Art Dubai. She holds an MA in Art History from The Courtauld Institute of Art, and a BA in Art History from the University of Guelph.

Megan Gnanasihamany is an artist, writer, and curator. Their work examines systems of power and structures of meaning within language and visual media.

Dallas Fellini is a curator, writer, and artist living and working in Tkaronto/Toronto. Their practice is invested in the dissolution of boundaries between different art forms and arts communities, trans and queer histories and futures, community practice, and the intersections of art and popular culture. Dallas is a member of curatorial duo Crocus Collective and a cofounder of Silverfish, an arts publication devoted to interdisciplinary collaboration, skill-sharing, and cultivating ongoing dialogues between emerging artists and writers.

Kalina Nedelcheva is a multi-media artist-researcher, emerging curator, and musician, based in Tkaronto, Canada. With an MFA in Criticism & Curatorial Practice from OCAD University, she explores the ways in which human consciousness engages in the process of meaning-making.