Noor Alé
Noor Alé is a curator, art historian, and writer whose exhibitions and roles span international contemporary art institutions. Her practice delves into the intersections of contemporary art with geopolitics, cosmologies, and land relations pertaining to the Global Majority. Through a relational, transcultural and transhistorical lens her work unearths convergences that engender solidarities across ideological divisions. She has held positions at The Power Plant Contemporary Art Gallery, Toronto; National Gallery of Canada, Ottawa; Solomon R. Guggenheim Museum Abu Dhabi Project, New York; and Art Dubai.
She was a Curator-in-Residence at SOMA, Mexico City; Banff Centre for Arts and Creativity; the Shanghai Curators Lab organized between the Shanghai Academy of Fine Arts and the Shanghai Biennial; and she was awarded a fellowship by the Association of Art Museum Curators, New York. Among these accolades, the exhibition Arctic/Amazon: Networks of Global Indigeneity received an award by the Ontario Association of Art Galleries. Alé earned her MA in Art History from The Courtauld Institute of Art, London; and her BA in Art History from the University of Guelph.
PROGRAM: Peer-to-Peer: The First Circle
October 18, 2024 - December 31, 2024Critical Distance is thrilled to launch our latest initiative to support curatorial practices across Canada and beyond. Titled Peer-to-Peer, this Directory-based program shines a spotlight on emerging, midcareer, and established curators whose projects and practices have attracted the notice of colleagues in the field.
Please join us in congratulating the First Circle curators, namely:
Amin Alsaden
Fatma Hendawy Yehia
Genevieve Wallen
Kate Whiteway
Lillian O’Brien Davis
Liz Ikiriko
Noor Alé
Sean Lee
Swapnaa Tamhane
Zoë Chan
EXHIBITION: Of the Sacred
April 22, 2022 - June 4, 2022Curated by AXIS Curatorial (Noor Alé and Claudia Mattos) and featuring Farah Al Qasimi, Kaya Joan, Bea Parsons, Yelaine Rodriguez, Whyishnave Suthagar, Of the Sacred is an exhibition that gathers a selection of artists who examine the divine through a highly personal lens, attesting to belief as a means of unearthing histories of colonialism, translocation, and individual circumstance.
Find out more