EXHIBITION > Learning to Be Here

January 15, 2026 - February 26, 2026

Opening Reception: Thursday, January 15th, 2026 from 6pm-9pm
Curatorial Talkback: Thursday, January 15th, 2026 from 6:30pm-7pm
Please RSVP here.

Learning to Be Here is an exhibition of five looping films by Anika Iyer, Dee Dee Decay, Hala Alsalman, Wang Zi, and Xinyi Tian. Embodiment within a decentralized lens → these films focus on the curiosity of deciphering communication sequences, understanding hi/stories through an oneiric epistemology, symbolic cognition, forming self through communal mark-making, and practices of re-languaging.

Curated by Jasmine Liaw, she is drawn to notions and strategies of unworlding. Unworlding, coined by Jack Halberstam, is the open invitation to do the hard work of un-making entrenched world systems of power that affect bodies and being. These films allow us to let go of these established containers and arrangements → as a way of “world-making” through reframing communication systems and destabilizing socially bounded concepts with diverse articulations
of emergence.

In this process of Learning to Be Here, the memory of sounding time made me curious about visualizing non-time? In an attempt to offer a different embodied relationship to time, all of the films in this exhibition are shown on one large plinth screen, with the ability to project the films on both sides. The first side (facing out of the gallery) cycles through the five films, but with each rotation, an additional loop is added to every film, cumulatively expanding the exhibition’s duration until each reaches five loops. The second side (facing into the gallery) loops through all of the films just once, repeating without accumulation. Both sides loop the films as an in-flux relationship, challenging this sense of arrival using visual duration. This curatorial approach transforms how we choose to sit with experimental films, how they are accessed, as well as the expanded significance when sustained together: a collective endurance for decentralization.


Thanks to OCAD University’s RBC Centre for Emerging Artists & Designers for their support of this Career Launcher Partnership.

   

Critical Distance would like to acknowledge funding support from the Ontario Arts Council, an agency of the Government of Ontario.

 

About the Curator(s)

Jasmine Liaw

Jasmine Liaw is an emerging interdisciplinary artist moving fluidly between roles of filmmaker, curator, designer, performer, and producer in contemporary dance, new media art, and experimental film. Evidenced in collaboration and community, her work leans into transcultural narratives intersecting her Hakka-Chinese diaspora, her queerness, and queer theories in temporality and ecology.
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About the Artist(s)

Xinyi Tian

Xinyi Tian is a Chinese artist who currently base in Vancouver, Canada. She specializes in 2D animation, character design, and illustration, and holds a BFA in Experimental Animation from OCAD University (2025). Xinyi’s work focuses on expressing emotions, character movement, and abstract morphing through vibrant colors, multimedia techniques, and simpleFind out more

Hala Alsalman

Hala Alsalman is an interdisciplinary artist and filmmaker with a background in journalism. Her work investigates political power, history-making and gender relations through video, collage and ceramics. She graduated with SSHRC funded MFA from OCAD University in 2024 and was recently awarded a research-creation grant from the Canada Council for the Arts.
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Anika Iyer

Anika Iyer is a multidisciplinary artist, exploring themes of ineffability and the limitations of language. Her work asks: how do we give voice to the unnamed? How does the world occur to a child before they have words for their experience? Through experimental film and video installation, Iyer engages withFind out more

Dee Dee Decay

With an emphasis on play, Dee Dee Decay works with sculpture, performance, video, and the tender processing of materials. The close relationship they hold with their grandmother directly informs their practice through manual labor, slowness, repetition, and care, whether they find themselves at the metal studio or by claybeds ofFind out more

Zi Wang

Wang Zi 王紫 (born in Nanjing, China) is a Tkaronto/Toronto-based artist-educator whose interdisciplinary practice spans print-based installation, performance, sound, and socially engaged art. Her research draws on domestic archives and diasporic experience to explore cultural memory, object-biography, and mistranslation as methods of inquiry. Wang has exhibited at the Ontario LegislativeFind out more

Contributing Writers and Editors

Alison Cooley

Alison Cooley is a critic, curator, and educator based in Toronto. Her research deals with the intersection of natural history and visual culture, socially engaged artistic practice, and experiential and interpretative dimensions of art criticism.

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