Not/For the Money: A celebratory book launch with Embassy Cultural House
April 30, 2026 - April 30, 2026Critical Distance and the Embassy Cultural House are pleased to announce a celebratory book launch for Not/For the Money, an online exhibition featuring works by artists and cultural workers examining themes related to money, capital, and value. Featuring contributions from Ron Benner, Karl Beveridge, Lily Cho, Matthew Dawkins, Holly English, Soheila Esfahani, Kelly Greene, Jamelie Hassan, SF Ho, Michael Maranda, Alistair MacKinnon, Patrick Mahon, David Merritt, Mohamed Monaiseer, Sheri Osden Nault, Wanda Nanibush, Shelley Niro, Claudia Sambo, Ruth Strebe, and Jeff Thomas, the Not/For the Money exhibition catalogue will be available for perusal and purchase, alongside artists’ multiples, postcards, and prints by Anahí González, Incé Husain, and others, and a full complement of past publications by ECH.
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DOUBLE BOOK LAUNCH: with Re’al Christian (As For Protocols) and Michael Nardone (Convivialities), in partnership with Vera List Centre for Art and Politics
October 3, 2025 - October 3, 2025
SYMPOSIUM > Dancemakers: What Can Dance Curation Do?
July 17, 2025 - July 18, 2025Critical Distance is pleased to partner with Dancemakers for their inaugural symposium, What Can Dance Curation Do? This two-day gathering brings together artists, curators, and researchers to explore emergent practices in dance curation through a series of talks, panels, and provocations.
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FIELD TRIP > Bonny Poon / Conditions
May 22, 2025 - May 22, 2025Critical Distance is pleased to present an exhibition tour and curatorial conversation in partnership with Bonny Poon / Conditions. Join us for an engaging afternoon that begins with a walkthrough of the current exhibition led by Bonny Poon, followed by a relaxed curatorial Q&A moderated by CDCC Curator Shani K Parsons.
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EVENT: Ontario Culture Days: Collage with Bushra Junaid
September 28, 2024 - September 28, 2024As part of Ontario Culture Days at 401 Richmond Street West, Burnt Sugar artist Bushra Junaid will share her collage practice in a drop-in hands-on workshop. Junaid will describe how she has treated turn of the twentieth century photographs of Caribbean sugarcane workers as family portraiture; renaming and reinventing them to resist erasure. By collaging period ads onto the subjects’ clothing, she complicates understandings of Black Atlantic history.
Materials will be provided. Using paint and found materials (i.e. magazines, fabric, matte board, etc.) workshop participants will create one-of-a-kind collages that engage with the themes of the Burnt Sugar exhibition. We also encourage you to bring your own family photos, mementos, and interesting images — the better to make something truly meaningful to you.
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