
The Equivalence of Alloyed Gold
October 6, 2022 - November 26, 2022Featuring works by Stephanie E Creaghan, Andy Slater, Gillian Dykeman, Chandra Melting Tallow, Ashna Jacob, Aislinn Thomas, Anne Macmillan, Tamyka Bullen, and Dayna Danger
Curated by Megan Gnanasihamany and Morgan Melenka
On view: October 6 – November 26, 2022
Opening Reception: Thursday, October 6th, 7 to 9 pm
The making of art history is a process of translation. It flattens and unfolds through digital interfaces and methodologies of internet conservation, allowing exhibitions to spread through a temporal daisy chain of image, text, catalog, and critique. This chain of distillation — from material art object or experience to description and flat image—disseminates cultural themes, concepts, and conclusions across artistic landscapes, allowing for particular figures, galleries, and publications to become authoritative texts on contemporary work. Taking the 2018 Art Gallery of Ontario exhibition Anthropocene as its starting point, The Equivalence of Alloyed Gold is a year-long experimental commissioning and exhibition process hosted by Critical Distance Centre for Curators (CDCC) incorporating ideas of communication and sensory translation.
Find out more
PUBLIC ART EXHIBITION: Place Settings II
August 21, 2022 - September 17, 2022Place Settings: Part II
Featuring works by Adrià Julià, Larissa Sansour, and Reza Nik
Curated by Noa Bronstein
Place Settings continues this summer with performance-based projects staged throughout the city of Toronto. Each project engages in a discursive gesture that considers new possibilities at the intersections of food practices and public space, revealing the shareable and relational qualities of both.
Find out more
PUBLIC ART: Billboard on Shaw by Adrià Julià
August 21, 2022 - September 17, 2022Billboard on Shaw presented by Critical Distance, featuring A Very White Flower, by Adrià Julià, 2022.
A Very White Flower references Julià’s ongoing interest in the history of production, consumption and expansion of popcorn in modern colonial history. The image of a single kernel of popcorn functions as a prompt to consider Julià’s reflections on the historical and socioeconomic intricacies of the global corn industry and its relationship to Mexican culture and the popularization of popcorn in the United States after the Great Depression, especially in regards to popcorn’s connection to cinema.
A Very White Flower is presented in the context of Place Settings (curated by Noa Bronstein), a large-scale, durational project that considers how food functions to connect and disrupt.
Find out more
EXHIBITION: Living Data, Presumed Dead
August 5, 2022 - August 31, 2022Living Data, Presumed Dead is an electronic theatre and mixed-media installation that examines the abstract space that stores trauma in the human brain. Through the mapping of fragmentation boundaries found in both ecological and computational ecosystems, Ramsey seeks to identify nuanced codes in the micro-traumas — which serve to become conduits toward self-awareness. The clues these patterns offer can help us find healing and a connectedness in our experiences, to both organic and inorganic systems.
Find out more