Critical Distance is pleased to present Scooped and Scattered, a public art billboard by English River First Nation artist Catherine Blackburn. Presented in-gallery as part of our 2023 exhibition Materialized (curated by Ariel Smith and co-presented with Native Women in the Arts), this re-installation of Blackburn’s work is to celebrate the recent release of CDCC’s Access Working Group (AWG) Report, and to honour Blackburn’s participation in creative access consultation and production in collaboration with Disabled arts workers, community members, and Critical Distance.

For AWG, organizational partners Critical Distance, Tangled Art + Disability, and Carleton University Art Gallery engaged with artists, curators, accessibility experts, and audio describers in Toronto and beyond, facilitating the translation of various exhibitions and artworks into mediating formats primarily intended for blind or low vision communities. For the Materialized exhibition in particular, the AWG brought together audio describer Kat Germain and Melanie Marsden, a blind Anishinaabekwe, to engage directly with artists in the exhibition, including Catherine Blackburn. Through an exploratory process attending to the ways in which works could be described and translated, new connections between the intricate processes of description and the meticulous methods of craft were made.

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A split image with a serene water reflection beneath a bridge on the left, and a shiny silver material draped over a human figure on the right, who is huddled in a space underneath the bridge and surrounded by concrete columns.
an inter-organizational research platform with Critical Distance Centre for Curators, Carleton University Art Gallery, and Tangled Art + Disability With funding from the Canada Council for the Arts, from 2021 to 2023, Critical Distance Centre for Curators (CDCC) initiated and steered an inter-organizational research platform, whose purpose was to advance an understanding of the creative possibilities of accessibility strategies in exhibition-making and live events. In collaboration with our two committed partners, Carleton University Art Gallery (CUAG) and Tangled Art + Disability, the Access Working Group (AWG) evolved over the years as a consortium of voices, perspectives, and practices thinking together about access in contemporary art across different organizational structures, curatorial methodologies, and presentation formats. A spirit of invention guided this journeyFind out more

Critical Distance is pleased to welcome you to STUDY HALL, our newest initiative in support of critical curatorial inquiry, community, and practice. This Winter we’re opening up our space and our program to explore more nimble, flexible, responsive and mutually supportive frameworks for curatorial commoning and collaboration. 

All are welcome to drop in and visit, ask questions, peruse our featured publications, and join in the conversation on curating today. Outside public hours, visit our Instagram page @critical.distance for links to our survey, e-Shop, and newsletter subscription form, so you can be in the know on upcoming programs, events, and other ways to get involved.

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In 2023, we embarked upon a yearlong research and community consultation process under the banner of New Directions for Critical Distance. Still reeling from pandemic-related setbacks, we had identified strategic and financial planning as key to our recovery. Thanks to the Government of Canada’s Community Services Recovery Fund, we were able to design an integrated, multi-phase process that began in consultation with key mentors, curatorial peers, and stakeholders from across the sector. Through an in-depth survey developed in collaboration with senior market analyst and consultant Marina Mandić, plus over 40 hours of face-to-face community consultations between CDCC Director Shani Khoo Parsons and emerging, midcareer, and established curators from across Canada, we engaged a representative sampling of ~150 curatorial colleagues in conversation and critical questionsFind out more

Critical Distance is excited to partner with Dancemakers’ on their inaugural Dance Curation Working Group. Bringing together a group of independent dance curators to attend Dancemakers’ programming as well as other relevant programs across the GTA, we will experience, reflect, discuss, and engage with dance curators working in the field. The inagural cohort includes (top left across to bottom): Lukas Malkowski, abisola oni, Natalia Arancibia, Wai Liu, Kiera Forde, Kin Nguien, Roxy Menzies, Sarah Koekkoek, Holly Chang, Kage Wolfe, Meek & Bryce Taylor.

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