Yaniya Lee

Yaniya Lee’s writing and research track Black creative practice and narratives of liberation across the nation. She is the author of Selected Writing on Black Canadian Art (2024, figure ground/Art Metropole) and Buseje Bailey: Reasons Why We Have to Disappear Every Once in a While, A Black Art History Project (2024, Artexte). 

Lee has taught or written about art for universities, museums and institutions across North America and Europe including Banff Centre for Arts and Creativity, CCA Wattis Institute for Contemporary Arts, de Appel Amsterdam, Dutch Art Institute, Momus, Toronto Biennial of Art, Art in America, British Vogue, Vulture, Racar: Canadian Art Review, Chatelaine, Canadian Art, C Magazine, The Fader, Flash Art, Montez Press, and T: The New York Times Style Magazine.

She was a member of the editorial team at Canadian Art magazine from 2017–21.

EXHIBITION: Burnt Sugar

September 27, 2024 - November 16, 2024

Critical Distance is pleased to present Burnt Sugar, curated by noted author francesca ekwuyasi and featuring new and recent works by Adama Delphine Fawundu, Shaya Ishaq, Bushra Junaid, Kosisochukwu Nnebe, and Oluseye. Drawing upon the artists’ longstanding engagement with themes of migration, identity, Blackness, and diaspora, Burnt Sugar explores the inextricable connections between labour, extraction and sugar production including the transatlantic slave trade and its afterlives.

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