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Critical Distance DIRECTORY Morgan Melenka

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Morgan Melenka

Morgan Melenka is a visual artist from amiskwacîwâskahikan who has recently relocated to Mohkinstsis (Calgary). She engages with architecture to discuss how artifice functions in our built world, working between sculpture, installation, and printmaking through a constellation of materials that emphasize the veneer, including digitally printed fabric, vinyl, paper, ceramic tiles, mirror, and Formica. In 2021, Melenka exhibited at the Art Gallery of Alberta, the Southern Art Gallery of Alberta, and Plumb Gallery in Toronto. Her work has been exhibited across Canada and in the U.S, including New York, Nebraska, and Tennessee. She holds a MFA from NSCAD University and this past summer she began work as a scenic painter for film and thinks it’s pretty cool to learn all the tricks of creating fabricated reality for the screen.

 

 

PUBLIC ART: Billboard on Shaw by Morgan Melenka and Megan Gnanasihamany

October 6, 2022 - November 26, 2022

The billboard Burtynsky Suite, created by curators  Morgan Melenka and Megan Gnanasihamany’s for the exhibition The Equivalence of Alloyed Gold, is on view at 180 Shaw Street October to November, 2022. The exhibition results from a year-long experimental commissioning and exhibition process incorporateing ideas of communication and sensory translation. It features works by Stephanie E Creaghan, Andy Slater, Gillian Dykeman, Chandra Melting Tallow, Ashna Jacob, Aislinn Thomas, Anne Macmillan, Tamyka Bullen, and Dayna Danger.

 

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EXHIBITION: The Equivalence of Alloyed Gold

October 6, 2022 - November 26, 2022

Featuring works by Stephanie E Creaghan, Andy Slater, Gillian Dykeman, Chandra Melting Tallow, Ashna Jacob, Aislinn Thomas, Anne Macmillan, Tamyka Bullen, and Dayna Danger
Curated by Megan Gnanasihamany and Morgan Melenka

On view: October 6 – November 26, 2022
Opening Reception: Thursday, October 6th, 7 to 9 pm

The making of art history is a process of translation. It flattens and unfolds through digital interfaces and methodologies of internet conservation, allowing exhibitions to spread through a temporal daisy chain of image, text, catalog, and critique. This chain of distillation — from material art object or experience to description and flat image—disseminates cultural themes, concepts, and conclusions across artistic landscapes, allowing for particular figures, galleries, and publications to become authoritative texts on contemporary work. Taking the 2018 Art Gallery of Ontario exhibition Anthropocene as its starting point, The Equivalence of Alloyed Gold is a year-long experimental commissioning and exhibition process hosted by Critical Distance Centre for Curators (CDCC) incorporating ideas of communication and sensory translation.

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