Bushra Junaid

Bushra Junaid is a multidisciplinary artist-curator, author, and arts administrator based in Toronto. Born in Montreal to Nigerian and Jamaican parents, and raised in St. John’s, Newfoundland and Labrador, Junaid is best known for exploring history, memory, cultural identity, and placemaking through mixed media collage, drawing, and painting. Pivoting on Paul Gilroy’s concept of the “Black Atlantic” and reflecting on John Akomfrah’s Vertigo Sea (2015), Junaid’s landmark curatorial project, What Carries Us: Newfoundland and Labrador in the Black Atlantic was presented at The Rooms Provincial Art Gallery (2020) and included video, mixed media, mural, and photo-based works by Canadian and international artists, as well as rare archival items. She also initiated and co-curated (with Pamela Edmonds) New-Found-Lands: An Art Project Exploring Historical and Contemporary Connections between Newfoundland and the Caribbean Diaspora at Eastern Edge Gallery (2016). Junaid wrote and illustrated The Possible Lives of WH, Sailor (Running the Goat Books & Broadsides), which was a finalist for a Next Generation Indie Book Award in 2022, and she has exhibited across Canada and the US, with work held in public, private and corporate collections.

EXHIBITION: Burnt Sugar

September 27, 2024 - November 16, 2024

Critical Distance is pleased to present Burnt Sugar, curated by noted author francesca ekwuyasi and featuring new and recent works by Adama Delphine Fawundu, Shaya Ishaq, Bushra Junaid, Kosisochukwu Nnebe, and Oluseye. Drawing upon the artists’ longstanding engagement with themes of migration, identity, Blackness, and diaspora, Burnt Sugar explores the inextricable connections between labour, extraction and sugar production including the transatlantic slave trade and its afterlives.

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