Critical Distance Profile Type Writer

Kathleen Foran-Spragge is an independent curator, writer, and researcher whose work explores how patterns of listening and sounding can be altered to foster relationships between humans and with the more-than-human. Her MFA thesis exhibition at OCAD University, What Passes Unspoken (2025), featured artworks that use sound and movement to bridge linguistic divides. She serves as Board Chair at Xpace Cultural Centre and is a member of the programming committee at InterAcess. Her practice is committed to supporting emerging artists, facilitating interdisciplinary collaboration, and strengthening community connections. While at OCAD, she hosted a podcast interviewing graduate students from across the university’s six programs about their Master’s research, available on the OCAD U Live YouTube channel.Find out more

Samantha Lance became the new Curator for the Visual Arts Centre of Clarington (Bowmanville, Ontario) in October 2024. She holds a Master of Visual Studies in Curatorial Studies degree from the University of Toronto and a BFA with Distinction in Criticism and Curatorial Practice from OCAD University. Her Graduating Exhibition, The Love that Remains, was on display at the Art Museum at the University of Toronto from May 1 to July 27, 2024. She continues to engage with contemporary art and the public as a freelance writer, guest speaker, and invited moderator. Samantha’s writing has been published by The Power Plant Contemporary Art Gallery, C Magazine, and the Master of Museum Studies Student Publication at U of T. She is a recipient of the John and Myrna…Find out more

Amin Alsaden is a curator, scholar, and educator whose work focuses on transnational solidarities and exchanges across cultural boundaries. His curatorial practice is committed to advancing social justice through the arts, and to disseminating more inclusive narratives that decenter existing canons and challenge hegemonic epistemological and power structures. His exhibitions invariably raise questions concerning the interrelated domains of geography, colonialism, extraction, organized violence, and displacement.

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Noor Alé is a curator, art historian, and writer whose exhibitions and roles span international contemporary art institutions. Her practice delves into the intersections of contemporary art with geopolitics, cosmologies, and land relations pertaining to the Global Majority. Through a relational, transcultural and transhistorical lens her work unearths convergences that engender solidarities across ideological divisions. She has held positions at The Power Plant Contemporary Art Gallery, Toronto; National Gallery of Canada, Ottawa; Solomon R. Guggenheim Museum Abu Dhabi Project, New York; and Art Dubai.

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Geneviève Wallen is an award-winning independent curator, writer, researcher, workshop facilitator, and mentor. Wallen’s practice is rooted in Tiohtià:ke/Mooniyang (Montréal) and Tkaronto (Toronto) territories. Her curatorial practice, administrative ethics and pedagogy are informed by intersectional feminism, intergenerational dialogues, and BIPOC platforms offering alternatives to neo-liberal care definitions. Her ongoing curatorial explorations include the practice of gift-giving, carving spaces for unfinished thoughts, and musings on the intersection of longevity and pleasure.

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