A large bell in front of a two-channel video projection depicting a foundry

Noor Alé

Noor Alé is a curator, art historian, and writer whose exhibitions and roles span international contemporary art institutions. Her practice delves into the intersections of contemporary art with geopolitics, cosmologies, and land relations pertaining to the Global Majority. Through a relational, transcultural and transhistorical lens her work unearths convergences that engender solidarities across ideological divisions. She has held positions at The Power Plant Contemporary Art Gallery, Toronto; National Gallery of Canada, Ottawa; Solomon R. Guggenheim Museum Abu Dhabi Project, New York; and Art Dubai.

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Geneviève Wallen

Geneviève Wallen is an award-winning independent curator, writer, researcher, workshop facilitator, and mentor. Wallen’s practice is rooted in Tiohtià:ke/Mooniyang (Montréal) and Tkaronto (Toronto) territories. Her curatorial practice, administrative ethics and pedagogy are informed by intersectional feminism, intergenerational dialogues, and BIPOC platforms offering alternatives to neo-liberal care definitions. Her ongoing curatorial explorations include the practice of gift-giving, carving spaces for unfinished thoughts, and musings on the intersection of longevity and pleasure.

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[A close-up of a hanging mixed media artwork with stitched sections of blue cyanotypes, black and white photo negatives, and raffia.

Adama Delphine Fawundu

Adama Delphine Fawundu is an artist born in Brooklyn, NY, the ancestral space of the Lenni-Lanape. She is a descendant of the Mende, Krim, Bamileke, and Bubi peoples, and her distinct visual language centers indigenization and the power in ancestral knowledge and memory through photography, printmaking, video, sound, and assemblage.

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