Search Results:"Quratulain Butt"

Winter 2018 Billboard on Shaw, "Ego" by Quratulain Butt, from We Look at Animals Because, curated by Nahed Mansour and Toleen Touq, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid.

Billboard on Shaw: Quratulain Butt | Ego

January 25–March 25, 2018

In partnership with South Asian Visual Arts Centre (SAVAC), Critical Distance is pleased to present the Winter 2018 Billboard on Shaw, featuring work by Quratulain Butt curated by Toleen Touq and Nahed Mansour as part of the exhibition We Look At Animals Because.

Growing up with roosters as pets, this motif appears frequently in Butt’s paintings. Originally created using delicate watercolor strokes in the Gadrang (opaque) miniature painting technique, the artist presents figures of brawling roosters as stand-ins for human conflict. Butt also draws, perhaps comically, on the pressures of conformity that come with family and tradition. For this exhibition, an enlarged and digitized version of the original Ego painting was commissioned from the artist for the eight-foot square billboard structure. Continue reading

Seasons Greetings from Critical Distance and 1st Annual CDCC Edition!

What a tremendous year we had in 2018! Thanks to everyone who participated in, contributed to, and attended our exhibitions and events, including: guest curators for our annual program Toleen Touq, Nahed Mansour, Cass Gardiner, Florence-Agathe Dubé-Moreau, Maude Johnson, and Noa Bronstein; special/partner project curators Emma German, Adam Khalil, Zack Khalil, and Jackson Polys; presenting partners SAVAC, Aboriginal Curatorial Collective, Koffler Gallery, and Gallery 44; fair and festival partners Images Festival with ImagineNATIVE, Scotiabank CONTACT Photography Festival, Toronto Art Book Fair, and Edition Art Book Fair; project funders and supporters Toronto Arts Council, Ontario Arts Council, and Artscape Youngplace; and all of our wonderful board, advisory, and team members; contributing designers, writers, and editors; and last but not least, our engaged and growing audiences in Toronto and around the world. Continue reading

Quratulain Butt, Ego, 2018, digital print on adhesive vinyl mounted to billboard, 8 x 8 feet. Winter 2018 Billboard on Shaw, curated by Nahed Mansour and Toleen Touq.

Quratulain Butt Artist

Quratulain Butt was born in Rawalpindi Pakistan in 1980. She is trained as a Miniature painter and sculptor at the National College of the Arts Lahore, Pakistan and Hunerkada academy of visual and Performing Arts Islamabad, Pakistan Quratulain’s work shares concerns like social hierarchy, war conflict, hypocrisy and self ­ reflection/hope. She moved to Canada 2013.
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Last Update:April 5, 2018

CDCC+SAVAC Present: We Look At Animals Because, curated by Toleen Touq and Nahed Mansour

WE LOOK AT ANIMALS BECAUSE
January 25–March 25, 2018

Featuring Quratulain Butt, Khaled Hourani, Maha Maamoun, Smriti Mehra, Huma Mulji, Ed Panar, Alex Sheriff, and Andrea Luka Zimmerman | Curated by Toleen Touq and Nahed Mansour

In partnership with South Asian Visual Arts Centre (SAVAC), Critical Distance is pleased to present We Look At Animals Because, an exhibition that gazes on animality. Through the lens of spectatorship, the show explores the shifting ways in which animals are regarded, represented and accorded meaning in post-industrial landscapes. Exhibiting photographs, video, works on paper, and sculpture, the featured artists reveal the nuanced, complicated and unexpected paradoxes that mark our relationships with cosmopolitan animals.

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WE LOOK AT ANIMALS BECAUSE

January 25–March 25, 2018

Featuring Quratulain Butt, Khaled Hourani, Maha Maamoun, Smriti Mehra, Huma Mulji, Ed Panar, Alex Sheriff, and Andrea Luka Zimmerman | Curated by Toleen Touq and Nahed Mansour

In partnership with South Asian Visual Arts Centre (SAVAC), Critical Distance is pleased to present We Look At Animals Because, an exhibition that gazes on animality. Through the lens of spectatorship, the show explores the shifting ways in which animals are regarded, represented and accorded meaning in post-industrial landscapes. Exhibiting photographs, video, works on paper, and sculpture, the featured artists reveal the nuanced, complicated and unexpected paradoxes that mark our relationships with cosmopolitan animals. Continue reading

The view from here | Season’s greetings from CDCC

Gazing out our third floor window at Artscape Youngplace, we’re reflecting on another whirlwind year and sending heartfelt thanks to everyone who participated, attended, and supported Critical Distance in 2017. We had such a wonderful run of exhibitions, art book fairs, and related events, all made possible by the curators, artists, and organizations we collaborated with, our board and team members working behind the scenes and on the ground/in the gallery to make it all happen, and the art book/edition buyers, funders, contributors, and audiences who help make everything seem both possible and worthwhile.

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