Noor Alé

Noor Alé is an independent curator, art historian, and writer. She is the Associate Curator at The Power Plant, Toronto. Her curatorial practice examines the intersections of contemporary art with geopolitics, decolonization, and social justice in the Global South. Alé has contributed to curatorial research, exhibition management, and public programmes at the Visual Arts Centre of Clarington, Bowmanville; National Gallery of Canada, Ottawa; Solomon R. Guggenheim Museum, NY; and Art Dubai. She holds an MA in Art History from The Courtauld Institute of Art, and a BA in Art History from the University of Guelph.

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Fatma Hendawy Yehia

Fatma Hendawy Yehia is an Egyptian curator, she moved to Canada in 2017 and is currently based in Toronto. Yehia’s curatorial interests emanated from working with censored archives, inaccessible histories and living within militarised urban spaces. In 2020, she graduated from the MVS Curatorial program at University of Toronto. In 2021, she joined the Art Gallery of York University as Administrative Assistant and currently as Assistant Curator until January 2022.

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Mirae Lee, Namesake, Co-facilitated/curated with Pruneah Kim and Abby Ho, 2018.

Mirae Lee

미래; mirae lee is an emerging cultural producer and sociocultural anthropologist, and a freelance illustrator and community arts organizer currently based in Tkaronto/Toronto. She is also the Community Director at Project 40 Collective.

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...move or be moved by some 'thing' rather than oneself, curated by Florence-Agathe Dubé-Moreau and Maude Johnson, installation view with work by Guillaume Adjutor Provost, Nadège Grebmeier Forget, and Adam Basanta, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid.

Maude Johnson

Maude Johnson is a Montréal-based writer and curator. She holds a MA in Art History from Concordia University. She is interested in the relationship between bodies, times, and spaces. Her research explores performative and curatorial practices, while probing methodologies, mechanisms, and languages within interdisciplinary practices. Her recent projects have been presented in the SIGHTINGS space of the Leonard & Bina Ellen Art Gallery (Montréal, 2016) and at Artexte (Montréal, 2018).Find out more
Adam Basanta, Curtain (white), 2016, sound installation (detail), 2x2x.20 meters; Adrienne Crossman, Footnotes to a Queer Art Practice, 2018, mixed-media installation, in ...move or be moved by some 'thing' rather than oneself, curated by Florence-Agathe Dubé-Moreau and Maude Johnson, Critical Distance Centre for Curators, 2018. Installation documentation by Toni Hafkenscheid.

Florence-Agathe Dubé-Moreau

Florence-Agathe Dubé-Moreau is a Montréal-based writer and curator. MA candidate in Art History at UQAM, her research questions the effects of exhibition reenactment in contemporary art. She was the Assistant Curator for the Canadian Pavilion at the 56th Venice Biennale (2015), co-editor of the book Questionner l’avenir. Réflexions sur la réactualisation de la Biennale de Montréal (2015), and curator of the exhibition do it Montréal at Galerie de l’UQAM (2016).Find out more