Aislinn Thomas

Aislinn Thomas is an interdisciplinary artist whose practice includes video, performance, installation and text-based work. She culls material from everyday experiences and relationships, exploring themes of vulnerability, empathy, possibility and failure.

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Dallas Fellini

Dallas Fellini is a curator, writer, and artist living and working in Tkaronto/Toronto. Their practice is invested in the dissolution of boundaries between different art forms and arts communities, trans and queer histories and futures, community practice, and the intersections of art and popular culture. Dallas is a member of curatorial duo Crocus Collective and a cofounder of Silverfish, an arts publication devoted to interdisciplinary collaboration, skill-sharing, and cultivating ongoing dialogues between emerging artists and writers.

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Video still of a young person of colour wearing a bright blue shirt with a floral motif, while yelling in front of a blurred backdrop of vibrant greenery.

Zoë Chan

Zoë Chan lives in Vancouver on the unceded ancestral territories of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and Sel̓íl̓witulh Nations. She works as Assistant Curator at the Vancouver Art Gallery. Presented across Canada, her curatorial projects have delved into a range of subject matter including storytelling, documentary practices, youth, food, and discourse around representation. She was a recipient of the Canada Council for the Arts’ Joan Lowndes Award in recognition of excellence in critical and curatorial writing in 2015. She graduated with a Master’s degree in Art History from Concordia University.

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Magdalyn Asimakis

Magdalyn is a curator and writer. Her practice explores embodied experience in relation to Western display practices and methods of knowing, taking into account familial knowledge, folklore, spirituality, and generational trauma. 

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Kate Whiteway

Kate Whiteway is an independent curator from Saskatoon living in Toronto. Her most recent exhibition, In the Rough (The Plumb, Toronto, 2021), explored the healing crystal industry and its imbrication with theosophical symbolism, medical technology and labour organizing in the 20th century. Her curatorial projects look at the materialist and mythological lives of commodities, including crystals, flowers, and cosmetics.
Kate holds a Master of Curatorial Studies from the University of Toronto. She is the recipient of the 2018 Reesa Greenberg Curatorial Studies Award, the 2020 C Magazine New Critics Award and participated in the 2020 Momus Emerging Critics Residency.

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