Žana Kozomora

Žana Kozomora works across curatorial and visual practice. She has curated exhibitions with Cambridge Art Galleries and Kitchener-Waterloo Art Gallery, and sits on the Program Committee and Board of CAFKA (Contemporary Art Forum Kitchener + Area). Her writing has been published in ASAP/Journal and C Magazine. Born in Sarajevo, BiH, she grew up in Kitchener, Ontario, the traditional territory of the Attawandaron (Neutral), Anishnaabeg, and Haudenosaunee peoples.

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Video still of a young person of colour wearing a bright blue shirt with a floral motif, while yelling in front of a blurred backdrop of vibrant greenery.

Zoë Chan

Zoë Chan lives in Vancouver on the unceded ancestral territories of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and Sel̓íl̓witulh Nations. She works as Assistant Curator at the Vancouver Art Gallery. Presented across Canada, her curatorial projects have delved into a range of subject matter including storytelling, documentary practices, youth, food, and discourse around representation. She was a recipient of the Canada Council for the Arts’ Joan Lowndes Award in recognition of excellence in critical and curatorial writing in 2015. She graduated with a Master’s degree in Art History from Concordia University.

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Geneviève Wallen

Geneviève Wallen is a Tiohtiá:ke Mooniyang/Montreal and Tkaronto/Toronto based independent curator, writer, and researcher. Wallen’s practice is informed by diasporic narratives, intersectional feminism, intergenerational dialogues, BIPOC alternative healing platforms functioning outside neo-libral definitions of self and collective care. Her ongoing research focuses on the intersections of longevity and pleasure as contemplative spaces for care work in the arts.

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Noor Alé

Noor Alé is an independent curator, art historian, and writer. She is the Associate Curator at The Power Plant, Toronto. Her curatorial practice examines the intersections of contemporary art with geopolitics, decolonization, and social justice in the Global South. Alé has contributed to curatorial research, exhibition management, and public programmes at the Visual Arts Centre of Clarington, Bowmanville; National Gallery of Canada, Ottawa; Solomon R. Guggenheim Museum, NY; and Art Dubai. She holds an MA in Art History from The Courtauld Institute of Art, and a BA in Art History from the University of Guelph.

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Tanya Lukin Linklater

Tanya Lukin Linklater’s performances, works for camera, installations, and writings centre histories of Indigenous peoples’ lives, lands, and structures of sustenance. Her performances in relation to objects in exhibition, scores, and ancestral belongings generate what she has come to call felt structures.

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