Magdalyn Asimakis

Magdalyn is a curator and writer. Her practice explores embodied experience in relation to Western display practices and methods of knowing, taking into account familial knowledge, folklore, spirituality, and generational trauma. 

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Alana Bartol

Alana Bartol comes from a long line of water witches. Her site-responsive works explore divination as a way to question consumption-driven relationships to land, water, and natural resources. She is a member of Fathom Sounds, a collective of artists that have come together to think long-term about the health of water and the role artists play in responding to urgent ecological, political, and social issues that collect around water. Of Scottish, German, English, French, Irish, and Danish ancestry, Bartol is a white settler Canadian currently living in Mohkínstsis (Calgary), Alberta.

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Kablusiak

Kablusiak is a renowned multidisciplinary Inuvialuk artist and curator who uses Inuk ingenuity to create work in a variety of mediums including, but not limited to, lingerie, white flour, soapstone, permanent marker, bed sheets, felt, acrylic paint, and words. Their work explores the dis/connections between existence in the Inuit diaspora while maintaining family and community ties, the impacts of colonization on Inuit gender and sexuality expressions, as well as on health and wellbeing, and the everyday.

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Eric Chengyang

Eric Chengyang is a Toronto-based interdisciplinary artist of Chinese-Canadian background. They works in the hybrid of traditional, digital, and ephemeral mediums: including painting, photography, time-based media, installation, and design. By integrating research with experimental, hybrid art forms, Eric explores themes of symbiotic duality and paradox. In particular, their recent works examine the intersections and proximity between the East and the West, while challenging the conventional notion of the West versus the East or the East-West dichotomy.

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Mara Eagle

Mara Eagle is an American video and installation artist based in Montréal. Pulling intuitively from the world of pop-culture, the Internet and technology industries, her work explores the legacy of Western philosophy and science from a feminist perspective. Most recently her major projects have been animation-based and focus on how practices of observation, description and representation in Western art and science have formulated a concept of nature amenable to industrialization, colonialism and exploitation.

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