Aislinn Thomas

Aislinn Thomas is an interdisciplinary artist whose practice includes video, performance, installation and text-based work. She culls material from everyday experiences and relationships, exploring themes of vulnerability, empathy, possibility and failure.

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From above, a photo of two people touching a sprawling textile sculpture called Big Softie. They reach into the guts, which are soft and dimpled and made from stuffed knee socks and nylon stockings, and examine the Unidentified Remains that are scattered amongst them. At the centre lies Big Softie’s heart, a red patchwork soft sculpture with tendrils extending outward.

Sean Lee

Sean Lee is an artist and curator exploring the notion of disability art as the last avant-garde. Orienting towards a “crip horizon”, he is interested in the transformative possibilities of crip community building and accessible curatorial practices that desire the ways disability can disrupt.

Sean holds a B.A. in Arts Management and Studio from the University of Toronto, Scarborough and is currently the Director of Programming at Tangled Art + Disability. He also is a member of the Ontario Art Council’s Deaf and Disability Advisory Group and Toronto Art Council’s Visual Arts / Media Arts Committee.

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Eric Chengyang

Eric Chengyang is a Toronto-based interdisciplinary artist of Chinese-Canadian background. They works in the hybrid of traditional, digital, and ephemeral mediums: including painting, photography, time-based media, installation, and design. By integrating research with experimental, hybrid art forms, Eric explores themes of symbiotic duality and paradox. In particular, their recent works examine the intersections and proximity between the East and the West, while challenging the conventional notion of the West versus the East or the East-West dichotomy.

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naakita feldman-kiss

naakita feldman-kiss (they/she) is a queer artist of mixed heritage who lives and works in Tio’Tia:Ke / Montreal, QC. Their practice examines changing landscapes, contemporary applications of oral transmission, and intergenerational memory as forms of inheritance and legacy.

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Pansee Atta
Pansee Atta is an Egyptian/Canadian artist who lives and works on unceded Anishnaabe territory in Ottawa, Ontario. Using new media such as animation, 3d printing, laser cutting, and virtual/augmented reality, her practice explores issues of representation, migration, authenticity, and decolonization. Her recent work has sought to reappropriate Orientalist art to imagine strange, monstrous, and excessive bodies, as well as intervening upon images of artifacts around which campaigns for repatriation have been waged as a means of imagining the decolonization of the museum.Find out more