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SUMMARY:Artist Talks: Katherine Melançon and Anahita Norouzi
DESCRIPTION:Artist Talks\nKatherine Melançon and Anahita Norouzi \nThursday\, July 13\n12:30 pm\nOn Zoom: Register on Eventbrite \nJoin us online to learn more about the practices of artists Katherine Melançon and Anahita Norouzi\, as part of Critical Distance’s summer exhibition Garden of Broken Shadows\, curated by Fatma Hendawy.  \nAbout the artist(s) \nKatherine Melançon’s practice is interested in the intersection of the natural and the technological. More recently\, she has been exploring non-human beings’ agency; what could become of the world of art\, if it was created with non-human people? Often using the starting point of scanography of natural specimens\, she plants these new seeds in various materials\, exploring images’ fluidity through cycles of metamorphosis between physical and digital soils. Katherine holds an MFA from Central Saint-Martins in London\, UK\, and a BA in digital media from Université du Québec à Montréal\, Montreal\, Canada. Her work has been exhibited in Canada\, the USA and Europe. In 2022\, she was named on the Sobey Art Award long list. She lives and works in Montreal. \nAnahita Norouzi is a multidisciplinary artist\, originally from Tehran and active in Montreal since 2017. For the past four years\, she has been traveling between Iran and Canada to conduct her research which lies at the intersection of colonial histories\, experiences of immigration and displacement\, and the issue of identity and memory. Her practice is research-driven\, instigated by marginalized histories and the legacies of botanical explorations and archeological excavations\, particularly when scientific research became entangled in the colonial exploitation of non-Western geographies. Norouzi’s works have been shown internationally\, most recently at BIENALESUR\, the International Contemporary Art Biennial of South America\, in Buenos Aires\, Argentina. She has received numerous grants\, fellowships\, and awards\, most notably the Grantham Foundation Award\, Liz Crockford Artist Fund Award\, and the Vermont Studio Center Merit. She is the winner of Impression residency at the Montreal Museum of Fine Arts in 2022 and the finalist for the Magic of Persia Contemporary Art Prize for pieces shown at the Royal College of Art’s Henry Moore Gallery in London and in Dubai. \nAccessibility\n\nASL Interpretation will be made available at this virtual event.\nCritical Distance prioritizes creative and collaborative approaches to access in conversation with guest curators\, artists\, access professionals\, and people in community. For any questions or more information\, please contact us at info@criticaldistance.ca. \n– \nGarden of Broken Shadows is made possible through the generous support of the Canada Council for the Arts. Critical Distance gratefully acknowledges funding support from the Ontario Arts Council\, an agency of the Government of Ontario. \n  \n\nImages (left to right): Anahita Norouzi\, Arid Florilegium (detail)\, 2022\, Inkjet prints on archival paper\, paper cutouts\, plexiglass\, 16 x 20 in. Courtesy of the artist. Katherine Melançon\, Nature morte. Un million d’horizons (detail)\, 2017\, laser-engraved ceramic\, 10 x 13.5 in. Photo: Jean-Michel Seminaro.
URL:https://criticaldistance.ca/event/artist-talks-katherine-melancon-and-anahita-norouzi/
CATEGORIES:Talks + Panels
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SUMMARY:In Conversation: Ahmed Naji and Fatma Hendawy
DESCRIPTION:In Conversation\nAhmed Naji and Fatma Hendawy \nTuesday\, August 1\n12:30 pm\nOn Zoom: Register on Eventbrite to receive the link\n \nCritical Distance is pleased to present an engaging dialogue between acclaimed Egyptian author\, Ahmed Naji\, and renowned curator\, Fatma Hendawy as part of our summer exhibition\, Garden of Broken Shadows. The discourse will revolve around their experiences in adapting to life in the United States and North America\, with a particular focus on the challenges and opportunities that come with using a different language as creators. \nAbout the artist \nAhmed Naji is the author of three novels\, Rogers (2007)\, Using Life (2014)\, And Tigers to my Room (2020)\, and another non-fiction book (Rotten Evidence: Reading and writing in prison) as well as numerous blogs and other articles. His work has been translated into different languages including English\, Italian\, Spanish\, and others. In 2016 Ahmed was sentenced for 2 years in prison in Egypt after a reader complained that an excerpt published in a literary journal harmed public morality. His imprisonment marks the first time in modern Egypt that an author has been jailed for a work of literature. Writers and literary organizations around the world rallied to support Naji\, and he was released in December 2016. His original conviction was overturned in May 2017. \nAbout the curator \nFatma Hendawy Yehia is an Egyptian-Canadian curator\, based in Toronto since 2017. Yehia graduated in 2020 from the Master of Visual Studies Curatorial program at university of Toronto. Since 2008\, Yehia held different positions at the New Library of Alexandria including Head of Permanent Exhibitions (2010-12). She was the Assistant Curator at the AGYU\, Toronto (2021-22). She was Guest Curator at Images Festival 2022\, and currently she works as Assistant Archivist at the Art Museum\, University of Toronto. Yehia participated in curatorial workshops (including Tate Intensive 2017)\, residencies (ProHelvetia and ZKU/Berlin) and curated several projects in Egypt\, UK\, Switzerland\, France\, Germany\, and Canada. Her curatorial practice focuses on investigating censored archives\, questioning inaccessible histories\, and navigating militarised spaces. \nAccessibility \nASL Interpretation and live captioning will be made available at this event.\nCritical Distance prioritizes creative and collaborative approaches to access in conversation with guest curators\, artists\, access professionals\, and people in community. For any questions or more information\, please contact us at info@criticaldistance.ca. \n– \nGarden of Broken Shadows is made possible through the generous support of the Canada Council for the Arts. Critical Distance gratefully acknowledges funding support from the Ontario Arts Council\, an agency of the Government of Ontario.
URL:https://criticaldistance.ca/event/in-conversation-ahmed-naji-and-fatma-hendawy/
CATEGORIES:Talks + Panels
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