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DTSTART;TZID=America/Toronto:20220917T150000
DTEND;TZID=America/Toronto:20220917T160000
DTSTAMP:20260508T175247
CREATED:20220905T192508Z
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SUMMARY:Conversation and Screening: Adrià Julià and Noa Bronstein
DESCRIPTION:Conversation and Screening: Adrià Julià and Noa Bronstein \nSaturday\, September 22nd\, 2022\n3:00 pm\nInnis Town Hall (2 Sussex Avenue) \n\nAdrià Julià will be joined by curator Noa Bronstein for a discussion into his ongoing interest in the parallel and overlapping histories of film production and popcorn consumption. Using an historical perspective with the language of cinema\, Julià encourages a critical look at the impact of history and culture on food and images and how these inform our understanding of the world around us. \nA screening of Julià’s Popcorn will follow the conversation. The film is adapted from footage originally presented by the San Diego-based camera company Photron of a single kernel of corn exploding into popcorn over twelve seconds. Shot with a slow-motion high-speed camera that the company sought to promote\, the found mini-film was reimagined by Julià and stretched into Popcorn\, a feature film. \n\n\nThis program is presented by Critical Distance Centre for Curators as part of Place Settings II\, featuring film and performance-based projects curated by Noa Bronstein throughout the city of Toronto. This program is in dialogue with Julià’s A Very White Flower (on view at Artscape Youngplace) and The Penitential Tyrant: Dolores Is Pain at the AGO on September 16th.\n\n\n\n\n\n  \nAbout the artist and curator \nAdrià Julià received an MFA from the California Institute of the Arts\, a Maisterschüler from the Universität der Künste Berlin\, and a BFA from Universitat de Barcelona. His practice includes installations\, film\, photography\, and performance. Solo exhibitions include those at the Miró Foundation (Barcelona)\, Tabakalera (San Sebastián\, Spain)\, Museo Tamayo (Mexico City)\, Orange County Museum of Art (Newport Beach\, California)\, Project Art Centre (Dublin)\, LAXART (Los Angeles) and Artists Space (New York). He participated in the Lyon\, São Paulo\, Mercosul\, Kochi-Muziris\, and Jakarta Biennales. \nNoa Bronstein is a curator and writer based in Toronto. Her practice is often focused on the social production of space and thinking through how artists disrupt and subvert systems including those registering across social\, political and economic structures.\nNoa has held the positions of Executive Director of Gallery 44 Centre for Contemporary Photography\, inaugural Senior Curator at the Small Arms Inspection Building (Mississauga) and Project Manager at the Art Gallery of Ontario. Her writing has appeared in publications including Artforum\, PREFIX Photo\, Canadian Art\, Border Crossings\, The Journal of Curatorial Studies and C Magazine. Recent curatorial projects include When Form Becomes Attitude at Contemporary Calgary\, bust/boom at The New Gallery (Calgary)\, With an instinct for justice at Doris McCarthy Gallery (Toronto) and Aleesa Cohene’s solo exhibition I Don’t Get It at Gallery 44 (Toronto)\, The Rooms (St. John’s) and Western Front (Vancouver). Noa is currently the Executive Director of Gallery TPW. \n  \nPlace Settings is made possible through the generous support of the Toronto Arts Council\, City of Toronto\, and ArtworxTO: Toronto’s Year of Public Art 2021-22. \n  \n\nImage: Detail of A Very White Flower (2022)\, Adrià Julià. \n 
URL:https://criticaldistance.ca/event/conversation-and-screening-adria-julia-and-noa-bronstein/
LOCATION:Innis Town Hall\, 2 Sussex Avenue\, Toronto\, M5S 1J5
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2022/09/AdriaJulia_Innis.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20230422T130000
DTEND;TZID=America/Toronto:20230422T150000
DTSTAMP:20260508T175247
CREATED:20230328T183834Z
LAST-MODIFIED:20240925T034214Z
UID:18768-1682168400-1682175600@criticaldistance.ca
SUMMARY:Artist Panel: Materialized
DESCRIPTION:Artist Panel: Materialized\nJoi T. Arcand\, Celeste Pedri-Spade\, Catherine Blackburn\, and Nadya Kwandibens\n \nSaturday\, April 22nd\, 2023\n1:00 pm\nUrbanspace Gallery\nGround floor of 401 Richmond – 401 Richmond St W\, Toronto\n \nJoin us for a panel discussion featuring the artists from our spring exhibition Materialized. Artists Joi T. Arcand\, Celeste Pedri-Spade\, Catherine Blackburn\, and Nadya Kwandibens will present brief artist talks\, followed by a discussion moderated by curator Ariel Smith (Artistic & Managing Director\, Native Women in the Arts). \nThis panel is presented as part of Materialized\, an exhibition co-presented by Native Women in the Arts and Critical Distance Centre for Curators\, in partnership with Scotiabank CONTACT Photography Festival and Partners in Art. Materialized is on view at Critical Distance Centre for Curators from April 21 to June 3. \nThis is a free\, public event: everyone is invited.\nCapacity is limited\, register in advance on Eventbrite \nAbout the artist(s)\n \nJoi T. Arcand is an artist from Muskeg Lake Cree Nation\, Saskatchewan\, Treaty 6 Territory\, currently residing in Ottawa\, Ontario. Her practice includes installation\, photography and design and is characterized by a visionary and Subversive reclamation and indigenization of public spaces through the use of Cree language and syllabics. \nCatherine Blackburn was born in Patuanak Saskatchewan\, of Dene and European ancestry and is a member of the English River First Nation. She is a multidisciplinary artist and jeweller\, whose common themes address Canada’s colonial past that are often prompted by personal narratives. \nCeleste Pedri-Spade is an Anishinabekwe artist from Lac Des Mille Lacs First Nation. She identifies as a “mark maker” who works primarily with textiles and photography. \nNadya Kwandibens is Anishinaabe from the Animakee Wa Zhing #37 First Nation in northwestern Ontario. In 2008 she founded Red Works Photography\, a dynamic photography company empowering contemporary Indigenous lifestyles and cultures through photographic essays\, features\, and portraits. \n \nAbout the curator(s) \nAriel Smith is an award winning nêhiyaw\, white settler and Jewish filmmaker\, video artist\, writer\, and cultural worker. Ariel works as the Artistic and Managing Director of Native Women in the Arts and is in the process of completing an MFA in Film Production from York University. \nAccessibility \nASL Interpretation will be available at this event.\nCritical Distance and Urbanspace Gallery are located on the ground floor at 401 Richmond\, a wheelchair accessible building with a ramp at the Richmond Street doors and an accessible washroom on every level. \n– \nThank you to our presenting partner\, Native Women in the Arts. This program is made possible through the generous support of Partners in Art and Scotiabank CONTACT Photography Festival. Critical Distance gratefully acknowledges funding support from the Ontario Arts Council\, an agency of the Government of Ontario. \n  \n\nImage: Joi T. Arcand\, Through That Which is Scene\, 2014. Courtesy of the artist.
URL:https://criticaldistance.ca/event/artist-panel-materialized/
LOCATION:401 Richmond\, 401 Richmond St. West\, Toronto\, ON\, M5V3A8\, Canada
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2023/03/Arcand-3_Through-That-Which-is-Scene_Courtesy-of-the-artist_rt.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20230623T180000
DTEND;TZID=America/Toronto:20230623T213000
DTSTAMP:20260508T175247
CREATED:20230602T201341Z
LAST-MODIFIED:20240314T200615Z
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SUMMARY:Artist Talk + Opening Reception: Garden of Broken Shadows
DESCRIPTION:Artist talk with El Rass in the Dark Horse Cafe at 401 Richmond\, followed by the exhibition opening reception at Critical Distance (Suite 122) \nFriday\, June 23rd\, 2023\n6:30 – 9:30 pm:\n401 Richmond: Dark Horse Cafe and Critical Distance\, Suite 122 \nJoin us for an artist talk with Lebanese rapper El Rass at Dark Horse Cafe\, located inside 401 Richmond. Presented as part of Critical Distance’s summer exhibition Garden of Broken Shadows\, El-Rass will be in conversation with curator Fatma Hendawy. Informally\, they will discuss different topics starting from the cultural and linguistic specificity of Arab rap to El-Rass’s philosophical analysis of identity and immigration issues. Immediately following the talk we will proceed to the Critical Distance gallery for the opening reception of Garden of Broken Shadows. \nThis event is free with registration; space is limited and seating is first-come\, first-served.  \nAbout the artist \nMazen El Sayed (aka El Rass)\, is a rapper and music producer from Tripoli\, Lebanon. His discography includes 8 albums\, the most recent is titled “Ard El Khof” \, as well as more than 200 singles in collaboration with other music-makers and rappers from the region. El Rass’s work has earned recognition and visibility in the Arab world\, specifically for his dense lyrical content\, versatility of styles and subject matter\, and his personal sonic approach. El Sayed worked as a journalist before devoting his time to music\, and has been described as a subversive voice inspired from traditional and contemporary expression\, from the spiritual and the worldly. \nAccessibility\n\nCritical Distance prioritizes creative and collaborative approaches to access in conversation with guest curators\, artists\, access professionals\, and people in community. Both Dark Horse Cafe and the Critical Distance gallery are located on the ground floor at 401 Richmond\, a wheelchair accessible building with a ramp at the Richmond Street doors and an accessible washroom on every level. The gallery is equipped with automatic doors and we commission audio description for all exhibitions. Updates on any measures we develop in relation to artworks or events will be posted as it becomes available. For any questions or more information\, please contact us at info@criticaldistance.ca.\n\n– \nCritical Distance thanks co-presenter MARSM Canada for partnering on programming for El Rass. Garden of Broken Shadows is made possible through the generous support of the Canada Council for the Arts. Critical Distance gratefully acknowledges funding support from the Ontario Arts Council\, an agency of the Government of Ontario. \n 
URL:https://criticaldistance.ca/event/artist-talk-opening-reception-garden-of-broken-shadows/
LOCATION:401 Richmond\, 401 Richmond St. West\, Toronto\, ON\, M5V3A8\, Canada
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/png:https://criticaldistance.ca/assets/2023/06/ElRass_web_02.png
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20230629T180000
DTEND;TZID=America/Toronto:20230629T200000
DTSTAMP:20260508T175247
CREATED:20230608T175602Z
LAST-MODIFIED:20240319T213504Z
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SUMMARY:The Time of Balsams: In Conversation with Lamis Haggag and Marina Fathalla
DESCRIPTION:The Time of Balsams: In Conversation with Lamis Haggag and Marina Fathalla \nThursday\, June 29th\, 2023\n6:00 pm\nCritical Distance Centre for Curators\nSuite 122 – 401 Richmond St W\, Toronto \nVisitors will meet at the gallery to experience the exhibition\, Garden of Broken Shadows\, before the group proceeds down the hallway to the courtyard for the event.  \nResisting singular\, easy\, conclusive\, or finite definitions The Time of Balsams is a conversation between Lamis Haggag and Marina Fathalla. Taking cues from Lamis Haggag’s new work The Lamenting Monotropa at Critical Distance\, we will delve into myth-making\, insisting on returning to the ways of being that live through us. We will be guided by the sun to unburden and to find solace in its harshness\, in her silence. The tradition of lamentation reminds us that we’re storytellers\, that we inherited grief\, knowledge and layers of culture\, through colonial occupations\, and others passing through. We dance to sadness\, we collectively share in it\, we make things up as we go\, we lose ties in order to blend in\, we lose ourselves\, we return. \nThis in-person event is free with registration. \nAbout the artists \nLamis Haggag is an Egyptian multimedia artist\, living and working in Toronto since 2016. She received her MFA from The University of Calgary in 2013 and her BFA from Helwan University\, Cairo in 2008. She participated in exhibitions and residencies in Toronto (Doris McCarthy AIR program)\, Montreal ( Artist in residence at Fonderie Darling)\, Calgary\, St. Thomas Ontario\, Cairo\, Beijing\, Dakar\, Lagos\, Berlin and Incheon. In addition to her art practice\, Haggag is an art instructor\, installer and proposal writer. She received various grants and scholarships in Canada from CCA\, TAC\, OAC\, AFA\, Interaccess Artist-run Center and the University of Calgary. Haggag is also the recipient of awards and grants from the Goethe Institute in Lagos\, the Goethe Institute in Cairo\, Incheon Foundation for Arts and Culture in Incheon\, Al Mawred Al Thaqafy for the Arab region\, Kamel Lazaar Foundation in Tunisia\, and various awards from the Ministry of culture in Egypt. \nMarina Fathalla is a coptic artist and currently the Director of Programming at Whippersnapper Gallery. She grew up in Mississauga alongside the Credit River on unceded Anishinaabeg territory. Guided by the unseen\, or what is just beneath the surface\, she’s currently exploring dormancy\, the mystical and ritual through textiles\, writing and movement. She finds the most joy in creating programming that is site\, group and community-responsive and supporting emerging artists to grow their practice. \nAccessibility\n \nThe Critical Distance gallery is located on the ground floor at 401 Richmond\, a wheelchair accessible building with a ramp at the Richmond Street doors and an accessible washroom on every level. The gallery is equipped with automatic doors. Critical Distance prioritizes creative and collaborative approaches to access in conversation with guest curators\, artists\, access professionals\, and people in community. For any questions or more information\, please contact us at info@criticaldistance.ca. \n– \nGarden of Broken Shadows is made possible through the generous support of the Canada Council for the Arts. Critical Distance gratefully acknowledges funding support from the Ontario Arts Council\, an agency of the Government of Ontario. \n  \n\nImage: Lamis Haggag\, plant picking / The lamenting monotropa\, 2021-22\, Digital photography print on chiffon. Courtesy of the artist. \n 
URL:https://criticaldistance.ca/event/the-time-of-balsams/
LOCATION:401 Richmond\, 401 Richmond St. West\, Toronto\, ON\, M5V3A8\, Canada
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2023/06/LH_plant-picking_from-The-lamenting-monotropa-series_courtsey-of-the-artist-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20230713T123000
DTEND;TZID=America/Toronto:20230713T140000
DTSTAMP:20260508T175247
CREATED:20230608T183505Z
LAST-MODIFIED:20240418T182825Z
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SUMMARY:Artist Talks: Katherine Melançon and Anahita Norouzi
DESCRIPTION:Artist Talks\nKatherine Melançon and Anahita Norouzi \nThursday\, July 13\n12:30 pm\nOn Zoom: Register on Eventbrite \nJoin us online to learn more about the practices of artists Katherine Melançon and Anahita Norouzi\, as part of Critical Distance’s summer exhibition Garden of Broken Shadows\, curated by Fatma Hendawy.  \nAbout the artist(s) \nKatherine Melançon’s practice is interested in the intersection of the natural and the technological. More recently\, she has been exploring non-human beings’ agency; what could become of the world of art\, if it was created with non-human people? Often using the starting point of scanography of natural specimens\, she plants these new seeds in various materials\, exploring images’ fluidity through cycles of metamorphosis between physical and digital soils. Katherine holds an MFA from Central Saint-Martins in London\, UK\, and a BA in digital media from Université du Québec à Montréal\, Montreal\, Canada. Her work has been exhibited in Canada\, the USA and Europe. In 2022\, she was named on the Sobey Art Award long list. She lives and works in Montreal. \nAnahita Norouzi is a multidisciplinary artist\, originally from Tehran and active in Montreal since 2017. For the past four years\, she has been traveling between Iran and Canada to conduct her research which lies at the intersection of colonial histories\, experiences of immigration and displacement\, and the issue of identity and memory. Her practice is research-driven\, instigated by marginalized histories and the legacies of botanical explorations and archeological excavations\, particularly when scientific research became entangled in the colonial exploitation of non-Western geographies. Norouzi’s works have been shown internationally\, most recently at BIENALESUR\, the International Contemporary Art Biennial of South America\, in Buenos Aires\, Argentina. She has received numerous grants\, fellowships\, and awards\, most notably the Grantham Foundation Award\, Liz Crockford Artist Fund Award\, and the Vermont Studio Center Merit. She is the winner of Impression residency at the Montreal Museum of Fine Arts in 2022 and the finalist for the Magic of Persia Contemporary Art Prize for pieces shown at the Royal College of Art’s Henry Moore Gallery in London and in Dubai. \nAccessibility\n\nASL Interpretation will be made available at this virtual event.\nCritical Distance prioritizes creative and collaborative approaches to access in conversation with guest curators\, artists\, access professionals\, and people in community. For any questions or more information\, please contact us at info@criticaldistance.ca. \n– \nGarden of Broken Shadows is made possible through the generous support of the Canada Council for the Arts. Critical Distance gratefully acknowledges funding support from the Ontario Arts Council\, an agency of the Government of Ontario. \n  \n\nImages (left to right): Anahita Norouzi\, Arid Florilegium (detail)\, 2022\, Inkjet prints on archival paper\, paper cutouts\, plexiglass\, 16 x 20 in. Courtesy of the artist. Katherine Melançon\, Nature morte. Un million d’horizons (detail)\, 2017\, laser-engraved ceramic\, 10 x 13.5 in. Photo: Jean-Michel Seminaro.
URL:https://criticaldistance.ca/event/artist-talks-katherine-melancon-and-anahita-norouzi/
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/png:https://criticaldistance.ca/assets/2023/06/ArtistTalk_Anahita_Katherine_banner.png
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20230801T123000
DTEND;TZID=America/Toronto:20230801T140000
DTSTAMP:20260508T175247
CREATED:20230608T195157Z
LAST-MODIFIED:20240319T213417Z
UID:18851-1690893000-1690898400@criticaldistance.ca
SUMMARY:In Conversation: Ahmed Naji and Fatma Hendawy
DESCRIPTION:In Conversation\nAhmed Naji and Fatma Hendawy \nTuesday\, August 1\n12:30 pm\nOn Zoom: Register on Eventbrite to receive the link\n \nCritical Distance is pleased to present an engaging dialogue between acclaimed Egyptian author\, Ahmed Naji\, and renowned curator\, Fatma Hendawy as part of our summer exhibition\, Garden of Broken Shadows. The discourse will revolve around their experiences in adapting to life in the United States and North America\, with a particular focus on the challenges and opportunities that come with using a different language as creators. \nAbout the artist \nAhmed Naji is the author of three novels\, Rogers (2007)\, Using Life (2014)\, And Tigers to my Room (2020)\, and another non-fiction book (Rotten Evidence: Reading and writing in prison) as well as numerous blogs and other articles. His work has been translated into different languages including English\, Italian\, Spanish\, and others. In 2016 Ahmed was sentenced for 2 years in prison in Egypt after a reader complained that an excerpt published in a literary journal harmed public morality. His imprisonment marks the first time in modern Egypt that an author has been jailed for a work of literature. Writers and literary organizations around the world rallied to support Naji\, and he was released in December 2016. His original conviction was overturned in May 2017. \nAbout the curator \nFatma Hendawy Yehia is an Egyptian-Canadian curator\, based in Toronto since 2017. Yehia graduated in 2020 from the Master of Visual Studies Curatorial program at university of Toronto. Since 2008\, Yehia held different positions at the New Library of Alexandria including Head of Permanent Exhibitions (2010-12). She was the Assistant Curator at the AGYU\, Toronto (2021-22). She was Guest Curator at Images Festival 2022\, and currently she works as Assistant Archivist at the Art Museum\, University of Toronto. Yehia participated in curatorial workshops (including Tate Intensive 2017)\, residencies (ProHelvetia and ZKU/Berlin) and curated several projects in Egypt\, UK\, Switzerland\, France\, Germany\, and Canada. Her curatorial practice focuses on investigating censored archives\, questioning inaccessible histories\, and navigating militarised spaces. \nAccessibility \nASL Interpretation and live captioning will be made available at this event.\nCritical Distance prioritizes creative and collaborative approaches to access in conversation with guest curators\, artists\, access professionals\, and people in community. For any questions or more information\, please contact us at info@criticaldistance.ca. \n– \nGarden of Broken Shadows is made possible through the generous support of the Canada Council for the Arts. Critical Distance gratefully acknowledges funding support from the Ontario Arts Council\, an agency of the Government of Ontario.
URL:https://criticaldistance.ca/event/in-conversation-ahmed-naji-and-fatma-hendawy/
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2023/06/AhmedNaji_web.jpg
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