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DTSTART;TZID=America/Toronto:20230801T123000
DTEND;TZID=America/Toronto:20230801T140000
DTSTAMP:20260505T042210
CREATED:20230608T195157Z
LAST-MODIFIED:20240319T213417Z
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SUMMARY:In Conversation: Ahmed Naji and Fatma Hendawy
DESCRIPTION:In Conversation\nAhmed Naji and Fatma Hendawy \nTuesday\, August 1\n12:30 pm\nOn Zoom: Register on Eventbrite to receive the link\n \nCritical Distance is pleased to present an engaging dialogue between acclaimed Egyptian author\, Ahmed Naji\, and renowned curator\, Fatma Hendawy as part of our summer exhibition\, Garden of Broken Shadows. The discourse will revolve around their experiences in adapting to life in the United States and North America\, with a particular focus on the challenges and opportunities that come with using a different language as creators. \nAbout the artist \nAhmed Naji is the author of three novels\, Rogers (2007)\, Using Life (2014)\, And Tigers to my Room (2020)\, and another non-fiction book (Rotten Evidence: Reading and writing in prison) as well as numerous blogs and other articles. His work has been translated into different languages including English\, Italian\, Spanish\, and others. In 2016 Ahmed was sentenced for 2 years in prison in Egypt after a reader complained that an excerpt published in a literary journal harmed public morality. His imprisonment marks the first time in modern Egypt that an author has been jailed for a work of literature. Writers and literary organizations around the world rallied to support Naji\, and he was released in December 2016. His original conviction was overturned in May 2017. \nAbout the curator \nFatma Hendawy Yehia is an Egyptian-Canadian curator\, based in Toronto since 2017. Yehia graduated in 2020 from the Master of Visual Studies Curatorial program at university of Toronto. Since 2008\, Yehia held different positions at the New Library of Alexandria including Head of Permanent Exhibitions (2010-12). She was the Assistant Curator at the AGYU\, Toronto (2021-22). She was Guest Curator at Images Festival 2022\, and currently she works as Assistant Archivist at the Art Museum\, University of Toronto. Yehia participated in curatorial workshops (including Tate Intensive 2017)\, residencies (ProHelvetia and ZKU/Berlin) and curated several projects in Egypt\, UK\, Switzerland\, France\, Germany\, and Canada. Her curatorial practice focuses on investigating censored archives\, questioning inaccessible histories\, and navigating militarised spaces. \nAccessibility \nASL Interpretation and live captioning will be made available at this event.\nCritical Distance prioritizes creative and collaborative approaches to access in conversation with guest curators\, artists\, access professionals\, and people in community. For any questions or more information\, please contact us at info@criticaldistance.ca. \n– \nGarden of Broken Shadows is made possible through the generous support of the Canada Council for the Arts. Critical Distance gratefully acknowledges funding support from the Ontario Arts Council\, an agency of the Government of Ontario.
URL:https://criticaldistance.ca/event/in-conversation-ahmed-naji-and-fatma-hendawy/
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2023/06/AhmedNaji_web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20230713T123000
DTEND;TZID=America/Toronto:20230713T140000
DTSTAMP:20260505T042210
CREATED:20230608T183505Z
LAST-MODIFIED:20240418T182825Z
UID:18843-1689251400-1689256800@criticaldistance.ca
SUMMARY:Artist Talks: Katherine Melançon and Anahita Norouzi
DESCRIPTION:Artist Talks\nKatherine Melançon and Anahita Norouzi \nThursday\, July 13\n12:30 pm\nOn Zoom: Register on Eventbrite \nJoin us online to learn more about the practices of artists Katherine Melançon and Anahita Norouzi\, as part of Critical Distance’s summer exhibition Garden of Broken Shadows\, curated by Fatma Hendawy.  \nAbout the artist(s) \nKatherine Melançon’s practice is interested in the intersection of the natural and the technological. More recently\, she has been exploring non-human beings’ agency; what could become of the world of art\, if it was created with non-human people? Often using the starting point of scanography of natural specimens\, she plants these new seeds in various materials\, exploring images’ fluidity through cycles of metamorphosis between physical and digital soils. Katherine holds an MFA from Central Saint-Martins in London\, UK\, and a BA in digital media from Université du Québec à Montréal\, Montreal\, Canada. Her work has been exhibited in Canada\, the USA and Europe. In 2022\, she was named on the Sobey Art Award long list. She lives and works in Montreal. \nAnahita Norouzi is a multidisciplinary artist\, originally from Tehran and active in Montreal since 2017. For the past four years\, she has been traveling between Iran and Canada to conduct her research which lies at the intersection of colonial histories\, experiences of immigration and displacement\, and the issue of identity and memory. Her practice is research-driven\, instigated by marginalized histories and the legacies of botanical explorations and archeological excavations\, particularly when scientific research became entangled in the colonial exploitation of non-Western geographies. Norouzi’s works have been shown internationally\, most recently at BIENALESUR\, the International Contemporary Art Biennial of South America\, in Buenos Aires\, Argentina. She has received numerous grants\, fellowships\, and awards\, most notably the Grantham Foundation Award\, Liz Crockford Artist Fund Award\, and the Vermont Studio Center Merit. She is the winner of Impression residency at the Montreal Museum of Fine Arts in 2022 and the finalist for the Magic of Persia Contemporary Art Prize for pieces shown at the Royal College of Art’s Henry Moore Gallery in London and in Dubai. \nAccessibility\n\nASL Interpretation will be made available at this virtual event.\nCritical Distance prioritizes creative and collaborative approaches to access in conversation with guest curators\, artists\, access professionals\, and people in community. For any questions or more information\, please contact us at info@criticaldistance.ca. \n– \nGarden of Broken Shadows is made possible through the generous support of the Canada Council for the Arts. Critical Distance gratefully acknowledges funding support from the Ontario Arts Council\, an agency of the Government of Ontario. \n  \n\nImages (left to right): Anahita Norouzi\, Arid Florilegium (detail)\, 2022\, Inkjet prints on archival paper\, paper cutouts\, plexiglass\, 16 x 20 in. Courtesy of the artist. Katherine Melançon\, Nature morte. Un million d’horizons (detail)\, 2017\, laser-engraved ceramic\, 10 x 13.5 in. Photo: Jean-Michel Seminaro.
URL:https://criticaldistance.ca/event/artist-talks-katherine-melancon-and-anahita-norouzi/
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/png:https://criticaldistance.ca/assets/2023/06/ArtistTalk_Anahita_Katherine_banner.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20230629T180000
DTEND;TZID=America/Toronto:20230629T200000
DTSTAMP:20260505T042210
CREATED:20230608T175602Z
LAST-MODIFIED:20240319T213504Z
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SUMMARY:The Time of Balsams: In Conversation with Lamis Haggag and Marina Fathalla
DESCRIPTION:The Time of Balsams: In Conversation with Lamis Haggag and Marina Fathalla \nThursday\, June 29th\, 2023\n6:00 pm\nCritical Distance Centre for Curators\nSuite 122 – 401 Richmond St W\, Toronto \nVisitors will meet at the gallery to experience the exhibition\, Garden of Broken Shadows\, before the group proceeds down the hallway to the courtyard for the event.  \nResisting singular\, easy\, conclusive\, or finite definitions The Time of Balsams is a conversation between Lamis Haggag and Marina Fathalla. Taking cues from Lamis Haggag’s new work The Lamenting Monotropa at Critical Distance\, we will delve into myth-making\, insisting on returning to the ways of being that live through us. We will be guided by the sun to unburden and to find solace in its harshness\, in her silence. The tradition of lamentation reminds us that we’re storytellers\, that we inherited grief\, knowledge and layers of culture\, through colonial occupations\, and others passing through. We dance to sadness\, we collectively share in it\, we make things up as we go\, we lose ties in order to blend in\, we lose ourselves\, we return. \nThis in-person event is free with registration. \nAbout the artists \nLamis Haggag is an Egyptian multimedia artist\, living and working in Toronto since 2016. She received her MFA from The University of Calgary in 2013 and her BFA from Helwan University\, Cairo in 2008. She participated in exhibitions and residencies in Toronto (Doris McCarthy AIR program)\, Montreal ( Artist in residence at Fonderie Darling)\, Calgary\, St. Thomas Ontario\, Cairo\, Beijing\, Dakar\, Lagos\, Berlin and Incheon. In addition to her art practice\, Haggag is an art instructor\, installer and proposal writer. She received various grants and scholarships in Canada from CCA\, TAC\, OAC\, AFA\, Interaccess Artist-run Center and the University of Calgary. Haggag is also the recipient of awards and grants from the Goethe Institute in Lagos\, the Goethe Institute in Cairo\, Incheon Foundation for Arts and Culture in Incheon\, Al Mawred Al Thaqafy for the Arab region\, Kamel Lazaar Foundation in Tunisia\, and various awards from the Ministry of culture in Egypt. \nMarina Fathalla is a coptic artist and currently the Director of Programming at Whippersnapper Gallery. She grew up in Mississauga alongside the Credit River on unceded Anishinaabeg territory. Guided by the unseen\, or what is just beneath the surface\, she’s currently exploring dormancy\, the mystical and ritual through textiles\, writing and movement. She finds the most joy in creating programming that is site\, group and community-responsive and supporting emerging artists to grow their practice. \nAccessibility\n \nThe Critical Distance gallery is located on the ground floor at 401 Richmond\, a wheelchair accessible building with a ramp at the Richmond Street doors and an accessible washroom on every level. The gallery is equipped with automatic doors. Critical Distance prioritizes creative and collaborative approaches to access in conversation with guest curators\, artists\, access professionals\, and people in community. For any questions or more information\, please contact us at info@criticaldistance.ca. \n– \nGarden of Broken Shadows is made possible through the generous support of the Canada Council for the Arts. Critical Distance gratefully acknowledges funding support from the Ontario Arts Council\, an agency of the Government of Ontario. \n  \n\nImage: Lamis Haggag\, plant picking / The lamenting monotropa\, 2021-22\, Digital photography print on chiffon. Courtesy of the artist. \n 
URL:https://criticaldistance.ca/event/the-time-of-balsams/
LOCATION:401 Richmond\, 401 Richmond St. West\, Toronto\, ON\, M5V3A8\, Canada
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2023/06/LH_plant-picking_from-The-lamenting-monotropa-series_courtsey-of-the-artist-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20230623T180000
DTEND;TZID=America/Toronto:20230623T213000
DTSTAMP:20260505T042210
CREATED:20230602T201341Z
LAST-MODIFIED:20240314T200615Z
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SUMMARY:Artist Talk + Opening Reception: Garden of Broken Shadows
DESCRIPTION:Artist talk with El Rass in the Dark Horse Cafe at 401 Richmond\, followed by the exhibition opening reception at Critical Distance (Suite 122) \nFriday\, June 23rd\, 2023\n6:30 – 9:30 pm:\n401 Richmond: Dark Horse Cafe and Critical Distance\, Suite 122 \nJoin us for an artist talk with Lebanese rapper El Rass at Dark Horse Cafe\, located inside 401 Richmond. Presented as part of Critical Distance’s summer exhibition Garden of Broken Shadows\, El-Rass will be in conversation with curator Fatma Hendawy. Informally\, they will discuss different topics starting from the cultural and linguistic specificity of Arab rap to El-Rass’s philosophical analysis of identity and immigration issues. Immediately following the talk we will proceed to the Critical Distance gallery for the opening reception of Garden of Broken Shadows. \nThis event is free with registration; space is limited and seating is first-come\, first-served.  \nAbout the artist \nMazen El Sayed (aka El Rass)\, is a rapper and music producer from Tripoli\, Lebanon. His discography includes 8 albums\, the most recent is titled “Ard El Khof” \, as well as more than 200 singles in collaboration with other music-makers and rappers from the region. El Rass’s work has earned recognition and visibility in the Arab world\, specifically for his dense lyrical content\, versatility of styles and subject matter\, and his personal sonic approach. El Sayed worked as a journalist before devoting his time to music\, and has been described as a subversive voice inspired from traditional and contemporary expression\, from the spiritual and the worldly. \nAccessibility\n\nCritical Distance prioritizes creative and collaborative approaches to access in conversation with guest curators\, artists\, access professionals\, and people in community. Both Dark Horse Cafe and the Critical Distance gallery are located on the ground floor at 401 Richmond\, a wheelchair accessible building with a ramp at the Richmond Street doors and an accessible washroom on every level. The gallery is equipped with automatic doors and we commission audio description for all exhibitions. Updates on any measures we develop in relation to artworks or events will be posted as it becomes available. For any questions or more information\, please contact us at info@criticaldistance.ca.\n\n– \nCritical Distance thanks co-presenter MARSM Canada for partnering on programming for El Rass. Garden of Broken Shadows is made possible through the generous support of the Canada Council for the Arts. Critical Distance gratefully acknowledges funding support from the Ontario Arts Council\, an agency of the Government of Ontario. \n 
URL:https://criticaldistance.ca/event/artist-talk-opening-reception-garden-of-broken-shadows/
LOCATION:401 Richmond\, 401 Richmond St. West\, Toronto\, ON\, M5V3A8\, Canada
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/png:https://criticaldistance.ca/assets/2023/06/ElRass_web_02.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20230422T130000
DTEND;TZID=America/Toronto:20230422T150000
DTSTAMP:20260505T042210
CREATED:20230328T183834Z
LAST-MODIFIED:20240925T034214Z
UID:18768-1682168400-1682175600@criticaldistance.ca
SUMMARY:Artist Panel: Materialized
DESCRIPTION:Artist Panel: Materialized\nJoi T. Arcand\, Celeste Pedri-Spade\, Catherine Blackburn\, and Nadya Kwandibens\n \nSaturday\, April 22nd\, 2023\n1:00 pm\nUrbanspace Gallery\nGround floor of 401 Richmond – 401 Richmond St W\, Toronto\n \nJoin us for a panel discussion featuring the artists from our spring exhibition Materialized. Artists Joi T. Arcand\, Celeste Pedri-Spade\, Catherine Blackburn\, and Nadya Kwandibens will present brief artist talks\, followed by a discussion moderated by curator Ariel Smith (Artistic & Managing Director\, Native Women in the Arts). \nThis panel is presented as part of Materialized\, an exhibition co-presented by Native Women in the Arts and Critical Distance Centre for Curators\, in partnership with Scotiabank CONTACT Photography Festival and Partners in Art. Materialized is on view at Critical Distance Centre for Curators from April 21 to June 3. \nThis is a free\, public event: everyone is invited.\nCapacity is limited\, register in advance on Eventbrite \nAbout the artist(s)\n \nJoi T. Arcand is an artist from Muskeg Lake Cree Nation\, Saskatchewan\, Treaty 6 Territory\, currently residing in Ottawa\, Ontario. Her practice includes installation\, photography and design and is characterized by a visionary and Subversive reclamation and indigenization of public spaces through the use of Cree language and syllabics. \nCatherine Blackburn was born in Patuanak Saskatchewan\, of Dene and European ancestry and is a member of the English River First Nation. She is a multidisciplinary artist and jeweller\, whose common themes address Canada’s colonial past that are often prompted by personal narratives. \nCeleste Pedri-Spade is an Anishinabekwe artist from Lac Des Mille Lacs First Nation. She identifies as a “mark maker” who works primarily with textiles and photography. \nNadya Kwandibens is Anishinaabe from the Animakee Wa Zhing #37 First Nation in northwestern Ontario. In 2008 she founded Red Works Photography\, a dynamic photography company empowering contemporary Indigenous lifestyles and cultures through photographic essays\, features\, and portraits. \n \nAbout the curator(s) \nAriel Smith is an award winning nêhiyaw\, white settler and Jewish filmmaker\, video artist\, writer\, and cultural worker. Ariel works as the Artistic and Managing Director of Native Women in the Arts and is in the process of completing an MFA in Film Production from York University. \nAccessibility \nASL Interpretation will be available at this event.\nCritical Distance and Urbanspace Gallery are located on the ground floor at 401 Richmond\, a wheelchair accessible building with a ramp at the Richmond Street doors and an accessible washroom on every level. \n– \nThank you to our presenting partner\, Native Women in the Arts. This program is made possible through the generous support of Partners in Art and Scotiabank CONTACT Photography Festival. Critical Distance gratefully acknowledges funding support from the Ontario Arts Council\, an agency of the Government of Ontario. \n  \n\nImage: Joi T. Arcand\, Through That Which is Scene\, 2014. Courtesy of the artist.
URL:https://criticaldistance.ca/event/artist-panel-materialized/
LOCATION:401 Richmond\, 401 Richmond St. West\, Toronto\, ON\, M5V3A8\, Canada
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2023/03/Arcand-3_Through-That-Which-is-Scene_Courtesy-of-the-artist_rt.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20220917T150000
DTEND;TZID=America/Toronto:20220917T160000
DTSTAMP:20260505T042210
CREATED:20220905T192508Z
LAST-MODIFIED:20240314T201736Z
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SUMMARY:Conversation and Screening: Adrià Julià and Noa Bronstein
DESCRIPTION:Conversation and Screening: Adrià Julià and Noa Bronstein \nSaturday\, September 22nd\, 2022\n3:00 pm\nInnis Town Hall (2 Sussex Avenue) \n\nAdrià Julià will be joined by curator Noa Bronstein for a discussion into his ongoing interest in the parallel and overlapping histories of film production and popcorn consumption. Using an historical perspective with the language of cinema\, Julià encourages a critical look at the impact of history and culture on food and images and how these inform our understanding of the world around us. \nA screening of Julià’s Popcorn will follow the conversation. The film is adapted from footage originally presented by the San Diego-based camera company Photron of a single kernel of corn exploding into popcorn over twelve seconds. Shot with a slow-motion high-speed camera that the company sought to promote\, the found mini-film was reimagined by Julià and stretched into Popcorn\, a feature film. \n\n\nThis program is presented by Critical Distance Centre for Curators as part of Place Settings II\, featuring film and performance-based projects curated by Noa Bronstein throughout the city of Toronto. This program is in dialogue with Julià’s A Very White Flower (on view at Artscape Youngplace) and The Penitential Tyrant: Dolores Is Pain at the AGO on September 16th.\n\n\n\n\n\n  \nAbout the artist and curator \nAdrià Julià received an MFA from the California Institute of the Arts\, a Maisterschüler from the Universität der Künste Berlin\, and a BFA from Universitat de Barcelona. His practice includes installations\, film\, photography\, and performance. Solo exhibitions include those at the Miró Foundation (Barcelona)\, Tabakalera (San Sebastián\, Spain)\, Museo Tamayo (Mexico City)\, Orange County Museum of Art (Newport Beach\, California)\, Project Art Centre (Dublin)\, LAXART (Los Angeles) and Artists Space (New York). He participated in the Lyon\, São Paulo\, Mercosul\, Kochi-Muziris\, and Jakarta Biennales. \nNoa Bronstein is a curator and writer based in Toronto. Her practice is often focused on the social production of space and thinking through how artists disrupt and subvert systems including those registering across social\, political and economic structures.\nNoa has held the positions of Executive Director of Gallery 44 Centre for Contemporary Photography\, inaugural Senior Curator at the Small Arms Inspection Building (Mississauga) and Project Manager at the Art Gallery of Ontario. Her writing has appeared in publications including Artforum\, PREFIX Photo\, Canadian Art\, Border Crossings\, The Journal of Curatorial Studies and C Magazine. Recent curatorial projects include When Form Becomes Attitude at Contemporary Calgary\, bust/boom at The New Gallery (Calgary)\, With an instinct for justice at Doris McCarthy Gallery (Toronto) and Aleesa Cohene’s solo exhibition I Don’t Get It at Gallery 44 (Toronto)\, The Rooms (St. John’s) and Western Front (Vancouver). Noa is currently the Executive Director of Gallery TPW. \n  \nPlace Settings is made possible through the generous support of the Toronto Arts Council\, City of Toronto\, and ArtworxTO: Toronto’s Year of Public Art 2021-22. \n  \n\nImage: Detail of A Very White Flower (2022)\, Adrià Julià. \n 
URL:https://criticaldistance.ca/event/conversation-and-screening-adria-julia-and-noa-bronstein/
LOCATION:Innis Town Hall\, 2 Sussex Avenue\, Toronto\, M5S 1J5
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2022/09/AdriaJulia_Innis.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20220302T190000
DTEND;TZID=America/Toronto:20220302T200000
DTSTAMP:20260505T042210
CREATED:20220223T113700Z
LAST-MODIFIED:20230621T172644Z
UID:17160-1646247600-1646251200@criticaldistance.ca
SUMMARY:Info Session: Ways of Attuning
DESCRIPTION:wave~form~projects (Liz Ikiriko and Toleen Touq) and Critical Distance will be hosting an information session for the Open Call for Ways of Attuning: A Curatorial Study Group on Wednesday\, March 2nd\, 2022 at 7 – 8pm EST. \nPlease join us if you have any questions about the application\, eligibility criteria\, how the program is going to unfold\, and find out more about what inspired the program. \nZoom Link:\nhttps://us02web.zoom.us/j/86390352206?pwd=MFZESklyS0RiczIrYVBINWlUODFRQT09 \nThe session is open to everyone and will be pretty informal\, so come relaxed and curious and with your favourite drink in hand! \nASL interpretation will be provided. Please reach out in advance if you require this any other accommodations by sending us an email: waveform.opencall@gmail.com
URL:https://criticaldistance.ca/event/ways-of-attuning-online-info-session/
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/png:https://criticaldistance.ca/assets/2022/02/Screen-Shot-2022-03-04-at-2.38.26-PM-e1646422858169.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20210222T130000
DTEND;TZID=America/Toronto:20210222T143000
DTSTAMP:20260505T042210
CREATED:20210418T005339Z
LAST-MODIFIED:20220224T230219Z
UID:16546-1613998800-1614004200@criticaldistance.ca
SUMMARY:Case Study: El Alto
DESCRIPTION:Monday\, February 22 | 1pm \nCase Study: El Alto\nConversation with Maria del Carmen Camarena\, Eliza Chandler\, Saada El-Akhrass\, Vanessa Dion Fletcher\, Sean Lee\, and Beatriz Miranda\, moderated by Aidan Moesby \nFREE Event – Click HERE to register. \nThis event will take place on Zoom\, and have ASL and captioning. Images will be described and presenters will describe themselves. If you have any other access requests or questions please contact emily@criticaldistance.ca. \n \nEl Alto is a print and digital magazine produced by the British Council that showcases arts and culture in the Americas. The upcoming issue is centered around d/Deaf and disability arts and accessible practices in different countries of the region\, connecting the breadth of activism\, creativity\, and critical work accomplished in very different social and political contexts. With the publication scheduled to be launched in Spring of 2021\, this conversation will bring a number of contributors to El Alto together to discuss accessible publishing in the Americas\, and broadly explore publications where d/Deaf and disabled artists’ works are featured. We are inviting participants to share publications that platform disabled artists from a political and disability justice perspective\, so we can together learn more and highlight this critical work and thinking. \nTo access the first issue of El Alto\, please click here (please note\, free registration with issuu is required): \nThis discussion is part of Public Displays of Affection (PDA): an expanded series of events on creative possibilities in accessible arts publishing\, hosted by Critical Distance. PDA works within disability arts communities and beyond\, building on Kelly Fritsch’s notion that “to crip is to open up with desire to the ways that disability disrupts.” Building on PDA’s initial events in Fall 2020\, the series will continue to produce a collective learning opportunity that considers the pleasures\, desires\, and disruptions of making arts publishing initiatives more accessible. Stay tuned for more events in the coming weeks and months. Read more about the program here. \nThis event is developed in partnership with British Council\, Tangled Art + Disability\, Bodies in Translation\, and 17\, Instituto de Estudios Críticos. \nPublic Displays of Affection is made possible through the generous support of the Toronto Arts Council and the Canada Council for the Arts. \n \n  \nSpeaker Info: \nMaria del Carmen Camarena is a vocalist who has performed in numerous musical groups. She appeared in the El Rey Nació opera from composer José Luis González Moya in Guadalajara city’s Teatro Diana in 2012 and performed at the fourth Nairobi International Culture Festival in 2016\, along with other high-profile performances. \nEliza Chandler is an Assistant Professor in the School of Disability Studies at Ryerson University where she teaches and researches in the areas of disability arts\, critical access studies\, social movements. She leads a research program focused on disability arts and crip cultural practices. Chandler is also a practicing curator. \nVanessa Dion Fletcher is a Lenape and Potawatomi neurodiverse Artist. Her family is from Eelūnaapèewii Lahkèewiitt (displaced from Lenapehoking) and European settlers. She Employs porcupine quills\, Wampum belts\, and menstrual blood reveals the complexities of what defines a body physically and culturally. Reflecting on an indigenous feminist body with a neurodiverse mind Dion Fletcher creates art using composite media\, primarily working in performance\, textiles\, video. She graduated from The School of the Art Institute of Chicago in 2016 with an MFA in performance and York University in 2009 with a Bachelor of Fine Arts. She has exhibited across Canada and the US. \nSaada El-Akhrass is the Senior Programme Manager\, Arts\, Americas at the British Council since 2019. She previously held the position of Arts Manager for the British Council office in Canada. Since 2014\, she’s been promoting cultural dialogue and relations with the UK\, by building partnerships with art leaders\, practitioners and organizations and engaging in common ideas surrounding artistic and social challenges. She holds a master’s degree in Art History from the University of Quebec in Montreal (UQAM)\, where she co-founded Les Territoires\, an artist-run centre dedicated to emerging artists. \nSean Lee is an artist and curator exploring the notion of disability art and accessibility as the last avant-garde. Orienting towards a “crip horizon”\, his practice gestures towards the transformative possibilities of a world that desires the way disability can disrupt. Sean holds a B.A. in Arts Management and Studio from the University of Toronto\, Scarborough and is currently the Director of Programming at Tangled Art + Disability. He also is a member of the Ontario Art Council’s Deaf and Disability Advisory Group and Toronto Art Council’s Visual Arts / Media Arts Committee. \nBeatriz Miranda-Galarza was born in Ecuador and has lived abroad since 2000. Her background is sociology and anthropology with emphasis in health and disability studies. During the last ten years she has dedicated her time to work with people with disabilities and leprosy regarding participatory action research in countries like Indonesia\, Nepal\, Myanmar\, Timor L’este\, Brazil\, Ecuador\, and Mexico. Currently\, she is the Coordinator of the Critical Disability Studies programme at the 17\, Institute of Critical Studies in Mexico. Since 2018\, she has accompanied artistic projects that lead to revisit the role of disabled artists in the Latin American disability movement. She earned a PhD in Sociology and Disability Studies at the University of Leeds (UK); a Master in Anthropology by the KU Leuven (Leuven\, Belgium); and Master in Latin American Studies by the University of the Andean Parliaments (Quito\, Ecuador). \nAidan Moesby is an artist curator working at the intersection of art\, health and technology. His current work investigates the dual crises of Climate Change and Mental Health exploring the relationships between the outer physical weather and internal psycho-emotional weather. I was Naked\, Smelling of Rain is a performance exploring absence\, presence\, loneliness and dis/connectedness through the lens of weather\, climate change and wellbeing. A resident at Pervasive Media Studio\, Watershed\, Bristol\, he increasingly makes large scale\, tourable works including Sagacity: The Periodic Table of Emotions\, an interactive digital installation. He has worked\, exhibited and curated nationally and internationally with partners including Unlimited (UK)\, Institute 17 (CDMX) Kulttuuri Kauppila (SUO)\, and Zacheta National Gallery (Poland).
URL:https://criticaldistance.ca/event/case-study-el-alto/
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2021/04/4_3-template_2021_PDA_ElAlto.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20210128T143000
DTEND;TZID=America/Toronto:20210128T173000
DTSTAMP:20260505T042210
CREATED:20210126T221707Z
LAST-MODIFIED:20220304T192945Z
UID:16382-1611844200-1611855000@criticaldistance.ca
SUMMARY:Workshop: Galeries Ontario/ Ontario Galleries' Professional Development Series
DESCRIPTION:Join Galeries Ontario / Ontario Galleries for upcoming online workshops\, where senior\, mid-career\, and emerging professionals will gain professional knowledge\, skills and practices in the public art gallery and museum sector. \nEmily Cook\, Critical Distance’s Education & Accessibility Programs Director\, will be joining the panel of presenters for the first workshop in the series\, Collections and Accessibility. \n  \nWorkshop #1: COLLECTIONS AND ACCESSIBILITY \nThursday\, January 28th\, 2021\nTime: 2:30pm to 5:30pm ET \nThe relationship between art and disability has a rich but complex history. Although disability arts as a sector has only recently been acknowledged and supported in Canada\, disability arts as a practice by disabled artists has always existed in one form or another. \nWhile today\, we recognize that art galleries and museums are mandated to serve the ‘general public’\, however\, many disabled people are barred from fully experiencing what galleries have to offer. Not only can spaces exclude through physical barriers\, many galleries and museums are not accessible in their programming\, exhibitions and collections. \nThis workshop provides an introduction to disability arts\, tracing the gaps in galleries; accessibility and inclusion in their programs. This workshop will also address the gaps of accessibility online. Institutions need strategies to not only make their online and physical spaces more accessible but must actively resist the compulsory able-bodiedness of the “visual” arts as a whole. \nPRESENTERS: \nSean Lee\, Director of Programming – Tangled Arts + Disability\nDavid Bobier\, Media artist and founder of VibraFusionLab\nEliza Chandler\, PhD\, Assistant Professor\, School of Disability Studies\, Ryerson University\nYasmeen Nematt Alla\, Communications Manager\, Akimbo Art Promotions\nEmily Cook\, Education / Accessibility Programs Director\, Critical Distance Centre for Curators \nSessions will include: \n\ndiscussion on disability arts and justice;\ncase studies discussing web and digital access with a focus on social media and alt text;\ncase studies on practices in gallery spaces;\nvisual descriptions and how to describe it or communicate it;\nand panel discussion on current practices and the future of accessibility in the gallery sector.\n\nTO REGISTER FOR WORKSHOP #1 – COLLECTIONS AND ACCESSIBILITY: \nComplete registration form then email form to –  Jessica Lukas\, Secretariat Coordinator\, members@oaag.org\, with the subject line – ATTN: MAP – Workshop Series \n CLICK HERE FOR REGISTRATION FORM \nInterested in the upcoming workshops in March? Fill out the Expression of Interest Form to receive a notification of the next three workshops registration openings. \nREGISTRATION FEES:\nSingle Day Workshop Cost\nGOG Members: $150.00\nGeneral/Non-Members: $250.00\nStudents (with valid student ID): $45.00 \nRegistration includes access to the presentations and discussions\, supplementary materials\, and any additional activities. \nVENUE LOCATION: \nThese workshops will all be held virtually via Zoom –  A Zoom link will be sent once registration payment has been processed. \nACKNOWLEDGEMENTS:\nGOG gratefully acknowledges the funding contribution from the Museums Assistance Program with the Department of Canadian Heritage.
URL:https://criticaldistance.ca/event/galeries-ontario-ontario-galleries-professional-development-workshop-series/
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2021/01/OAAGevent_4-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20201115T130000
DTEND;TZID=America/Toronto:20201115T143000
DTSTAMP:20260505T042210
CREATED:20201206T005544Z
LAST-MODIFIED:20220304T193303Z
UID:16368-1605445200-1605450600@criticaldistance.ca
SUMMARY:Discussion: Archive Means and Mediums with Reel Asian
DESCRIPTION:Reel Asian Film Festival\nReel Ideas Symposium: Archive Means and Mediums\nNovember 15\, 2020 | 1:00 – 2:30 PM \nWhy do we need community archives\, and what are the stakes of digitized archiving within the contexts of intentional erasure or a lack of historical records? This panel reflects on the necessity and challenges of archives and archival work\, inviting members of community archive initiatives to discuss their work and process. \nFeatured image courtesy of Vince Ha\, from Water Lullabies: Revisiting Roots through Family Photography \nAbout Reel Ideas\nThe Reel Ideas Symposium – On World-Building responds to a growing momentum of digitization initiatives and strategies through dialogue with artists\, community organizers and industry professionals. These sessions gather visions of radical world-building that mobilize\, engage and strengthen creative communities\, to usher in better presents and futures. \nAdmission: $3.49 per session / $10.99 for Reel Ideas Access (all panels) \n  \nModerator \n\n\nBeau Gomez • Gallery and Programs Coordinator\, Critical Distance Centre for Curators \nBeau Gomez is a Filipino-Canadian artist and community arts worker. His practice is informed by ideas and conversations around cross-cultural narratives\, and equally devotes his time in community engagement through the arts\, with contributions to various organizations including Trinity Square Video\, The 519\, Workman Arts\, and Inside Out LGBT Film Festival. In 2019\, Beau launched Fixer\, a gathering of image-makers and creators in an engaged discussion and critique of recent works in progress. He is currently the Programs Coordinator at Critical Distance Centre for Curators. \n  \nSpeakers \n\n\n\n\nKatrina Cohen-Palacios • Archivist\, Home Made Visible \nKatrina Cohen-Palacios processed the archival collection of IBPOC home movies donated by the Home Made Visible project\, a participatory archival project which empowered IBPOC communities to describe their own records. She is an Archivist at the York University Libraries Clara Thomas Archives and Special Collections. \n\n\n\n\n  \nVasuki Shanmuganathan • Researcher and Community Organizer\, Tamil Archive Project \nVasuki Shanmuganathan is a researcher\, educator\, and community organizer working at the intersections of race and colonialism. She is a research associate on the Race\, Ethics & Power Project at the University of Toronto’s Centre for Ethics. She is the founder of the Tamil Archive Project (TAP). A Scarborough-born collective prioritizing non-binary people and women from racialized communities which emerged out of a need for makeshift spaces of belonging by reconfiguring contemporary art and archival practices as part of communal care. \n\n\n\n\n  \nVince Ha • Filmmaker and Curator\, Invisible Footprints \nVince Ha is a writer-director who captures fragmentary moments and uses them to challenge issues of race\, class\, gender\, and representation. He holds an MFA in Documentary Media. His work has been presented locally at Scotiabank CONTACT Photography Festival\, Gardiner Museum\, Buddies in Bad Times\, The ArQuives\, and Hot Docs Rogers Cinema\, and internationally in China\, Germany\, Japan\, Thailand\, United Kingdom\, the United States\, and Vietnam.
URL:https://criticaldistance.ca/event/reel-asian-archive-means-and-mediums/
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2020/12/reelasianpanel01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20201004T140000
DTEND;TZID=America/Toronto:20201004T160000
DTSTAMP:20260505T042210
CREATED:20201206T001306Z
LAST-MODIFIED:20220304T193400Z
UID:16353-1601820000-1601827200@criticaldistance.ca
SUMMARY:PDA Case Study: A distinct aggregation / A dynamic equivalent / A generous ethic of invention
DESCRIPTION:PDA: Case Study: A distinct aggregation / A dynamic equivalent / A generous ethic of invention\nSunday\, October 4 | 2pm \nCase Study: A distinct aggregation / A dynamic equivalent / A generous ethic of invention\nConversation with Aislinn Thomas\, Shannon Finnegan\, and Ramya Amuthan \nClick HERE to register. \nThis event will take place over Zoom. Please register via Eventbrite (link above) to receive the Zoom link closer to the event date. \n  \nIn August 2019\, artists Aislinn Thomas and Shannon Finnegan published a broadsheet and accessible PDF for A distinct aggregation / A dynamic equivalent / A generous ethic of invention: Six writers respond to six sculptures through the Walter Phillips Gallery at the Banff Centre. Also presented as a series of sound works\, the project invited writers and poets across Canada to produce creative audio descriptions for a range of public sculptures installed throughout the Banff Centre. \nFor this case study session\, Thomas and Finnegan will be in discussion\, reflecting on the project and the challenges and opportunities of creative audio description in both accessible publishing and gallery/museum practices. They will be joined by Ramya Amuthan\, host and producer at Accessible Media Inc\, for further reflection. \n  \nThis discussion is part of Public Displays of Affection (PDA): an expanded series of events on creative possibilities in accessible arts publishing\, hosted by Critical Distance. PDA will work within disability arts communities and beyond\, building on Kelly Fritsch’s notion that “to crip is to open up with desire to the ways that disability disrupts.” Over the next several months\, PDA will produce a collective learning opportunity that considers the pleasures\, desires\, and disruptions of making arts publishing initiatives more accessible. Stay tuned for more events in the coming weeks and months. Read more about the program here. \nThis event will take place on Zoom\, and have ASL and captioning. Images will be described and presenters will describe themselves. If you have any other access requests or questions please contact emily@criticaldistance.ca \nThis program is made possible through the generous support of the Toronto Arts Council and the Canada Council for the Arts. \n \n \n  \nSpeaker Info: \nAislinn Thomas​ is an interdisciplinary artist whose practice includes video\, performance\, sculpture\, installation\, and text. She culls material from everyday experiences and relationships\, creating work that ranges from poignant to absurd (and at times straddles both). Her recent works explore the generative potential of disability while pushing up against conventional standards of access.\nClick here for Aislinn’s work. \nShannon Finnegan​ is a multidisciplinary artist making work about accessibility and disability culture. They have done projects with Banff Centre\, Friends of the High Line\, Tallinn Art Hall\, Nook Gallery\, and the Wassaic Project. They have spoken about their work at the Brooklyn Museum\, School for Poetic Computation\, The 8th Floor\, and The Andrew Heiskell Braille and Talking Book Library. In 2018\, They received a Wynn Newhouse Award and participated in Art Beyond Sight’s Art + Disability Residency. In 2019\, they were an artist-in-residence at Eyebeam. They spoke at Carleton University in 2019. They are currently exhibiting\, ​Lone Proponent of Wall-to-Wall Carpet​ at Carleton University Art Gallery. Their work has been written about in C Magazine\, Art in America\, Hyperallergic\, and the New York Times. They live and work in Brooklyn\, NY. \nRamya Amuthan​ is currently a Host and Producer at Accessible Media Inc (AMI). She works with the live afternoon show team for the daily Entertainment and Lifestyle audio show called Kelly and Company. Ramya’s work involves meeting fascinating people\, hearing their stories\, and facilitating conversations that bring out the messages wanting to be told to the disability community around Canada. Ramya is also the Co-creator of Adventures\, a chapter of the Canadian Council of the Blind\, based in Toronto\, offering and facilitating opportunities for blind and low vision individuals to challenge comfort zones and take part in daring physical activities. Ramya always makes time for hobbies; including singing – for herself and sometimes others\, dancing – mostly Brazilian Zouk\, and brushing up on her culinary skills.
URL:https://criticaldistance.ca/event/pda-case-study/
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2020/12/4_3-template_2021_PDA_v2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20200928T173000
DTEND;TZID=America/Toronto:20200928T190000
DTSTAMP:20260505T042210
CREATED:20201206T000738Z
LAST-MODIFIED:20220304T200632Z
UID:16350-1601314200-1601319600@criticaldistance.ca
SUMMARY:PDA: Crip Culture and Digital Experiments
DESCRIPTION:PDA: Crip Culture and Digital Experiments\nMonday\, September 28\, 2020 | 5:30pm \nCrip Culture and Digital Experiments\nA Panel Discussion with Jessa Agilo\, Aimi Hamraie\, and Yo-Yo Lin\, led by Lindsay Fisher\, Creative Users Projects \nClick HERE to register. \nThis event will take place over Zoom. Please register via Eventbrite (link above) to receive the Zoom link closer to the event date. \nArtists\, activists\, and others in disability communities have been adapting online tools and platforms for work and play since well before the pandemic forced able-bodied people online. What creative solutions and experiments in the digital sphere have been happening within disability communities? What have we learned so far from the efforts to come together and adapt tools that were not designed with disability in mind? Join us as we discuss the particular joys and challenges of creative access in an online world\, with reflections from Jessa Agilo\, Aimi Hamraie\, and Yo-Yo Lin. This conversation is moderated by Lindsay Fisher\, Founder and Director of Creative Users Projects. \nThis discussion will set the stage for Public Displays of Affection (PDA): an expanded series of events on creative possibilities in accessible arts publishing\, hosted by Critical Distance. PDA will work within disability arts communities and beyond\, building on Kelly Fritsch’s notion that “to crip is to open up with desire to the ways that disability disrupts.” Over the next several months\, PDA will produce a collective learning opportunity that considers the pleasures\, desires\, and disruptions of making arts publishing initiatives more accessible. Stay tuned for more events in the coming weeks and months. \nThis event will have ASL and captioning. Images will be described and presenters will describe themselves. If you have any other access requests or questions please contact emily@criticaldistance.ca \nThis program is made possible through the generous support of the Toronto Arts Council and the Canada Council for the Arts. \n \n \n  \nSpeaker Info: \nJessa Agilo is an integrated arts creator\, producer\, changemaker\, and social entrepreneur with a three-decade career boosting social\, spatial\, economic\, digital\, and accessibility justice for equity-seeking groups across all disciplines in Canadian arts and culture. She is currently the founder of ArtsPond\, where she has led ground-breaking efforts to address gentrification (Groundstory)\, digital transformation of arts services (DigitalASO)\, COVID-19 response (I Lost My Gig Canada)\, the design of open source arts management software (Hatch Open)\, platform cooperatives (Artse United)\, and creative land trusts (Groundtrust). Jessa is a mentor to young leaders from Humber College\, University of Toronto\, Ryerson University\, and more. She was recognized with the Humberto Santos Award in Business and Administration in 2006 and Toronto Arts Council’s Leaders Lab in 2019. \nAimi Hamraie is Associate Professor of Medicine\, Health\, & Society and American Studies at Vanderbilt University\, where they direct the Critical Design Lab. Hamraie is author of Building Access: Universal Design and the Politics of Disability (University of Minnesota Press\, 2017) and host of the Contra* podcast on disability\, design justice\, and the lifeworld. Their interdisciplinary research spans critical disability studies\, science and technology studies\, critical design and urbanism\, critical race theory\, and the environmental humanities. Hamraie is also a certified permaculture designer\, a co-founder of the Nashville Disability Justice Collective\, and an organizer for the Nashville Mutual Aid Collective. \nYo-Yo Lin is a Taiwanese-American\, interdisciplinary media artist who explores the possibilities of self-knowledge in the context of emerging\, embodied technologies. She often uses generative animation\, live performance\, and lush sound design to create meditative ‘memoryscapes.’ Her current work reveals and re-values the complex realities of living with chronic illness. Through researching and developing methodologies in reclaiming chronic health trauma\, she investigates the generative nature of the ill/ disabled bodymind and facilitates sites for community-centered abundance. She was a 2019 ‘Access’ Artist in Residence at Eyebeam and has shown her work at SXSW\, NYFF\, and the Allied Media Conference. She finds herself at-home in New York City\, Los Angeles\, and Taipei. \nLindsay Fisher ​is an artist\, designer and producer working in the not for profit sector. She is the founder and director of Creative Users Projects\, an arts service organization that connects organizations\, artists and audiences to accessible arts across Canada. Lindsay holds a Bachelor of Fine Arts from Emily Carr University and a Bachelor of Graphic Design from OCAD University.
URL:https://criticaldistance.ca/event/pda-crip-culture-and-digital-experiments/
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2020/12/4_3-template_2021_PDA_v2-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20200420T150000
DTEND;TZID=America/Toronto:20200420T163000
DTSTAMP:20260505T042210
CREATED:20200527T000416Z
LAST-MODIFIED:20210422T231727Z
UID:16084-1587394800-1587400200@criticaldistance.ca
SUMMARY:In Conversation: Charlotte Zhang & Friends of Chinatown Toronto
DESCRIPTION:To bring about a skill-sharing dialogue between artist and organizer\, Charlotte Zhang will moderate a Q&A with Toronto-based community group\, Friends of Chinatown TO (FOCT). Zhang will inquire into FOCT’s first-steps to organizing in a working class community\, formulating demands\, and strategizing around campaigns. With the tools and skills cultural workers have at our disposal\, how do we direct our participation\, privilege\, and artistic strategies towards developing tactics and resisting neoliberal entanglements? \nThe conversation will be followed by a round of questions submitted from the public. Please submit your questions for FOCT in advance by emailing aaron@imagesfestival.com. \nPresented by Images Festival 2020\nCo-presented with Centre A: Vancouver International Centre for Contemporary Asian Art and Critical Distance Centre For Curators \nPresented in conjunction with Pine Street: Charlotte Zhang\nFor program info\, visit: https://imagesfestival.com/programs/pine-street:-charlotte-zhang/
URL:https://criticaldistance.ca/event/in-conversation-charlotte-zhang-friends-of-chinatown-toronto/
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2020/05/FOCT.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20200311T190000
DTEND;TZID=America/Toronto:20200311T210000
DTSTAMP:20260505T042210
CREATED:20200423T171052Z
LAST-MODIFIED:20221126T091215Z
UID:15976-1583953200-1583960400@criticaldistance.ca
SUMMARY:Eleana Antonaki In Conversation with ma ma
DESCRIPTION:Join us for a conversation with Brooklyn-based artist Eleana Antonaki and curators ma ma (Magdalyn Asimakis and Heather Rigg) held in conjunction with the exhibition A Big Heritage with A Glorious Past at Critical Distance. Antonaki\, Asimakis\, and Rigg will discuss Antonaki’s work within the exhibition and her practice more broadly\, alongside questions of politically motivated migration\, ideas of home and temporary housing\, and archaeology. \nThis event is taking place at the Small World Music Centre\, Studio 101 in Artscape Youngplace.
URL:https://criticaldistance.ca/event/eleana-antonaki-in-conversation-with-ma-ma/
LOCATION:Small World Music\, 180 Shaw St\, Toronto\, ON\, Toronto\, Ontario\, M6J 2W5\, Canada
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2020/04/Eleana.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20191109T140000
DTEND;TZID=America/Toronto:20191109T170000
DTSTAMP:20260505T042210
CREATED:20190910T112349Z
LAST-MODIFIED:20210422T232542Z
UID:15487-1573308000-1573318800@criticaldistance.ca
SUMMARY:The Culture of Crip Aesthetics
DESCRIPTION:Panel discussion with Sean Lee\, Elizabeth Sweeney\, Andy Slater\, Wy Joung Kou and Aislinn Thomas\nModerated by Emily Cook
URL:https://criticaldistance.ca/event/the-culture-of-crip-aesthetics/
LOCATION:Critical Distance\, Suite 122 at 401 Richmond Street West\, Toronto\, Ontario\, M5V 3A8\, Canada
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2019/09/CultureCrip.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20191020T140000
DTEND;TZID=America/Toronto:20191020T170000
DTSTAMP:20260505T042210
CREATED:20190910T111656Z
LAST-MODIFIED:20200519T174318Z
UID:15479-1571580000-1571590800@criticaldistance.ca
SUMMARY:Indigeneity\, Neurodiversity and the Arts
DESCRIPTION:INDIGENEITY\, NEURODIVERSITY\, AND THE ARTS\nA conversation with Vanessa Dion Fletcher and Dolleen Tisawii’ashii Manning \nDOLLEEN TISAWII’ASHII MANNING is a member of Kettle and Stoney Point First Nation\, currently residing in Toronto. She is an interdisciplinary artist and scholar\, with a PhD in Theory and Criticism (Western University) and an MFA in Contemporary Art (Simon Fraser University). Manning is an Assistant Professor in Indigenous Education and Pedagogy at York University\, on leave while completing her SSHRC Postdoctoral Fellowship at Michigan State University (Philosophy\, 2018-2020). Manning’s research takes up Anishinaabe imaging practices\, epistemological sovereignty\, and the debilitating impact of settler colonial logics. \nVANESSA DION FLETCHER is a Lenape and Potawatomi neurodiverse artist. She graduated from The School of the Art Institute of Chicago in 2016 with an MFA in performance\, and she has exhibited across Canada and the US at Art Mur (Montreal)\, Eastern Edge Gallery (Newfoundland)\, The Queer Arts Festival (Vancouver)\, Satellite Art Show (Miami). Her work is in the Indigenous Art Centre\, Joan Flasch Artist Book collection\, Vtape\, and Seneca College. In 2019 Vanessa is supported by the City of Toronto Indigenous partnerships fund to be artist in residence at OCAD University.\nhttps://www.dionfletcher.com/ \nAccessibility at this event:\nSmall World Music is located on the south side of the first floor at Artscape Youngplace\, a wheelchair accessible building with a ramp at the 180 Shaw Street doors\, and an accessible washroom on every level. Gendered multi-stall washrooms are also on every level\, and single stall family washrooms are available on levels 2 and 3. All levels are accessible via elevator and stairs. The TTC’s 63 Ossington bus stops at Queen and Shaw and is wheelchair accessible. \nCDCC seeks to facilitate a scent-free environment in order to reduce barriers to access for people with chemical sensitivities\, and we ask all participants to kindly refrain from using or wearing scented products or materials in advance of and during this and other events. \nCDCC will provide ASL interpretation and attendant care during this event. Attendants and ASL interpreters will be introduced at the start of the event and seating with a clear view of the ASL interpreters will be set aside for anyone who needs it. Childcare can also be made available if needed. \nIf you would like to reserve accessible seating or inquire about childcare\, please contact us as far in advance as possible so that we can make arrangements to meet your needs. Late-breaking requests will also be accepted and we will always do our best to meet them but these will be subject to availability at the time of the request. \nPlease contact us at emily@criticaldistance.ca with these and any other requests or questions. Supporting your access is our priority. The event will also be recorded and captioned. More details to follow.
URL:https://criticaldistance.ca/event/indigeneity-neurodiversity-and-the-arts/
LOCATION:Small World Music\, 180 Shaw St\, Toronto\, ON\, Toronto\, Ontario\, M6J 2W5\, Canada
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2019/09/Event_Indigeneity.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20190809T190000
DTEND;TZID=America/Toronto:20190809T210000
DTSTAMP:20260505T042210
CREATED:20191027T201342Z
LAST-MODIFIED:20200519T174402Z
UID:15719-1565377200-1565384400@criticaldistance.ca
SUMMARY:PRESSING THE ISSUE Part 2: Critical Arts Publishing in Canada Continued
DESCRIPTION:We are excited to continue the conversation on the state of independent critical arts publishing across Canada with a panel involving Anthea Black and Jessica Lynn Whitbread from The HIV Howler\, Adrienne Crossman from Off Centre\, Lauren Lavery from Peripheral Review\, and Niki Little from imagineNATIVE Film + Media Arts Festival\, moderated by Maxine Proctor. \nThere will be refreshments and all are welcome. Location is Artscape Youngplace\, on the first floor at Unit 101\, Small World Music Centre. Building is wheelchair accessible. This is a FREE event but please RSVP to rsvp@criticaldistance.ca as this helps us plan for enough space and refreshments. \nThis event follows Happy Hour with The HIV Howler\, a presentation by Anthea Black and Jessica Whitbread in conversation with Danielle St. Amour (SBC galerie d’art contemporain – Gallery of Contemporary Art). \n  \nBIOGRAPHIES \nAnthea Black is a Canadian artist\, writer\, and cultural worker based in San Francisco and Toronto. Her studio work addresses feminist and queer history\, collaboration\, materiality\, and labour and has been exhibited in Canada\, the US\, France\, Germany\, The Netherlands\, and Norway. Black is co-editor of HANDBOOK: Supporting Queer and Trans Students in Art and Design Education with Shamina Chherawala and The New Politics of the Handmade: Craft\, Art and Design with Nicole Burisch\, and publisher of The HIV Howler: Transmitting Art and Activism with Jessica Whitbread. She is an Assistant Professor in Printmedia and Graduate Fine Arts at California College of the Arts. \nJessica Whitbread is a graduate of the York University Masters of Environmental Studies program\, she has a degree in Building Communities to Ignite Social Change. She is a queer activist and artist that has been working in the HIV movement since shortly after her diagnosis in 2002. Her work includes LOVE POSITIVE WOMEN\, Tea Time\, No Pants No Problem and she is a co-curator of POSTERVirus. Jessica published Tea Time: Mapping Informal Networks of Women Living with HIV in 2015. She was the Wesley Mancini Artist in Residence at the McColl Center for Art and Innovation\, and a recipient of the Premier’s Award from the Government of Ontario\, and the Visual AIDS Vanguard Award. In 2016\, she gave birth to twins and advocated to openly breastfeed them in a Canadian context. \nAdrienne Crossman (she/they) is an interdisciplinary artist\, educator and curator working in Hamilton\, Ontario. They hold an MFA in Visual Art from the University of Windsor (2018)\, and a BFA in Integrated Media with a Minor in Digital and Media Studies from OCAD University (2012). Their practice investigates the liminality between the digital and the physical while highlighting queer sensibilities in the everyday. Crossman is interested in how the terms trans* and non-binary apply to media as well as gender\, and she creates queer interventions through the manipulation of digital media and popular culture with a focus on the queer potentiality of the non-human. Adrienne is a co-founder and co-runs the online arts publication off centre with collaborator Luke Maddaford. \nLauren Lavery is a Toronto-based visual artist\, writer and editor of the exhibition review magazine Peripheral Review. Her writing has been published by LUMA Quarterly\, Public Parking\, Peripheral Review\, and has written texts for Y+ Contemporary and Xpace Cultural Centre in Toronto. She has exhibited in Vancouver\, Winnipeg\, Toronto and Cambridge\, ON. She holds a BFA with honours from Simon Fraser University’s School for the Contemporary Arts in Vancouver. \nNiki Little is a mother\, softball coach\, artist/observer/community-curator and arts administrator. Little is a founding member of The Ephemerals art collective with Jaimie Isaac and Jenny Western who are long-listed for the 2019 Sobey Arts Award. She is of Anishininew / English descent from Kistiganwacheeng (Garden Hill\, FN). Her interests lay in Indigenous community-based artistic and curatorial strategies that investigate cultural consumerism\, Indigenous women\, and Indigenous economies. Little recently started as Artistic Director at imagineNATIVE Film + Media Arts Festival. Before imagineNATIVE\, she was the Director for the National Indigenous Media Arts Coalition. \nMaxine Proctor demonstrates an ongoing commitment to creating meaningful connections between audiences and contemporary art through her curatorial projects\, educational programs\, and community outreach initiatives. A former resident of Saskatoon\, Maxine completed her undergraduate studies at the University of Saskatchewan prior to pursuing a Master of Arts\, Art History and Curatorial Studies at York University in Toronto. As director and co-founder of the Toronto Art Book Fair\, and the managing editor of Black Flash Magazine\, Maxine deeply values printed matter and understands the unique challenges and opportunities for print publishing. \n  \nLOCATION AND ACCESSIBILITY INFORMATION \nSmall World Music and Critical Distance Centre for Curators\nSuite 101 and 302 (respectively) at Artscape Youngplace\n180 Shaw Street (between Dundas and Queen Street in Toronto’s Queen West neighbourhood)\nToronto\, Ontario M6J 2W5 Canada\nGoogle Map \nArtscape Youngplace and Critical Distance are fully accessible by Ontario standards\, with a wheelchair ramp at the 180 Shaw Street doors\, an elevator servicing every floor\, and a fully accessible washroom on every level. The nearby 63 Ossington bus on the TTC is wheelchair accessible. \n\nThis event is held in conjunction with Publishing Against the Grain\, co-presented with iCI (Independent Curators International) (Independent Curators International). Critical Distance would like to thank the Ontario Arts Council – Conseil des arts de l’Ontario for support in making this exhibition and related events possible. \n\nimage: screenshot of detail of I am so afraid of words\, 2019 by Tal Sofia\, as featured in Peripheral Review\, June 13\, 2019 by Chelsea Rozansky.
URL:https://criticaldistance.ca/event/pressing-the-issue-pt-2-critical-arts-publishing-in-canada-continued/
LOCATION:Small World Music\, 180 Shaw St\, Toronto\, ON\, Toronto\, Ontario\, M6J 2W5\, Canada
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/png:https://criticaldistance.ca/assets/2019/09/Event_PressingtheIssueP2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20190809T173000
DTEND;TZID=America/Toronto:20190809T190000
DTSTAMP:20260505T042210
CREATED:20191027T200719Z
LAST-MODIFIED:20200519T174421Z
UID:15724-1565371800-1565377200@criticaldistance.ca
SUMMARY:HAPPY HOUR WITH THE HIV HOWLER
DESCRIPTION:HAPPY HOUR WITH THE HIV HOWLER\nJoin us for a presentation by Anthea Black and Jessica Whitbread\, founders of The HIV Howler: Transmitting Art and Activism in conversation with Danielle St. Amour (SBC galerie d’art contemporain – Gallery of Contemporary Art). \nRefreshments will be served and all are welcome. Location is Artscape Youngplace\, exact space TBD. Building is wheelchair accessible.This is a FREE event but please RSVP to rsvp@criticaldistance.ca to help us to plan space and refreshments. \nThe HIV Howler: Transmitting Art and Activism is a limited edition art newspaper focusing on global grassroots HIV art and cultural production. Artists\, writers and activists play a fundamental role in shaping broader societal understandings of HIV and working from within communities that are most impacted by the virus. Together we reflect the immediacy and urgency of global HIV/AIDS dialogues as well as their historical continuities. The HIV Howler is a forum for dialogue\, a demand for aesthetic self-determination\, a response to tokenism\, and a guide to navigating the vibrational ambiguities between policy\, pathology\, and community. \nCome for the happy hour and stay for PRESSING THE ISSUE\, PART 2: Continuing the conversation on the state of independent critical arts publishing projects in Canada with Anthea Black and Jessica Whitbread from The HIV Howler\, Adrienne Crossman from Off Centre\, Lauren Lavery from Peripheral Review\, and Niki Little from imagineNATIVE Film + Media Arts Festival. \n  \nAnthea Black is a Canadian artist\, writer\, and cultural worker based in San Francisco and Toronto. Her studio work addresses feminist and queer history\, collaboration\, materiality\, and labour and has been exhibited in Canada\, the US\, France\, Germany\, The Netherlands\, and Norway. Black is co-editor of HANDBOOK: Supporting Queer and Trans Students in Art and Design Education with Shamina Chherawala and The New Politics of the Handmade: Craft\, Art and Design with Nicole Burisch\, and publisher of The HIV Howler: Transmitting Art and Activism with Jessica Whitbread. She is an Assistant Professor in Printmedia and Graduate Fine Arts at California College of the Arts. \nJessica Whitbread is a graduate of the York University Masters of Environmental Studies program\, she has a degree in Building Communities to Ignite Social Change. She is a queer activist and artist that has been working in the HIV movement since shortly after her diagnosis in 2002. Her work includes LOVE POSITIVE WOMEN\, Tea Time\, No Pants No Problem and she is a co-curator of POSTERVirus. Jessica published Tea Time: Mapping Informal Networks of Women Living with HIV in 2015. She was the Wesley Mancini Artist in Residence at the McColl Center for Art and Innovation\, and a recipient of the Premier’s Award from the Government of Ontario\, and the Visual AIDS Vanguard Award. In 2016\, she gave birth to twins and advocated to openly breastfeed them in a Canadian context. \nThis event is held in conjunction with Publishing Against Grain\, co-presented with iCI (Independent Curators International). Critical Distance would like to thank the Ontario Arts Council – Conseil des arts de l’Ontario for support in making this exhibition and related events possible.
URL:https://criticaldistance.ca/event/happy-hour-with-the-hiv-howler/
LOCATION:Small World Music\, 180 Shaw St\, Toronto\, ON\, Toronto\, Ontario\, M6J 2W5\, Canada
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2019/09/Event_HappyHowler.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20190708T190000
DTEND;TZID=America/Toronto:20190708T220000
DTSTAMP:20260505T042210
CREATED:20191030T213925Z
LAST-MODIFIED:20200519T174443Z
UID:15729-1562612400-1562623200@criticaldistance.ca
SUMMARY:PRESSING THE ISSUE Part 1: On Critical Arts Publishing in Canada
DESCRIPTION:Join us July 8th\, 2019 starting at 7pm at Small World Music Centre\, Suite 101 of Artscape Youngplace; reception to follow in gallery at Critical Distance\, Suite 302. \n\nWe are thrilled to host a conversation with founders and co-founders of indie critical arts publishing projects in Canada including; Cecilia Berkovic (EMILIA-AMALIA)\, and Ben Donoghue (MICE Magazine)\, Merray Gerges (CRIT paper)\, Steffanie Ling (Charcuterie\, Bartleby Review\, STILLS)\, and Vanessa Runions (Carbon Paper). This panel will be moderated by Maxine Proctor. \n\nThere will be refreshments and all are welcome. This is a FREE event but please RSVP to rsvp@criticaldistance.ca. There will be non-alcoholic drinks available.\n\n\nLOCATION AND ACCESSIBILITY INFORMATION \nSmall World Music and Critical Distance Centre for Curators\nSuite 101 and 302 (respectively) at Artscape Youngplace\n180 Shaw Street (between Dundas and Queen Street in Toronto’s Queen West neighbourhood)\nToronto\, Ontario M6J 2W5 Canada\nGoogle Map \nArtscape Youngplace and Critical Distance are fully accessible by Ontario standards\, with a wheelchair ramp at the 180 Shaw Street doors\, an elevator servicing every floor\, and a fully accessible washroom on every level. The nearby 63 Ossington bus on the TTC is wheelchair accessible. \nThis event is held in conjunction with Publishing Against the Grain\, co-presented with iCI (Independent Curators International) (Independent Curators International). Critical Distance would like to thank the Ontario Arts Council – Conseil des arts de l’Ontario for support in making this exhibition and related events possible. \n\nimage: screenshot from Bartleby Review (eds\, Steffanie Ling and Bopha Chhay)
URL:https://criticaldistance.ca/event/pressing-the-issue-pt-1-on-critical-arts-publishing-in-canada/
LOCATION:Small World Music\, 180 Shaw St\, Toronto\, ON\, Toronto\, Ontario\, M6J 2W5\, Canada
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2019/09/Event_PressingtheIssueP1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20190619T190000
DTEND;TZID=America/Toronto:20190619T210000
DTSTAMP:20260505T042210
CREATED:20200427T203125Z
LAST-MODIFIED:20200519T174540Z
UID:16033-1560970800-1560978000@criticaldistance.ca
SUMMARY:Curating for the Future with AGYU Visiting Curator Tian Zhang
DESCRIPTION:A FREE PUBLIC PRESENTATION BY AGYU VISITING CURATOR TIAN ZHANG  \nWEDNESDAY\, JUNE 19\, 2019 starting at 7PM at Small World Music Theatre\, Suite 101 of Artscape Youngplace\, 180 Shaw Street\, Toronto\, ON\, M6J 2W5 \nAGYU and Critical Distance Centre For Curators (CDCC) are pleased to co-present a curatorial talk by AGYU Visiting Curator Tian Zhang (Sydney\, Australia). A presentation of Tian’s work will be followed by a facilitated conversation hosted by Emelie Chhangur (AGYU)\, Myung-Sun Kim (Toronto Biennial of Art)\, and Shani K Parsons (Critical Distance).\n\nTIAN ZHANG is a curator and cultural producer interested in socially-engaged\, alternative and activist curatorial methodologies. Her work has been shown nationally in Australia\, including at Customs House Sydney\, Judith Wright Centre of Contemporary Arts and Metro Arts. Her curatorial project I Am\, You Are\, We Are\, They Are (2017) was nominated for a Museums and Galleries of NSW Imagine Award and she has produced multiple award-winning socially-engaged and site-specific works for Urban Theatre Projects (Bankstown:Live\, 2015 and Home Country\, 2017). Tian is the Chair of Firstdraft\, Australia’s longest running artist-led organisation and a founding co-director of Pari\, a new artist-run initiative for Parramatta. She is an alumni of the Australia Council for the Arts Future Leaders Program 2018. \nEMELIE CHHANGUR is an award-winning curator\, writer\, and artist based in Toronto\, where she works as Interim Director/Curator of Art Gallery of York University (AGYU). Chhangur is known for her process-based\, participatory curatorial practice\, the commissioning of complex works across all media\, and the creation of long-term collaborative projects performatively staged within and outside the gallery context. Dedicated to questioning the social and civic role of the contemporary art gallery\, Chhangur is known for a practice she calls “in-reach\,” which is transforming institutional practice in the arts across Canada. \nSituated in Toronto’s suburbs and located at one of Canada’s most diverse universities\, AGYU has reinvented itself in order to become responsive to this nuanced cultural context and to make its location a catalyst for artistic risk-taking and institutional innovation. AGYU believes that a contemporary art gallery should serve an aesthetic and social function\, that it must be fluid and flexible and transform itself through reciprocal engagement with artists\, communities\, and the world as it changes. AGYU has an award-winning exhibition\, publishing\, and commissioning program and is known for its long-term\, socially engaged projects that bring together the various streams of its artistic activity. AGYU’s residencies operate in relation to the gallery’s research practice and as a core generator of its artist-centered\, iterative-style of programming. AGYU’s Visiting Curator Series began in 2017. \nMYUNG-SUN KIM is an interdisciplinary artist and cultural programmer. She has led curatorial programming at galleries and festivals including Toronto Reel Asian International Film Festival\, Inside Out Film Festival (shorts)\, and The Theatre Centre\, and programs multidisciplinary practices across various media. Her approach to public engagement focuses on intersectionality\, empathetic methodologies\, social processes\, and engaging in civic conversations through meaningful partnerships and collaborations. She recently completed a Fellowship with the Toronto Arts Council’s Leader’s Lab with Banff Centre. Her work as an artist has been presented across North America and in Finland\, including Art Gallery of Ontario\, MOCA Toronto\, FADO Performance Art Centre\, and Plug In ICA. Currently\, she is the Associate Curator of Public Programming & Learning at the Toronto Biennial of Art. \nSHANI K PARSONS is an independent curator and founding director of Critical Distance Centre for Curators (CDCC) in Toronto. With degrees in architecture and design she has pursued a transdisciplinary\, research-based practice within independent and institutional contexts and produced an eclectic body of work ranging from intimate artist’s books to immersive exhibitions. Curatorial projects include solo and group exhibitions featuring local and international artists working in all media\, site-responsive interventions and installations in the public sphere\, and thematic moving image programs bringing together eclectic and experimental films\, videos\, animations\, music\, and more. www.anotherbeautifulday.ca \nCRITICAL DISTANCE is a not-for-profit project space\, publisher\, and professional network devoted to the support and advancement of curatorial practice and inquiry in Toronto\, Canada\, and beyond. With a focus on critically engaged\, collaborative\, and cross-disciplinary practices\, underrepresented artists and art forms\, and community outreach and education in art and exhibition-making\, Critical Distance is an open platform for diverse curatorial perspectives\, and a forum for the exchange of ideas on curating and exhibition-making as ways to engage and inform audiences from all walks of life. www.criticaldistance.ca\n… \nACCESSIBILITY INFORMATION\nArtscape Youngplace and Critical Distance are fully accessible by Ontario standards\, with a wheelchair ramp at the 180 Shaw Street doors\, an elevator servicing every floor\, and a fully accessible washroom on every level. The nearby 63 Ossington bus on the TTC is wheelchair accessible.\n… \nTian Zhang would like to acknowledge the Australian Government through the Australia Council for the Arts\, its arts funding and advisory body for support for this project. \nThe Art Gallery of York University is a university-affiliated public non-profit contemporary art gallery supported by York University\, the Canada Council for the Arts\, the Ontario Arts Council\, an Ontario government agency\, the City of Toronto through the Toronto Arts Council\, and through our membership.\n… \nimage: Lux Eterna\, Notch by notch the bamboo grows: Tian Zhang\, 2017
URL:https://criticaldistance.ca/event/curating-for-the-future-with-agyu-visiting-curator-tian-zhang/
LOCATION:Small World Music\, 180 Shaw St\, Toronto\, ON\, Toronto\, Ontario\, M6J 2W5\, Canada
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2019/09/Event_CuratingfortheFuture.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20190414T133000
DTEND;TZID=America/Toronto:20190414T160000
DTSTAMP:20260505T042210
CREATED:20200427T233326Z
LAST-MODIFIED:20200519T174706Z
UID:16045-1555248600-1555257600@criticaldistance.ca
SUMMARY:Artist Talk: Nicole Kelly Westman
DESCRIPTION:Join us in the CDCC gallery for a talk with Calgary-based artist Nicole Kelly Westman. After this event\, visitors are welcome to travel downstairs (or elevator) to Small World Music (Suite 101)\, for a 3 pm talk with Images Festival’s Canadian Spotlight artist KC Wei\, followed by a conversation with journalist and critic Merray Gerges.
URL:https://criticaldistance.ca/event/artist-talk-nicole-kelly-westman/
LOCATION:Critical Distance\, Suite 122 at 401 Richmond Street West\, Toronto\, Ontario\, M5V 3A8\, Canada
CATEGORIES:Talks + Panels
ATTACH;FMTTYPE=image/jpeg:https://criticaldistance.ca/assets/2019/09/Event_NicoleKellytalk.jpg
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END:VCALENDAR