An exhibition of a do-it-yourself cardboard coffin seeks to turn death into a sustainable enterprise through design, technology, and open source methods while daring you to get comfortable with the uncomfortable. Come on in and stay a while, for this is a unique chance for the living to get cozy with one of life’s certainties…death.Continue reading
Curated by Noa Bronstein and presented in partnership with the Koffler Gallery, Through Lines brings together the works of seven artists that challenge notions of redaction, tackling its typical devices of shredding, blacking out, editing and covering up. Lise Beaudry, Scott Benesiinaabandan, Michèle Pearson Clarke, Leila Fatemi, Maria Hupfield, Raafia Jessa, and Nadia Myre create works that engage a restorative gesture, speaking to the ways in which history and memory are conceptualized within a contemporary context. Continue reading
Gallery 44 and Critical Distance presents Exposing Liminalities, an exhibition which brings together the work of five artists that expand, challenge, and question notions of the in-between. Employing elements of both analogue and digital photography practices, this exhibition considers the myriad intersections that can define oneself. Reflecting on liminality as a critical discourse, artists probe places and contexts that are immediate yet deeply personal – embodying and responding to conditions that approximate liminal space through investigative means.
Curated by emerging curator Emma German, Exposing Liminalities features alumni from Gallery 44’s OUTREACH program, and winners and honourable mentions of the David Barker Maltby Award. Continue reading
Critical Distance is pleased to present … move or be moved by some thing rather than oneself., an exhibition that considers curating and choreography as materials and subjects. Bringing together the work of Guillaume Adjutor Provost, Adam Basanta, Adrienne Crossman, and Nadège Grebmeier Forget, the exhibition is curated by Florence-Agathe Dubé-Moreau and Maude Johnson. The title, taken from a quote by choreographer Yvonne Rainer, echoes the curators’ desire to question the potentialities of artworks as well as presentation contexts from the position of transdisciplinary instability. Continue reading
In partnership with Aboriginal Curatorial Collective–Collectif des commissaires autochtones, Critical Distance is pleased to present FORWARD FACING, a Featured Exhibition of the 2018 Scotiabank CONTACT Photography Festival. Curated by Cass Gardiner (Toronto/Brooklyn), FORWARD FACING is an exhibition that examines intersectionality within Indigenous identity through the photographic, video, craft, and installation practices of Dayna Danger (Montreal), Lacie Burning (Vancouver), and Jade Nasogaluak Carpenter (Calgary).
Opening Weekend Events
Saturday, April 21 from 2-4 pm
FORWARD FACING Reception with Curator’s Talk
Please join us in the gallery (Suite 302 at Artscape Youngplace) for a very special reception with Toronto/Brooklyn-based curator Cass Gardiner, featuring a tour of the exhibition followed by beverages and bites courtesy of Pow Wow Cafe. Stay for artists’ performance at 5 pm.
Saturday, April 21 starting at 5 pm
Performance featuring DAYNA DANGER, LACIE BURNING, and KANDACE PRICE
Three collaborators negotiate time, boundaries, and songs. Starting location to be announced at the opening.
Sunday, April 22 from 2-4 pm
Bike Tube Flogger-Making Workshop with DAYNA DANGER
Make your own mini flogger from rubber bike tubes in this PWYC hands-on workshop with Dayna Danger. Materials will be provided. Space is limited so please contact us at rsvp (at) criticaldistance (dot) ca to inquire/register. Location to be confirmed upon registration.
WE LOOK AT ANIMALS BECAUSE
January 25–March 25, 2018
Featuring Quratulain Butt, Khaled Hourani, Maha Maamoun, Smriti Mehra, Huma Mulji, Ed Panar, Alex Sheriff, and Andrea Luka Zimmerman | Curated by Toleen Touq and Nahed Mansour
In partnership with South Asian Visual Arts Centre (SAVAC), Critical Distance is pleased to present We Look At Animals Because, an exhibition that gazes on animality. Through the lens of spectatorship, the show explores the shifting ways in which animals are regarded, represented and accorded meaning in post-industrial landscapes. Exhibiting photographs, video, works on paper, and sculpture, the featured artists reveal the nuanced, complicated and unexpected paradoxes that mark our relationships with cosmopolitan animals.
Critical Distance Centre for Curators (CDCC) and Aboriginal Curatorial Collective–Collectif des commissaires autochtones (ACC-CCA) are pleased to announce this joint call for proposals for an exhibition or curatorial project to be mounted at CDCC in Spring 2018.
This opportunity is for Indigenous curators, artists, architects, collectives, writers, researchers, and others interested in engaging and expanding curatorial approaches to public programming and exhibition-making within a critical context. Projects that are conceptually experimental or innovative, introduce new artists to Toronto audiences, and deliver theoretical tools to think about contemporary Indigenous art in Canada are highly encouraged.
The selected applicant will receive a curatorial fee of $3000 for curation and writing in support of the project. Artist fees will be paid at 2018 CARCC rates. Further support in the form of a budget for exhibition materials and production (to be developed in collaboration with ACC-CCA/CDCC), installation assistance, design, promotion, and full documentation in an exhibition catalogue to be produced by CDCC will also be provided.
Friday, October 27, 2017 at 5 pm EST
Critical Distance is thrilled to launch our landmark 5th year of programming with FERMENTING FEMINISM, curated by Lauren Fournier and featuring Sharlene Bamboat, Hazel Meyer, Leila Nadir and Cary Peppermint, Sarah Nasby, Kayla Polan, Walter Scott, and Agustine Zegers.
Kombucha, guts, bacteria, vessels, vitalism, effervescence, degradation, and decay. Fermenting Feminism brings together artists whose work fleshes out the intersections between fermentation and intersectional feminisms. As the process of microbial transformation, fermentation becomes both a metaphor and material practice through which to approach feminist practices in the contemporary. Continue reading
Future Legacies: Design for Canada’s Next 150 Years is an exhibition of The Site Magazine’s inaugural design competition, featuring the five winners: Ali Navidbakhsh, Evan Wakelin, Karan Manchanda, Sarah Gunawan, and Shelley Long; plus five runners-up: Anna Longrigg + Jason McMillan, Fionn Byrne, Kyung-Kuhn Lee + Mamata Guragain + Nubras Samayeen, Mitchell Gray, and Rob McIntosh; and five honourable mentions: Dominique Cheng, Émélie Desrochers-Turgeon, Emma Mendel, Stephanie Mauer, and Studio Ha-ha.
Critical Distance is pleased to facilitate this exhibition in the 3rd Floor Hallway Gallery just outside our door at Artscape Youngplace, on view September 8–23, 2017 during building hours, 8–8 pm daily.
FEATURING: Zula, Xavier Binette, Wolfie, Starchild Dreaming Loud, Sophia Nahz, Singing Thunder, Rachel Macintosh, Oddane Taylor, Nicholas Ridiculous, M.T. Ness, Michelle Charlie, Jessie Stone, Gen Gagnon, Elijah M, Bethany Papadopolous, Anonymous, Amelia Merhar
Critical Distance is pleased to announce our 2017 Summer Sessions exhibition, Moving Home: The Art and Embodiment of Transience Emerging from Canada’s Child Welfare System. Presented by York University Human Geography master’s candidate Amelia Merhar, this project is the second to be hosted as part of our Summer Sessions initiative, a program through which we support emerging curators and artists by providing free space, mentorship, and installation support for their thesis exhibitions.