Artist Nadège Grebmeier Forget’s billboard After Rendering on View (Betty Rowland meets Angela Aames), May 27, 2017 is on view at 180 Shaw Street through June to August, 2018, as part of the group exhibition … move or be moved by some thing rather than oneself, curated by Florence-Agathe Dubé-Moreau and Maude Johnson and featuring works by Guillaume Adjutor Provost, Adam Basanta, Adrienne Crossman, and Nadège Grebmeier Forget.
Find out moreAn exhibition catalogue produced in conjunction with the exhibition …move or be moved by some thing rather than oneself, that took place at Critical Distance Gallery in 2017. This text examines the intersections between methods of creation and reflection particular to curatorial and choreographic spheres. As part of the ongoing discussion on dance in the museum, this exhibition responds specifically by disengaging from the danced gesture. It gathers artists who, on the one hand, borrow from curatorial and choreographic methodologies; and who, on the other hand, transform the multiple spaces (physical, virtual, social, political, historical, etc.) and temporalities of the gallery.
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